Best Ware Carts and Mobile Shelves for Pottery, Ceramics, and Sculpture Studios

Ware Carts can add a lot of storage space to your studio and are great for holding in-progress work. If you get a model on wheels, it will make your studio even more flexible and allow you to maximize space.

There are six ware carts made for ceramic studios, but you can also use wire shelving and even bakery carts. This post will cover every type of ware cart I’ve seen in ceramic studios, along with recommended picks. In truth, any of these will be quality additions to your studio. You’ll just need to select the cart that works for your space, and budget.

The Brent Ware Cart: our top pick for a ware cart / mobile shelving in a ceramic studio.

The Brent Ware Cart: our top pick for a ware cart / mobile shelving in a ceramic studio.

Top Pick: Brent Ware Cart

The Brent Ware Cart is my favorite ware cart for a few reasons. It has the typical Brent overbuilt / bombproof construction; it’s tall; and it’s made with round steel pipe. As ware carts are designed to move, the round sides are comfortable to grab and roll. It’s a small difference, but a detail that really makes this cart stand out. The center top bar is also less conspicuous, and I like the rounded look. Brent makes a few other carts, including a mobile shelf cart, if you want to go for a matching look too.

This cart ships flat and assembles by bolting together the cross bars and adding plywood shelves. It comes with 4” locking casters, and measures 35 inches wide, 24 inches deep, and 72 3/4” tall. The shelves are 24” x 32” and it can hold up to 9 full shelves, or you can use it with a combination of 12 x 32” half shelves.

The Brent Ware Cart typically retails for around $700 plus $150 for the shelves, or you can cut plywood yourself to make the 32” wide shelving.

Budget Pick: Wire Shelving on Wheels

Seville Classics 2’ x 4’ x 6’ tall heavy duty wheeled wire shelving.

Seville Classics 2’ x 4’ x 6’ tall heavy duty wheeled wire shelving.

Ceramic-specific ware carts retail for between $425 and $700 plus shelves, but for less than half that you can get heavy duty wire shelving on wheels. The wire shelving is not ideal for greenware that is too wet, but you can use boards to store wet pieces on it. And it is great for pieces that are leather hard, for drying tiles, or for any other sort of storage.

For wire shelving used as a ware cart, I’d go for 24” deep shelving such as the Seville Classics 24” x 48” x 72” tall unit with 3 inch casters. The whole unit is rated to hold 500 lbs. This is lower than the 750 to 1000 lbs that a ceramic ware cart will hold, but should be plenty for most studios.

amazon basics wire shelving on wheels.jpg

Ultra-Budget Pick: Amazon Basics Wire Shelving on Wheels

For a mobile wire shelving unit that is perfect for smaller studios, you can’t beat the $60 Amazon Basics mobile wire shelving. It’s got 5 shelves, measures 14” deep x 30” wide x 64.75” tall. It’s not as strong or big as a ceramic ware cart but it should hold up under individual / light duty use. Just don’t expect these to survive in an academic or community studio with heavy use.

Budget Pick: Bakery Carts

The Gridmann Bakery Cart with locking casters.

The Gridmann Bakery Cart with locking casters.

Bakery carts are another option for ceramic studios. They aren’t as sturdy or designed for the weight of clay or plaster, but can work for light-duty purposes. They are also cheaper and are often easy to find used. They tend to be smaller, built around the size of an 18” x 26” sheet pan. You’ll need to cut your own plywood shelves or with the narrow width, you can also make shelves with drywall.

Bakery carts are especially popular with tile makers as they really expand your storage area and they work with homemade, drywall shelves.

There are many option, but a solid one is the Gridmann Bakery Cart, which retails for around $150 plus the cost of shelves. In many ways, bakery work is pretty similar to ceramics so maybe these carts would be an ideal option for your studio.

These are just a few of the options for a studio. The post continues below with information on every ware cart on the market.

A Note on Plywood Shelves: Most ware carts have the option of adding precut shelves. You can also make your own with 3/4” interior-grade plywood. Cut it yourself with a plunge saw or table saw, or have a lumber yard cut it for you. You could use 1/2” plywood, but that will bend or warp over time. 3/4” plywood is a better investment as it is more likely to stay flat. It’s worth it to get the best grade of plywood you can afford, you’ll be happy you did years down the road.

If you get a narrow cart, such as a bakery cart, you can also make shelves out of drywall. Just be sure to cover the edges with duct tape or gummed paper packing tape, so that you won’t get drywall crumbs all over your studio.

Table of Contents

  • Top Pick: Brent Ware Cart

  • Budget Pick: Mobile Wire Shelving and Bakery Carts

  • Runner up: Bailey Ware Truck

  • North Star Ware Cart

  • Axner Ware Cart

  • Laguna Ware Cart

  • Debcor Ware Cart

  • Bakery Carts

  • Summary

Runner Up: Bailey Ware Cart

The Bailey Ware Cart, pictured here with the 13 shelf option.

The Bailey Ware Cart, pictured here with the 13 shelf option.

The Bailey Ware Cart is another great option that is about the same size as the Brent Ware Cart but has more shelves and is cheaper. Made of square steel bars and angle iron, it measures 24” deep x 34 1/2” wide x 74 1/4” tall. It has 6” casters and is available with 13 or 26 shelves. The 13 shelf unit retails for around $500 while the 26 shelf unit is around $650. The 26 shelf unit has a 2.5” spacing and is great for studios that do a lot of tile work, whereas the 5” spacing on the 13 shelf unit should work for most studios.

The Bailey Cart has a boxy shape, is easy to roll, and will be a piece of studio furniture that will last for decades. I have used these in a variety of studios and really like them, especially for tile work. When considering this unit, do note the top bars in the front and back. You will either have to use the top shelf for shorter ware, or as is more common, not use the top shelf or two.

Other Ware Cart options:

North Star Ware Truck

The North Star Ware Truck has easy-to-change shelf supports.

The North Star Ware Truck has easy-to-change shelf supports.

The North Star Ware Truck is characterized by it’s flexible shelf supports that hook in place without any tools. It’s a flexible, easy to use design. (You’ll have to gauge how often you need to change the set up of your ware cart to know if this makes sense to you.)

The entire unit is 39” wide, 24” deep and 67” tall and has 6” locking casters. It’s a bit shorter than most ware carts. It can hold up to 22 shelves, but it comes standard with 8 brackets, which gives you 4 shelves in addition to the bottom shelf. This package typically costs around $700.

This is a well thought out cart and is a great option if you want something shorter. Personally, I’d go with a taller cart like the Brent or the Bailey, but the North Star is one of the more flexible options.

Axner Ware Cart

The Axner Ware Cart is almost square, with shelves measure 32” x 36” inches.

The Axner Ware Cart is almost square, with shelves measure 32” x 36” inches.

The Axner Ware Cart is the biggest cart reviewed here. 36” wide, 32” deep, and 84” tall, this boxy behemoth will hold more ware than you’ll know what to do with. It has the potential for 11 shelves and is listed at a 1000 lb max load with 6” casters. Truthfully, this is the one ware cart I’ve never used in person. But it’s big! A deeper version of the Bailey ware cart in a way, that I’m sure is made with good quality from Axner / Laguna. At $500, it’s a good deal.

Halve shelves are listed at $10 each, it would be $220 for all 22. You could probably cut your own for cheaper.

Laguna Ware Cart

The Laguna Ware Cart in the distinctive Laguna teal paint job.

The Laguna Ware Cart in the distinctive Laguna teal paint job.

The Laguna Ware Cart has a center support column that can accommodate 18 half shelves. A distinctive design, it is easy to load even on the top shelf. The drawback is that it’s harder to grab and roll this cart, and you can occasionally catch yourself on the protruding shelf supports.

The cart measures 24” deep x 38” wide x 58” tall with 4” casters, with the shelves measure 12 x 36”. The cart retails for $425 and includes six shelves. It’s a good deal, but it is a shorter shelf and it’s just harder to grab and move this cart when you want to.

Debcor Ware Truck

The Debcor Ware Truck

The Debcor Ware Truck

The Debcor Ware Truck is the shortest option for ceramic ware carts, measuring 24” deep x 32” wide x 54” tall with 4” locking casters. The half shelves measure 12” x 28”, or 24” x 28” for full shelves. Like the Laguna Ware Cart, the Debcor Truck has a top cross bar that doesn’t interfere with loading ware. Although it’s shorter, this could potentially be a great option if you use the top layer for loading tall work.

This cart retails for $575 with 12 plywood half shelves. The cart can accommodate 8 full shelves or 16 half shelves, so you may want to cut a few extra.

Summary

Shelving on wheels just makes every studio better, and a quality ware cart is an investment that will last for decades while maximizing studio space. This post has covered every ceramic-specific option I’m aware of, along with wire shelving and bakery carts. The Brent Ware Cart is my favorite, followed closely by the Bailey Ware Cart, but truthfully, any ware cart is a better option that immobile shelving or no shelving at all.

What do you use for mobile shelving in your studio? Let us know in the comments.

Best Masks for Silica Dust in Pottery and Ceramic Studios

The 3M Half Mask with P100 particulate filters is the best mask option for ceramic studios.

The 3M Half Mask with P100 particulate filters is the best mask option for ceramic studios.

Editors note: Updated January 2022 to reflect the greater availability of N95s and other masks. The guidance on respirators remains the same.

Silica dust is a real hazard in ceramics studios and it’s important to have the right mask. Cloth masks or basic nuisance-grade dust mask will not offer enough protection against silica. The best options are N95/KN95 masks, or respirators with P95 or P100 filters. This is also the level of protection businesses are required by OSHA to provide to employees if silica dust is present.

Respirable silica is very fine with almost invisible particles that can stay airborne for some time, and repeated exposure can lead to silicosis or black lung. To protect against silica, it is important that masks fit correctly. If air can leak around the sides, it really defeats the whole purpose. This is especially of concern if you have facial hair, as that can cause the mask to not be properly sealed to the face. In that case, you may need a full face mask or to trim your beard. Overall, the best mask is going to be one that you reach for and wear during dust-generating tasks. Any protection is better than none. Personally, I use a respirator with P100 filtration whenever I am working with clay, plaster, wood, or other materials that create dust.

Also consider what is causing dust in your studio and seek to minimize that activity if possible. Keep an organized studio, use wet cleaning and sanding methods, and avoid creating dust. You may want to consider adding a dust collection system. For additional recommendations, visit our guides for cleaning tools and HEPA vacuums.

TOP PICK: 3M Half-Facepiece Respirator with P100 Filters

3M 6300 Half-Facepiece Mask without filters attached.

3M 6300 Half-Facepiece Mask without filters attached.

The 3M 6300 Half-Facepiece Respirator is a comfortable, reusable mask with filters that can be replaced as needed. This facepiece will take the round P95 or P100 particulate filters, or the cartridge style filters that are rated for particulates and some types of gases. Either will work, but you might find the round particulate filters to be more breathable. 3M also makes upgraded half masks (see below for more info) but this basic model is affordable, long-lasting, and will get the job done.

Note: this half-facepiece mask has unfiltered exhaust valves that are not appropriate for Covid safety in shared spaces.

The pink, round 3M 2097 P100 filters will fit the half facepiece mask.

The pink, round 3M 2097 P100 filters will fit the half facepiece mask.

P100 Filters and other options

The round, pink 3M 2097 Filters rated to P100 will offer the highest level of particulate protection. You could go with the slightly cheaper, white P95 filters but in my opinion, P100 filters are the way to go.

Another advantage of the Half Facepiece masks and filters is that they seem to be readily available during this time when disposable face masks are in high demand. When using these half masks, there can be some moisture buildup inside, but in general, I find them more comfortable than disposable masks.

All together, the 6300 half facepiece with P100 filters will typically cost around $25, and replacement filters are around $11-15 per set.

DISPOSABLE MASK TOP PICK: 3M 8210 N95 Masks

The 3M 8210 N95 mask has straps that go over the head.

The 3M 8210 N95 mask has straps that go over the head.

We’ve all learned a lot about masks during the Covid-19 pandemic, and if you’ve incorporated these into your Covid routine, you’re set for the studio too. N95 or KN-95 Masks are NIOSH rated to filter 95 percent of dust particles and are good for multiple uses if kept clean. N95 Masks have straps that go over your head, making them fit more snugly. KN-95 masks typically have ear bands and fit more loosely, however, they often seem to be constructed with a bit more breathing room around your mouth.

These days, it can be hard to find NIOSH-approved N95 / KN-95 masks but if it’s available, a solid option is the 3M 8210 N95 Mask. It typically comes in bulk packs where each mask costs $1.50 to $2.00 each.

ALTERNATE DISPOSABLE PICK: KN-95 Masks

Armbrust KN-95 mask in purple

Armbrust is an Austin, Texas-based mask manufacturer. Their KN-95 masks are available in a variety of colors. Shop at Armbrust

The disposable mask market is quickly changing these days, with a variety of manufacturers attempting to fulfill the demand during the Covid-19 pandemic. There also have been reports of fake name-brand masks and other problems. It can be very confusing to buy a “real” N95 or KN-95 mask, as detailed in this NY Times report.

KN-95 masks, which have ear bands as opposed to the over-the-head N95 style, have become quite common but the number and variety available are confusing. One place to start is by reviewing CDC-approved mask manufacturers as explained here or listed by the CDC here.

In late 2021, I placed an order with the Texas-based U.S. manufacturer Armbrust, and have been very happy with the quality of the surgical, KN-95, and kids KN-95 masks that I received. Not only are they NIOSH approved, but the masks are available in a variety of colors. It is great to have a readily available source of NIOSH-rated masks.

Tightest Fit: Pouch or “Duckbill” Style N95s

The Kimberly-Clark Pouch Style N95 has two soft straps that go over your head.

They may look sort of funny, but in my experience, the pouch or “duckbill-style” N95s have the tightest fit of any disposable masks. You can see the mask material move in and out as you are breathing, and it seems to provide excellent coverage for Covid and dust. These are what I favor for teaching and other times when a respirator is not feasible.

More mask reviews below:

Those are my top picks for studio dust masks that are appropriate to use for silica. Keep reading for a deeper look at various half-facepiece masks and other disposable mask options.

Table of Contents

  • Half Facepiece Masks (3M 6300, 3M 6500, 3M 7500)

  • Filters for Half Facepiece Masks

  • RZ Masks

  • Disposable Masks

  • Summary

Half Facepiece Masks: 3M Models

My top pick for a dust mask for a pottery or ceramic studio is a 3M 6300 Half Facepiece mask. It’s the basic model but will get the job done. The upgraded models are made with softer plastic and have a few different features with the straps and valves.

3M 6000 series Half Facepiece Mask

The 3M 6300 Half Facepiece Mask.

The 3M 6300 Half Facepiece Mask.

The 6000 series is the standard mask in the 3M line, and seems to be readily available in the 6300 model but you may occasionally see the 6200 or 6100. From what I can tell, these are all about the same. Made of “thermoplastic elastomer,” the masks will work with 3M filters or cartridge filters, and can be taken apart and cleaned. At around $13 each, these are a great deal.

3M 6500 Cool Flow Half Facepiece Mask

3M 6503QL Rugged Comfort Quick Latch model.

3M 6503QL Rugged Comfort Quick Latch model.

The 3M 6500 series is termed the “rugged comfort line” and features a softer silicone face seal, a low profile design, a “Cool-Flow” valve, and some models have a quick-latch drop down feature.

The most common and popular model in this series appears to be the 6503QL Rugged Comfort Quick Latch Model. In addition to the silicone lining, this mask features upgraded straps. It typically retails for $20 to $25 plus filters.

3M 7500 Half Facepiece Mask

The 3M 7502 Half Facepiece Mask.

The 3M 7502 Half Facepiece Mask.

The 7500 Half Facepiece line from 3M has the same features as the 6500 line, with the silicone lining and Cool Flow valve, but it has one main difference: the exhalation valve air is routed down to reduce fogging. If you wear glasses or googles, you should consider this mask.

This 7500 line typically retails for $25 to $30 plus filters.

3M Filter Options for Half Facepiece Masks

There are two styles of filters available for 3M masks: round particulate filters and cartridge filters, which work for particulates and gasses. For ceramics, particulate filters are adequate but if you stain wood, paint, or other activities with volatile gases, the cartridges will be a better option.

Particulate Filters

There are two options for round particulate filters: P95 and P100. The P100 offers a higher level of filtration. For a ceramic studio, the 2071 or 2091 filters are your best options. There are a few other filter options aimed at welders, smelting, and chemistry applications.

p100 filter.jpg
P95_2071_F_F.jpg

3M Cartridge Filters

3M Cartridges are almost all rated P100 and will filter particulates, gases, and vapors. There are a variety of options but the basic 60291 should cover most art studio applications. These are a bit overkill if you are just worried about silica / particulates, but are a good option if you are painting or working with anything that produces volatile fumes. The cartridges are generally about double the cost of particulate filters. At big box hardware stores, they typically only sell the cartridge filters or mask combos, as shown below.

60921_P.jpg
respirator with cartridge filters.jpg

For a complete overview of all the mask and filter options available from 3M, click here or here.

RZ Masks

The M2 mask from RZ.

The M2 mask from RZ.

RZ Reusable Face Masks are an interesting mix of a disposable mask with some features of a respirator. A newer product, you can now find these at a lot of hardware and home improvement stores, and online. The masks are not yet NIOSH rated, so I have some hesitancy in rating them higher, but when they do (most likely) receive a NIOSH rating, these would be a great workshop mask. (For technical info on RZ masks and the testing they have undergone, click here.)

The M2 Mask from RZ features a mesh fabric, hook and loop neck strap (i.e. similar to Velcro), and carbon filters that filter 99.9% of particles down to .1 micron. These masks were designed with unfiltered exhalation valves but the company now makes valve caps for use in shared environments where only filtered exhalation is recommended for the best Covid safety.

You will need to replace the carbon filters over time. Think of this mask as a more comfortable hybrid of a respirator and a disposable mask. They typically retail for $32 to $36 and come in a wide variety of colors. Replacement filters are available in a 3 pack for $9.

Other Disposable Masks

The 3M N95 and KN-95 masks listed at the top of this post are great options, but there are other disposable masks.

Moldex 2300

The Moldex 2300 Mask.

The Moldex 2300 Mask.

The Moldex 2300 is another N95 particulate respirator that also features an exhaust valve. This helps reduce moisture buildup, but it’s not recommended for Covid-level safety. The Moldex masks are also currently reserved for front-line organizations fighting Covid.

Honeywell Nuisance Masks

Honeywell Nuisance Masks

Honeywell Nuisance Masks

The Honeywell Nuisance Masks are cheap and easy to find, but they are not rated for hazardous dust or particulate use. Too often, I’ve seen these as the masks offered to students in ceramic classes. I guess they are better than no mask but there’s no reason to be casual about silica dust. These might be fine in a pinch, but they may give a false sense of security. For art studios, it’s best to use the proper N95 or higher masks.

Summary

This post has covered a variety of masks to deal with silica and other particulates in a ceramic studio. The first step should be to avoid making dust if possible. But to deal with silica, use a NIOSH approved half facemask respirator, or N95 rated disposable masks. Your long-term health is worth it, and investing in quality personal protective equipment is always a good idea.

What type of mask do you use to protect against silica and other particulates? Let us know in the comments.

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Best Bats for the Pottery Wheel

March 20, 2022: Updated and edited

Throwing bats make things easier on the pottery wheel but with many options, it can be hard to pick the right one for your studio. Bats are available in various sizes and a variety of materials, including plaster, plastic, medex, MDF, and tempered hardboard such as Masonite. In addition to individual bats, there are also bat systems. This post will cover all the bats that I’m aware of on the market.

A 12” Speedball Plastic Bat on a 14” wheel head.

A 12” Speedball Plastic Bat on a 14” wheel head.

TOP PICK: Speedball Plastic Bats

My favorite bats are Speedball Plastic Bats. Available in 3 sizes and 5 different colors, they have a lip that makes picking up and removing from the wheel a breeze, they don’t warp, and they are long-lasting.

Injection molded, all the bats (even the square!) have universal 9” and 10” pin spacing. They are easy to clean and store, and a good value for the money.

The bottom of a 12.5” HydroBat, note the red rubber bat pin grommets.

The bottom of a 12.5” HydroBat, note the red rubber bat pin grommets.

UPGRADE PICK: Hydro-Bats

Hydro-Bats are made from Hydro-Stone, a gypsum compound that is harder than plaster, and feature rubber grommets cast into the bat. Most have 10” pin spacing but there are other sizes as well. The absorbent Hydro-Stone virtually eliminates the need to cut your works off with a wire, and it is more resistant to chipping and scraping than plaster. They are thicker than plastic bats, about 1/2” thick, but if you have the room, these are a joy to use.

About Bats:

Bats are useful for a variety of reasons: they provide a platform to pick up and move your work as it is drying, they protect the wheelhead, and they might even make clean-up easier. You can throw directly on the wheel head, but for wide or flat forms, you will definitely need a bat to successfully move it off the wheel.

Scroll down for a full review of a all types of bats.

Table of Contents:

  • Top Pick: Speedball Plastic Bats

  • Upgrade Pick: HydroBats

  • Amaco Plasti-Bats

  • Laguna Plaster Bats

  • Masonite Bats

  • Medex Bats

  • Bat Systems

  • Bat Accessories

  • Summary

The 7.5 inch square Speedball Plastic Bat

The 7.5 inch square Speedball Plastic Bat

Top Pick: Speedball Plastic Bats

The bottom of the Speedball Plastic Bat.

The bottom of the Speedball Plastic Bat.

Speedball Plastic Bats are injection molded and available in three sizes: 14 inch round, 12 inch round, and 7.5 inch square. All feature universal 9 and 10 inch pin spacing (yes, even the square!). They have a grid of support on the underside, are about 1/4” thick, and do not warp. They don’t chip, but they can be cut by sharp knives.

A side view of the lip on the Speedball Plastic Bat.

A side view of the lip on the Speedball Plastic Bat.

The best feature of these bats is the lip on the side. This makes them very easy to remove, as opposed to the Amaco Plasti-bats, which sit flush with the wheel head. The one drawback is with the pin opening on the bottom, you can find yourself hunting to match the bat up with pins.

These bats can be stored horizontally or vertically. The most interesting is the space-saving 7.5 inch square bat, which can really reduce storage space if you are making a variety of bowls or platters.

These bats should be available at your local ceramic supplier or check Amazon. They are available in 5 different colors, including brown, blue, green, orange, and red.

The 12 inch Speedball Plastic Bat on a 14” wheel head.

The 12 inch Speedball Plastic Bat on a 14” wheel head.

The 14 inch Speedball Plastic Bat.

The 14 inch Speedball Plastic Bat.

Upgrade Pick: Hydro-Bats

The bottom of a 12.5 inch diameter Hyrdo-Bat, with the red rubber grommets that fit on standard 3/8” bat pins.

The bottom of a 12.5 inch diameter Hyrdo-Bat, with the red rubber grommets that fit on standard 3/8” bat pins.

Hydro-Bats are a line of bats made from HydroStone, a U.S. Gypsum product that is harder and stronger than plaster but still absorbent. They are widely available, but are manufactured by the team at The Ceramic Shop in Philadelphia. In addition to the absorbent surface, the bats have a lip for easy removal, and rubber grommets that easily fit over bat pins.

The complete line has flat bats, hump bats, and a variety of plate and platter shapes. The flat bats have two sizes of pin spacing: the standard 10” pin spacing comes in diameters ranging from 12.5 to 28 inches, and the smaller 6” pin spacing has bats that are 8.5 and 10 inches in diameter. The 6 inch pins might fit tabletop wheels or there is also a 10” to 6” adapter available.

Hydro-Bats do take up more space, they are about 1/2 inch thick. And if they become saturated with water, they won’t be very useful until they dry out. But the absorbency of the HydroStone makes these a great option for throwing bigger forms, as you will have more even drying on all sides of the vessel. When the clay pulls away from the bat without sticking, your ware will be at the perfect dryness for trimming.

Hydrobats will chip or take cuts from very sharp knives, but from experience I can say that you can drop them without much risk of them breaking (you might get some chips though.) Overall, these are my favorite bats to use because they make trimming much easier, and they are stronger and easier to use than homemade plaster bats, or other absorbent bats without grommets. They do cost more, but it’s worth it.

Amaco Plasti-Bats

Amaco Plasti-Bats are available in 12” and 14” diamater.

Amaco Plasti-Bats are available in 12” and 14” diamater.

Amaco Plasti-Bats are 1/4” thick, hard plastic with holes for bat pins drilled through. Available in 14 and 12 inch diameter, and 9 inch square, the holes are a universal 10 inch spacing. It would be simple to drill new holes if needed for alternative pin spacing. Simple, easy, and effective, these are functional bats that will get the job done.

There is also a 9” square Amaco Plasti-Bat, which also has holes for 10” pin spacing.

There is also a 9” square Amaco Plasti-Bat, which also has holes for 10” pin spacing.

With no ribbing or lip, either side can be used and cleanup is very easy. As with all plastic bats, they are non-absorbent.

The drawback with these is that while they are easy to attach to the wheel head, the lack of a lip makes removal a bit hard. Some sort of tool or knife is needed to wedge one side of the bat up, so that your fingers can get underneath. Without the ribbing, these can warp if stored incorrectly. It’s best to store these horizontally, but they can be stored vertically as long as pressure is not applied.

These are not a big savings over the top pick, the Speedball Plastic Bats, but they are generally a bit cheaper.

Laguna Plaster Bats

Laguna Plaster Bats are 1” thick and available in 4 diamters.

Laguna Plaster Bats are 1” thick and available in 4 diamters.

Laguna / Axner makes a line of 1 inch thick plaster bats. These do not have grommets or pin holes, so they will need to be attached to the wheel head with clay. They are available in four round diameters: 7.5 inch, 9.5 inch, 11.5 inch and 13.5 inch.

Much more affordable than Hydro-Bats, plaster is not as strong as Hydro-Stone but it will still work. Just be careful to not drop or use sharp tools with these.

In general, it’s really nice to throw on absorbent bats so if you don’t want to commit to Hydro-Bats, try one of these and see if you like it. You can also make your own plaster bats by using forms such as pie tins, or round trash cans.

Masonite Bats

A 12” Masonite bat with universal 10” bat pins.

A 12” Masonite bat with universal 10” bat pins.

Masonite bats are made by a variety of manufacturers and are affordable, thin, and can be real workhorses if used correctly. Masonite is a 1/4” thick, tempered, water-resistant hardboard that is usable on both sides and is slightly absorbent, making it ideal for helping pots dry. Their affordability also makes these common in production pottery, but if they stay wet for a long time (such as long-term storage of wet ware) or are soaked, they will warp, break down, or get moldy. They will also scratch if metal tools are used too aggressively on the surface.

The best way to use masonite bats is to remove the pot when it is ready for trimming, then clean the bat with a minimum of water, and allow the bat to dry before using again. Also, never soak a Masonite bat or flex it when wet, and store them horizontally.

With care, Masonite bats can last a long time.

Medex Bats

medex-bats.jpg

Medex Bats are a made by a variety of manufacturers including Speedball. Medex is a 3/8” thick, engineered particle board that is made with no formaldehyde. It’s smooth, dense, and water resistant. Think of it as thicker Masonite. All the same issues reported above also apply here, i.e. no soaking or long-term ware storage. But if kept cycling through your studio, these bats should stay flat and are cost-effective. Some reviews online mention warping, but if used correctly, they will be fine.

Baltic Birch Plywood Bats

Plywood bats

Plywood bats

Bailey Ceramic Supply in New York makes 3/4” thick Baltic Birch Plywood Bats. Absorbent like plaster, these bats are lighter than plaster or Hydro Stone, and won’t break or chip if you drop them. They are also more rigid for larger forms—plastic gets floppy at larger diameters. You could make your own plywood bats but these are predrilled and ready to go.

Like Masonate / Medex / hardboard, plywood will warp and get moldy if clay and ware is stored on them for a few weeks. Clean up with a minimum of water, and remove your piece as soon as you are able. It’s also a good idea to let these dry out in between uses. If properly cared for, plywood bats are long lasting.

Bat Systems

Bat systems feature a large bat and smaller inserts that can be swapped out. The idea is to save space on the shelf, and not have to bother attaching bats over and over. It’s particularly ideal for smaller work such as mugs, and small cylinders and bowls. The downside is that you commit to one manufacturer if you need extra or replacement bats. Some potters make their own version of these using a drill and a jigsaw. Only commit to a bat system if you know it’s the right system for you, the size of work you make, and your studio. It can be a definite space saver.

Penguin Pottery Heavy Duty Bat System

Penguin Pottery Heavy Duty Bat System

The Penguin Pottery Heavy Duty Bat System is made from MDF.

This system features a 14” circular bat with 6 inch square inserts, all made of MDF. The pins on the large bat are set for a 10” bat pin spacing, and the system is made in the USA. The inner bats are easily removable via four finger holes.



Dirty Girl Bat Systems

The Dirty Girl round bat system.

The Dirty Girl round bat system.

Dirty Girl tools makes two bat system, a square and round set. The large bat is 12.5”, and the smaller bats are 6.5 inches.

It’s not listed on the site, but it appears the larger bat is Medex or pressboard, and the inserts are thinner Masonite or some kind of tempered hardboard.

Snap Bat Throwing System

The all plastic Snap Bat system.

The all plastic Snap Bat system.

The Snap Bat Throwing System is an all-plastic option developed by The Ceramic Shop in Philadelphia. The large bat is 1/2 thick, and the smaller bats 7 x 7 inches square and 1/4” thick.

SpaceSaver / WonderBat Square Bat System

The WonderBat Square Bat System.

The WonderBat Square Bat System.

SpaceSaver by StudioPro and The WonderBat Square Bat System are compatible bat systems. (It appears the WonderBat is being phased out) This system is slightly different in that the inserts and larger bats are the same thickness. Designed to fit a standard 10" bat pin spacing with rubber comments that allow for two-sided use, it’s made from a engineered hardboard (possibly exterior-grade MDF) that is similar to Medex / Masonite. A variety of reviews praise this system, while others found that it expanded when exposed to water, which made it hard to use.

StudioPro also makes interesting polygonal bats and other speciality items.

Bat Accessories

There are a variety of accessories and add-ons that can help with bats and the throwing process.

Xiem Studio Tools BatMate

Xiem Studio Tools BatMate.

Xiem Studio Tools BatMate.

The BatMate from Xiem Studio Tools is a 12-inch diameter piece of synthetic fabric that can be placed in between a bat and wheel head to virtually eliminate any wobble, improving the accuracy of throwing and trimming. Many potters, however, wet the fabric and place it directly on a wheel head to use when trimming pots. Pots will stay put just by tension, without adding little balls of clay wadding. This saves time and works just as well.

It’s probably not necessary if you get Speedball Plastic Bats or Hydro-Bats, but it may be helpful for masonite or other bats that might have a slight warp. And it’s also a great tool for trimming small pots. At around $15, this is a tool that gets used all the time once it’s in a potter’s kit. The BatMate is available in 12 and 14 inch diameters.

Xiem Tools Bat Lifter

XSTBL.jpg

If you have bats without a lip, the Xiem Tools Bat Lifter will save your fettling knife or nails, helping you easily pick up one side of the bat. If you have Amaco Plasti-Bats, you definitely want one of these!

WiziWig Tools Clay Shield

The WiziWig Tools Clay Shield.

The WiziWig Tools Clay Shield.

The WiziWig Tools Clay Shield is a set of 14 flexible panels that will guard your throwing area from trimming and throwing splatters. Each panel is 4 1/4” wide, 8 3/4” tall, and has a base that slides under your splash pan. When combined, the Clay Shield will cover a 20 inch diameter. Coverage varies depends on set up and your wheel, but overall, this is a simple tool that can make a big difference in cleanup. It does require some set up and can get in the way, but if you’re working in tight quarters it can really help.

If this doesn’t seem right for you, some people tape newspaper, cardboard, or even flexible cutting boards to achieve the same ends.

Foam Trimming Bat

Foam Trimming Bats by StudioPro.

Foam Trimming Bats by StudioPro.

StudioPro and others make foam trimming bats. These are foam glued to a bat. You can make your own, but StudioPro offers two options: one has 1/4 in foam for smaller pots, and another has 3/4” foam for heavier or uneven pots. Simple, easy and time saving, if you think a foam bat is going to help you, it probably will.

Brent Batmobile

Brent Batmobile.jpg

The Brent Batmobile is a mobile cart perfectly designed to hold scores of round bats. It can accommodate bats that are 12 to 14 inches tall, and has locking 4 inch rubber casters. It’s not cheap—you might try a DIY option—but Brent’s entire product line is built to withstand heavy use in a production or busy academic studio. It will last forever.

Grinding Discs

There are now a variety of grinding discs that fit right on your wheel head. A great solution—you’ve already got this spinning motor with a waterproof splash pan! Some grinding discs have sticker backs that can be used with a bat. If you’re interested in this, a good place to start is with our DIY grinding disc tutorial.

Summary

This post covered a variety of bats for use on the pottery wheel. There are bats available in plastic, HydroStone, plaster, Masonite and other hardboards, and even plywood. There’s also a variety of bat systems and other bat accessories. Overall, my favorite bat is the Speedball Plastic Bat for it’s easy to move lip and resistance to warping. Hydro-Bats are my favorite for absorbent bats.

What are your favorite bats?

Best Wet Polisher / Grinder for Ceramics and Sculpture

There are a variety of wet polishers/grinders on the market, but models from Flex, Makita, and Metabo are clear market leaders. These are long-lasting, professional-grade tools that will hold up under heavy use for all your grinding and polishing needs. There are other options, but the top three picks are clearly superior to various generics and off-brand models. These tools are mostly designed for polishing and routing marble and stone, but they work great with ceramic, glaze, concrete and other materials.

A complete review and guide to wet polishers is below, but first:

TOP PICK: Flex LE 12-3 100 Variable Speed Wet Polisher / Grinder

The Flex LE 12-3 100 Variable Speed Wet Polisher / Grinder.

The Flex LE 12-3 100 Variable Speed Wet Polisher / Grinder.

The top pick (and the model I use in the studio) is the Flex LE 12-3 100 Variable Speed Wet Polisher / Grinder.

The Flex polisher has a 9.3 amp motor with speeds ranging from 1200 to 3700 RPM, can accommodate up to 5 inch pads, weighs 5.5 lbs (2.4kg), and it is made with high-quality rubber hoses and cords that stand the test of time. One distributor reports that of all the wet grinder models, this gets returned the least, speaking to its quality. The Flex Variable Speed Wet Polisher typically retails for around $320-$340.

Like most power tools, you do have to pay for quality with wet polishers. The top three models from Flex, Makita and Metabo are among the most expensive models, generally costing between $300 and $350 plus extra for a pad and grinding discs. But for an electric tool used in such close proximity to water, you definitely want a tool that you can trust.

Is this a necessary tool for everyone? Most likely not. A wet polisher/grinder is a specialized piece of equipment. But once you have one, you’ll find lots of uses ranging from clean up and polishing, to opening up new decorative possibilities with ceramic glazes. And it’s always great to have a water-based sanding operation to keep dust down in your studio.

SAFETY NOTE

Wet polishers / grinders have electrical motors and a water feed. Use proper safety equipment including eye protection, rubber gloves, and possibly a rubber apron. These machines will cast water in many directions, so create a protected area and endeavor to keep water away from the motor and electrical cords. If you feel a “tingle” of electricity, cease use and assess what is causing the problem. All of these tools come with a built-in Ground Fault Circuit Interrupter (GFCI) and if possible, you should plug them into an outlet that also has a GFCI. If the on-unit GFCI is not working, do not use the tool.

Table of Contents

  1. Top Pick: Flex LE 12-3 100 Variable Speed Wet Polisher / Grinder

  2. 2nd Top Pick: Metabo PWE 11-100 Variable Wet Polisher / Grinder

  3. 3rd Top Pick: Makita PW5001C Variable Speed Stone Polisher

  4. Runner Up: Stadea SWP 101K Wet Polisher

  5. Other options

  6. Comparison Chart / Buyer’s Guide

  7. How To Use A Wet Polisher

  8. Summary

Top Pick: Flex LE 12-3 100 Variable Speed Wet Polisher and Grinder

The Flex Wet Polisher / Grinder with a 4 inch pad attached, and showing 4 and 5 inch Stadea brand diamond grinding pads.

The Flex Wet Polisher / Grinder with a 4 inch pad attached, and showing 4 and 5 inch Stadea brand diamond grinding pads.

The Flex LE 12-3 100 is the top pick because of its many high-quality features including variable speed, ability to accommodate up to 5” pads, quality of construction including a rubber hose that won’t get kinks, and durability. It’s a close race with the Makita and Metabo models, but this German-made machine stands out for it’s overall quality and ease of use. I’m happy to report that this is the machine I have been using in my studio and it has held up under 6 years of frequent use. If I was shopping today, I would look most closely at this model and the Metabo.

The Flex comes with a 1 year warranty, and has a 9.3 amp motor with speeds ranging from 1200 to 3700 RPM. It does not come with an adapter for the quick-release hose, so you will have to find something that works for your studio. I use a simple garden hose to quick-release connector and I’ve also found attachments to get the hose connector fitted on a faucet.

Flex also makes a single speed model that costs about $20 less, but I think a variable speed wet polisher is the way to go. I typically use speeds ranging from 2 to 4 on this, or 1700 to 2400 RPMs. The speed adjuster is a dial on the back of the tool (see pictures below).

If you read online reviews, the only drawbacks that users report is difficulty finding the right hose connector (I found it easy to find however) and some report GFCI issues. I am very careful when using a wet polisher, and can say I’ve never felt one tingle or shock from this machine.

Slideshow of more images of the Flex LE 12-3 100 Wet Polisher.

2nd Top Pick: Metabo PWE 11-100 Wet Polisher / Grinder

The Metabo PWE 11-100 Wet Polisher, pictured here with a 4 inch pad.

The Metabo PWE 11-100 Wet Polisher, pictured here with a 4 inch pad.

The Metabo PWE 11-100 another variable speed, German-made wet polisher / grinder that has a lot of great features and is one of 3 professional-grade wet polishers that are best for ceramic and sculpture studios. It has a 9.6 amp motor with speeds ranging from 1700 to 6100 RPM, can accommodate up to a 5 inch pad. It also has an adjustable handle and a standard 1 year warranty with can be extended to 3 years with online registration.

Note the conveniently placed water switch near the rear hand grip on the Metabo.

Note the conveniently placed water switch near the rear hand grip on the Metabo.

This is the most recent wet polisher to the market, and Metabo has looked hard at the Flex and Makita models to try to find innovative touches, namely the extra speed, adjustable handle, and best of all, placing the water switch near the rear grip so you can cut the water with a push of your finger.

Some online users report issues with finding a quick connect adapter that works, but I think if you just take your grinder to the hardware store, you should be able to find something that works. All in all, this is a great model that goes head to head with the Flex. I’m really happy with my Flex Wet Polisher but I’d look really close at this model if I was buying a new machine today.

3rd Top Pick: Makita PW5001C 4” Wet Polisher / Grinder

The Makita PW5001C Wet Polisher

The Makita PW5001C Wet Polisher

The Makita PW5001C Wet Polisher is one of the most popular wet grinders on the market and you will find extensive reviews and feedback, which speaks to its overall quality and professional-grade durability. It has a 7.9 amp motor with speeds ranging from 2000 to 4000 RPM, and can accommodate up to a 4” pad.

This model was the first to feature a water feed on the bottom of the machine, which was an innovation soon copied by Flex and Metabo. It has a 1 year warranty. It also has a traditional side grip front handle, similar to what you see on angle grinders.

Some reviews once again found issues with getting the correct attachments for the quick-release hose, but I’m sure a well-stocked hardware store will have something that will get this machine working in your studio.

Overall, it’s a great tool but has a few drawbacks in comparison to the Flex and Metabo including a weaker motor, smaller speed range, and is only recommended up to a 4 inch pad. In general, I mostly use 4 inch pads but I like to have the option for a bigger pad for polishing flat surfaces. But if the Makita seems right for you, don’t let the pad size be the deciding factor. This is the best-selling wet polisher for a reason and Makita is trusted by many professionals in the stone polishing business.

Runner Up: Stadea SWP101K Wet Polisher

The Stadea 101K Wet Polisher / Grinder.

The Stadea 101K Wet Polisher / Grinder.

Outside of the top three professional-grade wet polishers, the Stadea 101K is the best of the budget models. It has a variable speed motor with a range of 700 to 3000 RPM, a splash guard, and can accommodate up to a 5 inch pad. At 9 pounds, it does weigh significantly more than top 3 models, which all weigh about 5 to 5.5 lbs.

The Stadea wet polisher comes with a 6 month warranty and is available as a standalone tool for $200 or can be purchased in packages that include a pad and grinding discs for around $300. Stadea pads are a great option for diamond polishing pads and what I use in the studio, so that package might be an attractive purchase.

Stadea also sells packages, such as this kit with a 4 inch pad, 7 diamond grinding discs, and a buffing pad.

Stadea also sells packages, such as this kit with a 4 inch pad, 7 diamond grinding discs, and a buffing pad.

Users report a variety of problems with this model (and every other budget model) including water leaks and issues with feeling a tingle of electricity while using. It seems that some of these problems may stem from improper use or setting up a workspace incorrectly, so just be careful and you should be fine. But the issue with cheap washers or improper fit of the built-in garden hose connector are annoying and speak to the drawbacks of shopping budget-grade models. If they shortchange the hose connector, what else might be a problem?

Other Models and Options

The six models described below are very affordable but have lots of mixed reviews online. Some users report that these worked great for them, others point to issues with build-quality, overheating, motors dying, and other issues. They also have short warranties or none at all, so shop at your own risk! Many of these models have very similar looking parts, such as the switch on the water valve, and the brass garden hose attachment.

The Damo 4” Wet Polisher Kit

The Damo 4” Wet Polisher Kit

Damo Variable Speed Wet Polisher

The Damo variable speed wet polisher has a 7 amp motor with speeds ranging from 700 to 3000 RPM and is available as a polisher for $180 or as a kit for around $220 to $240. It has a side handle, a bottom water feed with a switch near the rear of the tool, and can accommodate up to 5 inch pads. Overall, many online reviewers were happy with this tool although it’s weight (6.5 lbs) was reported as a drawback. A decent number of reviewers also mentioned that the tool stopped working or had broken parts after a month or two of use. If you’ll occasionally need a wet polisher, this might work, but it’s most likely not going to hold up for months or years under heavy use.

The Hardin WV 4” Wet Polisher Kit

The Hardin WV 4” Wet Polisher Kit

Hardin WV Polisher

The Hardin WV Polisher features an 8 amp motor with speeds ranging from 1000 to 4000 RPM and comes in a kit with a 4 inch backer and set of diamond polishing pads. It has a top water feed with a shutoff valve by the front handle, and comes with a hose and garden-hose attachment.

It has a 90 day warranty and extremely mixed reviews, including a few that mentioned the onboard GFCI didn’t trip even when exposed to water. Yikes! It’s available for the ultra-budget price of $107.

Hardin HWV Wet Polisher

The Hardin HWV Wet Polisher has an 800 watt motor with speeds ranging from 700 to 3000 RPM, and is designed to use with 4” pads. I wasn’t able to locate warranty or weight information, but I assume it’s around the same as the Hardin unit listed above. This polisher comes with a backer pad, diamond discs, and a hose attachment that will fit a standard garden hose. It was a bottom water feed, a splash guard, and two handles options.

Like all the budget models, it has extremely mixed reviews with some users saying they loved it while others reported that motor ran extremely hot, and that they had problems with the GFCI. One user reported that extra plastic flashing from the manufacturing process were blocking air vents to the motor, and that cutting those helped reduce the motor overheating issue. Overall, this is a very budget option that costs $140 for the bare tool or around $165 for a kit.

The Hardin HWV Wet Polisher Kit.

The Hardin HWV Wet Polisher Kit.

The Kawaii WEP 250 Wet Polisher

The Kawaii WEP 250 Wet Polisher

Kawaii WEP 250

The Kawaii WEP 250 Wet Polisher has variable speeds ranging from 900 to 2800, can accommodate up to 5 inch pads, and has a 90 day warranty. This is a model that is carried at Home Depot so you might be able to see it in person in store. It weighs 6 lbs and has many similar parts to other models here, including the water valve switch and garden hose connector. It doesn’t have a lot of reviews online so it’s hard to get much info, but it seems like a pretty straightforward option. One reviewer compared it to the Metabo and described this as a great budget option but did report feeling a few tingles while using, and that the hose connector had to be taped to reduce leakage. It retails for around $145

QuickT Wet Polisher.jpg

QuickT SPW702A Wet Polisher

The QuickT SPW702A Wet Polisher is one of a few models with the “old school” top water line feed, and it has variable speeds ranging from 1000–3000 RPM. It comes with a splash guard, brass hose fitting on the water line, and retails for the budget price of around $150 in a kit that includes pads.

It has a lot of great reviews online, and some who had a few problems. To my eye, it looks very similar to the Hardin WV model with the top water feed. As with many of these budget models, warranty info is not mentioned. It may work for a project or two, or longer if you take care, but it doesn’t come with any sort of manufacturer standing behind it.

ZFE 800 W variable speed polisher grinder.jpg

ZFE 4” Wet Polisher

The ZFE 4” Wet Polisher is another model with the water feed at the top, a splash guard, and a weight listed at between 8.5 and 9 lbs. To my eye, it looks very similar to the QuickT and Hardin WV models, and it retails for around the same price, $170 with a backer pad and polishing pads. It has a variable speed ranging from 500 to 3000 RPM, and doesn’t have warranty info listed online. It has varied reviews with some reporting great success, and others mentioning problems with the O rings on the water line.

Wet Polisher / Grinder Comparison Chart

This chart is with the top picks first, then other models are listed alphabetically.
Note: All models have built in GFCI and 5/8" arbor for backer pad attachments. Some manufacturers list motor by amp, watts, or both and every effort has been made to locate that info.

Top Picks Typical Price Motor Max Pad RPM Range Weight Water Feed Warranty
Flex LE 12-3 100 $320-$340 7.9 amp, 1150 watt 5" 1200-3700 5.3 lbs Bottom 1 year
Metabo PWE 11-100 $310-$330 9.6 amp, 1100 watt 5" 1700-6100 4.9 lbs Bottom 1 to 3 years
Makita PW5001C $300-$320 7.9 amp 4" 2000-4000 5.1 lbs Bottom 1 Year
Stadea SWP101K $198 800 watt 5" 700-3000 9 lbs Bottom 6 months
Other Models
Damo $180 7 amp, 800 watt 4" 700-3000 6.5 lbs Bottom ?
Hardin WV $108 800 watt 5" 1000-4000 8.8 lbs Top 90 days
Hardin HWV $165 800 watt 5" 700-3000 ? Bottom ?
Kawaii WEP 250 $145 7 amp, 900 watt 5" 900-2800 6 lbs Bottom 90 days
QuickT SPW702A $151 800 watt 5" 1000-3500 9 lbs Top ?
ZFE $170 800 watt 5" 500-3000 8.7 lbs Top ?

How to Use a Wet Grinder and a Few Tips

Wet Polisher / Grinders are a specialized tool that can really make short work of your polishing jobs. But with that speed comes potential mess if you don’t have the proper set up. A few tips:

  • Use in a large slop sink or something with walls if possible. This will keep water splashing down.

  • Be aware of where the polisher might spray water, keep electrical outlets protected

  • Wear rubber gloves and rubber apron

  • Use the least amount of water you need.

  • Clean your tool after use, the sprayed water will contain a lot of grit which can cause problems with switches, dials and other moving parts of your tool.

  • For ceramic glaze or kiln shelf clean up, I use 50 grit pads first, then 100, 200 and 400. I don’t usually go higher than 400. Rather than get the traditional 50-3000 grit pad set, you may just need 4 pads. I use Stadea pads. Click here to purchase individual pads.

  • If needed, get multiple backer pads so you can use different size pads. My favorite size is 4” but I do have 5” too.

For a really cool use of this tool, check out what the artist Brad Miller does with his wet polisher. He makes textured forms and then layers multiple colors of pigmented slip and glaze. After the final glaze fire, he will polish back through, revealing the stratified layers.

Summary

Wet Polishers are great tools if you are looking for a dust-free way to grind ceramic, glaze, stone, concrete or other hard surfaces. They will quickly dispense with the biggest glaze drips, getting your piece ready for display. They are also great for cleaning up kiln shelves. There are a variety of models on the market but 3 professional grade models from Flex, Metabo, and Makita really stand out. Not only are these models backed by good warranties, the tools are built to last and survive the test of time. There are also budget options available if you are looking for a tool that will be used just occasionally. The tradeoffs between the professional grade and budget models are clear: fewer hassles, better parts, and tools that will just keep working. The goal of this post was to share my own experience with wet polishers and to give an overview of what is available to buy.

Wall Mounted Clay Extruder Buyer's Guide

Clay extruders are an efficient way to make hollow forms, coils, and other shapes. They are basically tubes with a die attachment and a lever, and there are just enough models on the market to make it a bit confusing to choose. This guide will cover recommended models, and includes a comparison chart of all the models on the market so that you can pick the best extruder for your studio.

The models covered here will make hollow forms ranging from about 2 inches wide to 8 inches wide, although most models will extrude forms around 3 inches wide. They will also make solid coils and other shapes, and all models have blank dies that you can customize to suit your needs or some manufacturers will make custom dies. The smaller sized barrels, such as the Bailey 4” wide extruder, will be the best choice for most studios. But there are larger models and upgrade picks to consider too.

When choosing a model, consider how you will be using it. If you will mostly make solid coil, handle, or other shapes, stick with a 4” wide model as that will be easiest to manage. If you will be making mostly hollow forms, any size model will be relatively easy to extrude; just choose a model that will be big enough for your needs. Other options to consider are the lever style, die options, and ease of cleanup.

The North Star Big Blue Extruder, the only extruder on the market with a round “wagon wheel” handle. It’s wall mounted with a variety of dies.

The North Star Big Blue Extruder, the only extruder on the market with a round “wagon wheel” handle. It’s wall mounted with a variety of dies.

TOP PICK

The top pick and I believe most innovative extruder on the market is the North Star Big Blue Extruder. Featuring a wagon wheel handle, it is easy to use, has a large capacity barrel, and is durable and long lasting. It’s one of the more expensive extruders (aside from powered extruders) but the size, versatility and easy of use more than compensate for the high price point. The gear system allows you to turn the handle and extrude with ease, and the barrel can hold up to 25 lbs of clay. The Big Blue extruders typically retail from around $900 to $1090.

The Bailey 4 inch extruder features a wall mount, lever handle, and interchangeable dies.

The Bailey 4 inch extruder features a wall mount, lever handle, and interchangeable dies.

BEST FOR MOST STUDIOS

For most studios, a basic Bailey 4” extruder is a great option. The 4 inch square barrel allows you to make hollow forms up to 3 inches in diameter, but it’s not so large that it’s hard to extrude the clay. This extruder typically costs around $400 and the die kit is an additional $130. It’s one of the better options when you consider price and the die options, but drawbacks include installing the dies and that the barrel is welded to the wall mount, making clean up harder.



If you are looking for a handheld, mini extruder, or “clay gun,” check out our Handheld Extruder Guide here.

A complete review of wall mounted clay extruders follows.

Table of Contents

  1. Top Pick: North Star Big Blue Extruder

  2. Runner Up: Bailey 4, 5 or 9 inch extruders

  3. North Star 4 inch extruder

  4. Scott Creek 4 or 5 inch extruder

  5. Brent Extruders

  6. Other Wall Mounted Extruders

  7. Powered Extruders

  8. Extruder Tips

  9. Extruder Comparison Chart

  10. Summary

Top Pick: North Star Big Blue Extruder

The North Star Big Blue Extruder.

The North Star Big Blue Extruder.

The North Start Big Blue Extruder combines a big barrel capacity with an easy-to-turn wagon wheel handle and a wide selection of dies. It does cost a premium, typically $900 to $1090, but the size and versatility makes it a wonderful addition to any studio.

The Big Blue has a 6 x 6 x 12 inch tall aluminum barrel that will hold up to a full 25 lb bag of clay. The dies can extrude up to a 4.5 x 4.5 inch wide hollow form, and the dies are a sturdy, hard plastic.

To use the extruder, the die and bottom brace are attached to the barrel with two hex screws. The dies have helpful channels to lock into place. Then, the barrel is filled with clay, and this whole unit is slid up and in and attached to the machine. On one hand, this is an advantage as the dies and clay can be added at a workbench, but the drawback is that you have to move up to about 30 lbs in to place and secure it on the ledge “lip” that will hold the barrel securely. Overall, I find it easy to use, but you want to make sure that you don’t drop a clay-filled barrel on your feet so a shelf or stool underneath can help.

The wagon wheel handle and rack and pinion gears are the real selling point for me, as it makes it much easier to extrude large amounts of clay for extra long tubes and coils. Every other extruder on the market uses some form of a lever handle, which can be dangerous if left sticking out into your space, and they can be hard to pull down. The wagon wheel handle is also relatively compact, or at least it doesn’t stick out into your space.

The Big Blue Extruder is not cheap, typically priced anywhere from $900 to $1090, and the dies cost about $40 each. But, it’s an amazing machine that if properly cared for, will work for decades. I simply keep it clean and add some grease to the gears from time to time.

Runner Up / Best for Most Studios: Bailey 4”, 5” or 9” Extruders

The Bailey 4 wall mounted extruded with a 4” barrel.

The Bailey 4 wall mounted extruded with a 4” barrel.

Bailey makes a great line of clay extruders that are well built and available at a lower price point than the North Star Big Blue. The Bailey models feature a barrel welded to the wall mount, dies that attach with a brace, and a plunger with a lever that slides up and down the pole.

The models include a 4” barrel, a 5” barrel, and a much larger 9” barrel. The 4” and 5” models are available in mild steel or stainless steel—you’ll want to go with stainless if you are using porcelain and are worried about rust. Bailey also makes two sizes of die kits, one kit fits both the 4 and 5 inch barrels, while there’s a larger kit for the 9” extruder. There’s also an extension kit that adapts the small dies to the bigger barrel. If you want, there’s also an upgraded powered version with a variety of stands and other tools suitable for a production studio. When considering the Bailey models, keep in mind the cost of the die kit because the models only come with one coil die and two blank plates, so you’ll definitely have to buy dies.

Overall, it’s a flexible system that is well engineered and is suitable for a wide variety of studios. On the 4 and 5 inch models, the die is attached to the bottom of the barrel via a brace with swinging arms, which are then screwed tight with wing nuts. Then, clay is added to the barrel, the plunger is inserted and you pull the lever to extrude the clay. The 9” model only differs in that the die is held on with C clamps. On all models, hollow form dies are held in place with a cross bar—it screws on to the dies so if you are frequently using multiple hollow forms, plan to buy extra cross bars to save time.

The Bailey 9” extruder can make hollow forms up to 8” in diameter.

The Bailey 9” extruder can make hollow forms up to 8” in diameter.

It’s a bit cumbersome to attach the dies but once in place, these are easy to use. One drawback is the Baileys are harder to clean as the barrel is mounted to the wall. If you have time, let any clay inside dry completely, scrape it out, and then wipe clean with a large sponge. It’s helpful to oil moving parts and the dies as needed, to prevent rusting. It’s also easy to lose the wing nuts with the Bailey models, so keep track of those! If you are doing a serious amount of extruding, you’ll also want to research the various expansion boxes and powered models that Bailey makes.

Understanding the models

The 4” models will hold 11 lbs of clay. The 5” will hold 17 lbs of clay. The die kit is the same for both of these models, ranging from 2 to 3” diameter for hollow forms. The 5” models allow you to extrude longer or more forms, but it may be harder to pull the lever with the increased volume of clay.

Standard 4” typically costs between $310 and $390, while the Stainless 4” ranges from $345 to $435, and the die kit costs about $130. The Standard 5 typically retails for $340 to $425. There is also a Stainless 5 option, but it’s only available with a custom build.

The 9” model will hold up to 29 lbs of clay andtypically retails for between $520 and $650, and the die kit for this model costs around $150.

Overall, for most studios I would recommend the 4” model as that will be the easiest to extrude and 11 lbs of clay will result in a decent amount of extruded forms.

North Star 4” Stainless Extruder

The North Star 4” Stainless extruder comes with the 3 dies picture and the lockout plate.

The North Star 4” Stainless extruder comes with the 3 dies picture and the lockout plate.

In addition to the Big Blue Extruder, North Star makes a lever-style extruder with a 4” wide steel or upgraded stainless barrel. The lever is fixed, as opposed to the sliding style of the Bailey, making it a safer to operate. (There’s a chance of pinched fingers with the Bailey if you’re not careful). There’s also a lever extension that will help make extruding easier. The trade off with the fixed lever is the barrel is smaller, holding just 8 to 9 pounds of clay. But, this should still extrude hollow forms that are 15 to 18 inches tall or more, you’ll just have to reload the barrel a bit more frequently.

The North Star 4” Standard Extruder is made with mild steel.

The North Star 4” Standard Extruder is made with mild steel.

The compact size, fixed lever, simplicity of use, and optional stainless upgrade make this a great extruder for most studios. The steel barrel typically retails for around $370, while I’ve seen this stainless anywhere from $409 to $519, and the extruder does come with 4 coil dies. You will need to purchase the hollow die set separately.

Another consideration with either of these models is that there is a 6” expansion box that allows you to use the same dies as used in the Big Blue Extruder. If you wanted to keep open an upgrade possibility, this is the model for you.

The Stainless option exists for those who work in porcelain and want the smallest possibility of rust possible. But if you keep your extruder clean and maintained, it should stay rust free.

This extruder is available at many clay suppliers or direct from North Star.

Scott Creek 4” and 5” Extruders

The Scott Creek 4” Extruder

The Scott Creek 4” Extruder

Scott Creek makes a 4” round barrel and 5” square barrel extruder with an interesting twist: a stair-step lever crank that you move up and down as needed. These extruders also have a great feature: a quick-release die cap to make installing and switching dies a breeze.

Both models feature an aluminum barrel, which will never rust and can be used with porcelain. The barrels also can be removed from the wall mount for easy cleaning, which is a noteworthy feature for an extruder!

All in all this is a great system. You pay extra up front for features such as the aluminum barrel and quick-release end cap, but the ease of use will more than make up that cost over traditional steel extruders.

Scott Creek 5 inch extruder.gif

The 4” round barrel typically costs around $400 and the dies range from $52 to $140, and the 5” square barrel costs around $440 plus the dies. There are also expansion boxes for each model and associated dies, and Scott Creek makes table mounts and and a free-standing extruder stand.

With all this great stuff (especially that quick-release cap) I still would favor the Bailey system over these because of the flexibility of using the same die sets in different Bailey models. With the Scott Creek, you are locked in to that size die, or the specific expansion box that goes with that model. But if you take a look and find that the die sets and sizes work for your needs, then by all means, get one of these extruders. It will be a workhorse and there are many positive reviews of these models.

These extruders are available at speciality ceramic suppliers or directly from Scott Creek.

Brent Extruders

The Brent HD Extruder features a removeable barrel and quick-release end cap.

The Brent HD Extruder features a removeable barrel and quick-release end cap.

Amoco Brent makes two extruders, the STD and HD, that combine a lot of the best features of other manufactures in a typical overbuilt Brent style, allowing it to take all kinds of use (and abuse) such as what you might find in an academic studio. But you will pay extra, with each model clocking in around $650 to $700. This review will focus on the HD as it has some upgrade features and can often be found for a bit less than the STD, around $650.

The Brent HD extruder has a 4” round steel barrel that will hold up to 10 pounds of clay. The barrel attaches to the wall bracket with 2 quick-release pins, making it easy to remove and clean. It also has a twist-and-turn end cap to hold dies, making it way less fussy than the Bailey extruders. Another thoughtful feature is a built-in hook to hang the end cap when not in use. Finally, it has a “clutch” lever to facilitate either raising or lowering the plunger and lever.

In addition to the wall mount, Brent makes a table mount and a mount designed to fit on a Brent slab roller. Like Brent slab rollers, this is an overbuilt workhorse that does come at a premium price. A drawback is a relatively limited selection of hollow dies. In general, all round barrel extruders just don’t have as much space and die options as a similar-sized square barrel.

If you have a Brent slab roller or love Brent products, then go with this extruder. It’s well built and has a lot of features, but for the main thing that you want an extruder to do—extrude shapes, especially hollow forms!—this extruder has limitations. But custom dies might solve your problems. For more info on this model and dies, the Brent website has the best info but you might find it for sale for less at online retailers or ceramic suppliers..

Other Wall Mounted Clay Extruders

There are a few more extruders that are on the market. But with limited availability, I’m reluctant to recommend these until they are sold at more locations and it’s clear there will be long-lasting product support from the manufacturers. But if you see features and prices that work for you, go ahead and order a whole set up.

Crackpots Extruder

The Crackpots Clay Extruder

The Crackpots Clay Extruder

The Crackpots Extruder is a straight forward, fixed lever, round barrel extruder with a variety of interesting die options, especially from aftermarket die vendors on eBay. It typically retails for $199 or less, making it one of the most affordable wall-mounted extruders.

Find it at oldsashartisans.com.

 

Clay Master 4” Extruder

The Clay Master extruder is available at a few ceramic suppliers. It’s unclear who manufacturers this device and the die options are limited. But, other square 4 inch dies will most likely work with this extruder. It has a fixed or “anchored” handle and will hold about 8 pounds of clay. Find it at clay-king.com or other ceramic suppliers.

EX-115 4” Extruder

Another extruder with limited availability is the EX-115 4” Extruder. This model features a fixed lever, a round barrel, and square dies. Bailey or North Star dies will most likely work with this model. Find out more at clay-king.com.

Powered Extruders

If you have a production studio or just want an easier way to extrude, powered extruders are available. They are not the main focus of this article, but for more info check out these websites:

Bailey System 3 Power Drive, starts at $946 but you’ll need to order barrel, dies and other parts. See more at baileypottery.com

MudTools Push Extruder, $1,400. See more at mudtools.com.

Peter Pugger Hydraulic Extruder, $4999. See more at clay-king.com.

Extruder Tips

A few tips for getting the most out of your extruder.

  1. Keep it clean! A clean extruder stays rust free and functional. You can put a light oil on moving parts to keep things functional.

  2. For cleaning, get big blocks of clay out and if you have time, you can let other clay bits dry. Then knock them out and proceed with cleaning. It’s always easiest to clean completely dried clay.

  3. Use the most moist clay you can as this will be easier to extrude. But, if you are working with bigger forms, stiffer clay can hold more structure right away.

  4. Some people recommend spraying cooking oil inside extruders. I never do this for two reasons. 1) cooking oil can “gum up” if left sitting places and 2) while I do oil moving parts and hinges on extruders, there’s no need to mix any sort of oil with clay. Keep the barrel clean and use clay that is the right consistency, and it should be easy to extrude.

  5. Let forms “hang” for a bit before cutting off. This will allow them to stiffen up and stay true to form, which is especially important as you move into hollow shapes that are 4 inches in diameter or more.

  6. Protect your dies from being bent. Don’t over-push the lever or wheel as you can bend or ruin dies. If the machine won’t go any further, don’t push it.

  7. For project ideas, check out the books Extruded Ceramics or The Extruder Book.

Wall Mounted Clay Extruder Comparison Chart

This chart is organized first by barrel size and then alphabetically by manufacturer.

Model Typical Price Barrel
Shape		 Barrel
Diameter		 Barrel
Material		 Capacity Lever Detachable
Barrel		 Warranty
Bailey Standard 4 $309-$387 Square 4" Mild Steel 11 lbs Slide No 2 Years
Bailey Stainless 4 $346-$433 Square 4" Stainelss 11 lbs Slide No 2 Years
Brent STD $574-$675 Round 4" Mild Steel 10 lbs Slide No 1 Year
Brent HD $548-$685 Round 4" Mild Steel 10 lbs Slide Yes 1 Year
Clay Master $350-$420 Square 4" Stainless 8 lbs Fixed No ?
Crackpots $199 Round 4" Mild Steel 7 lbs Fixed No ?
EX-115 $350-$400 Round 4.5" Stainless 7 lbs Fixed No ?
North Star 4" Standard $370 Square 4" Mild Steel 8-9 lbs Fixed No Lifetime
North Star 4" Stainless $440 Square 4" Stainless 8-9 lbs Fixed No Lifetime
Scott Creek 4" $399 Round 4" Aluminum 8-9 lbs Stepped Yes 2 Years
Scott Creek 5" $460 Square 5" Aluminum 12 lbs Stepped Yes 2 Years
Bailey Standard 5" $340-$426 Square 5" Mild Steel 17 lbs Slide No 2 Years
North Star Big Blue $950-$1090 Square 6" Mild Steel 25 lbs Wagon Wheel Yes 2 Years
Bailey Standard 9 $517-$647 Square 9" Mild Steel 29 lbs Slide No 2 Years

Summary

Wall mounted clay extruders are a great tool in the studio. The are the best way to make hollow forms, such as tubes, squares, hexagonal or custom shapes. Most models also include a test tile form, which can speed up that process. Overall, all the extruders above will be long-lasting and durable. They differ on size, die options, lever options, and material. Overall, my favorite is the North Star Big Blue Extruder as I find it the easiest and most practical to use. But a simple lever option, such as the Scott Creek, North Star, or Bailey, are also affordable and durable.

What is your favorite extruder? Let us know in the comments.

Handheld Clay Extruder Buyer's Guide

The Shimpo Nidec Handheld Extruder comes with 5 aluminum dies and one blank.

The Shimpo Nidec Handheld Extruder comes with 5 aluminum dies and one blank.

Handheld extruders or “clay guns” are useful tools for making small runs of handles, coils, and small hollow forms. If you are looking to make a repeatable shape in a quick, efficient way, then a handheld extruder is what you need.

These extruders work like a caulk gun: you fill the barrel with clay, screw the cap over the die form, and repeatedly squeeze the trigger to push clay through the die. It can be a bit of a wrist workout, so definitely use soft clay with these.

There are four options when choosing a handheld extruder: 2 sizes from Scott Creek, and one each from Shimpo and Kemper. There are also two miniature clay extruders such as the Kemper Klay Gun, for making extremely small shapes, which I’ll cover at the end of the post.

It’s really a coin toss as all four handheld extruders are well made, but for most studios and hand sizes, I would recommend the Shimpo Handheld Extruder. For about the same price, the Shimpo Handheld Extruder comes with a few more dies than the Scott Creek, and I prefer the circular handle at the back as opposed to the bar handle on the Scott Creek models. And as this is a handheld extruder, I prefer the shorter and wider barrel of the Shimpo because it is easier to squeeze out the clay.

A full review of handheld extruders follows, including the three options from Shimpo or Scott Creek, and two options for smaller decorative clay extruders. For larger extruders, check out our guide to wall-mounted extruders here.

Table of Contents

  1. Shimpo Handheld Extruder

  2. Scott Creek Super Duper Clay Gun and Clay Gun XL

  3. Kemper IKEG Klay Extruder

  4. Small Extruders: Kemper Klay Gun and Bailey Clay Gun

  5. Summary

Top Pick: Shimpo Handheld Extruder

The Shimpo Handheld Extruder comes with 5 dies and one blank die.

The Shimpo Handheld Extruder comes with 5 dies and one blank die.

The Shimpo Hollow Die Kit has 8 shapes. The middle of each shape is screwed on to the larger piece at the bottom.

The Shimpo Hollow Die Kit has 8 shapes. The middle of each shape is screwed on to the larger piece at the bottom.

The Shimpo Handheld Extruder is a quality tool that lets you easily make shaped coils, small hollow forms, or handles. It’s basically a caulk gun with an aluminum barrel and dies. The threaded barrel is 2 1/4” wide and about 10 inches long. The entire model measures about 13 x 9 x 3 inches, weighs just a few pounds, and can easily be stored in a drawer. It can be entirely submerged in water for cleanup, but you may want to oil the hinges and moving metal parts as needed.

Shimpo 4-in-1 Die Kit has 8 shapes of varying sizes and an isolator die.

Shimpo 4-in-1 Die Kit has 8 shapes of varying sizes and an isolator die.

The Shimpo Extruder is the top pick because the kit comes with five dies and one blank, and I prefer the circular handle. I also find the the shorter barrel makes it easier to squeeze out the clay, even though that means more frequent refilling. But it’s really a coin toss if this is better than the Scott Creek Clay Gun and the choice really comes down to personal preference. In my studio, I use a Shimpo Handheld Extruder along with a mixture of dies from Shimpo and Scott Creek.

Shimpo has two die kits: one with a selection of eight hollow forms and another with eight “4-in-1” shapes of varying sizes. You can extrude all four sizes at once, or use the isolation die to select just one. The hollow forms are what most people go for, as those shapes would be extremely hard to make without a die, but both kits would really expand the options in your studio.

The Shimpo Handheld Extruder generally retails for around $60 and the die kits are about $40 each. You can find this tool at ceramic supply stores or online at Blick.

Scott Creek Super Duper Clay Extruder and Clay Extruder XL

The Scott Creek Super Duper Clay Gun.

The Scott Creek Super Duper Clay Gun.

The Scott Creek XL Clay Gun has a 15” barrel.

The Scott Creek XL Clay Gun has a 15” barrel.

Scott Creek makes two handheld extruders and five die kits. The Super Duper Clay Gun has a 10 inch barrel while the XL has a 15 inch barrel. Both feature a bar handle at the rear as opposed to the circular handle on the Shimpo. The barrel is 2 inches wide, which is 1/4” smaller than the Shimpo. Note that the Scott Creek die kits will definitely fit the Shimpo Extruder, but the Shimpo dies may not work with the Scott Creek guns. Both Scott Creek extruders come with one coil die and two blank aluminum dies.

The Scott Creek Handle Die Kit features 8 shapes cut out of clear acrylic. The Scott Creek Dies are compatible with the Shimpo Extruder.

The Scott Creek Handle Die Kit features 8 shapes cut out of clear acrylic. The Scott Creek Dies are compatible with the Shimpo Extruder.

Scott Creek extruders are rugged, well built, and will get the job done. They are a bit harder to find in stores, but are readily available direct from the manufacturer. Scott Creek also makes a hollow aluminum die kit with the same shapes as Shimpo, along with an aluminum die kit of small forms. There are also three die sets made out of clear acrylic including a “shape and coil” kit, tile trim kit, and handle kit. The handle kit is my most used die kit and I would recommend that kit regardless of which extruder you purchase.

Although it might seem attractive to use the larger XL Extruder, keep in mind that the longer barrel may be harder to clean and store, and it is that much harder to squeeze clay out. (Any handheld extruder really relies on wrist strength.)

The Scott Creek Super Duper Clay Extruder usually retails for around $55-60, and the XL goes for around $70, and the die kits generally cost about $40 each.

Kemper IKEG Klay Extruder

The Kemper IKEG Klay Extruder

The Kemper IKEG Klay Extruder

The Kemper IKEG Klay Extruder is an interesting offering from the venerable clay tool manufacturer. It’s even longer than the Scott Creek XL, with a barrel measuring 20 inches in length by 2 inches wide. It comes with 3 aluminum coil dies, 1 blank die, and 2 plastic spouts.

As stated above, I feel that a shorter barrel is easier to use but if you decide to go with this option, you can always just fill the barrel with less clay to make it easier to use. Aside from that, the trigger of this gun is virtually identical to the Shimpo with a circular handle. Kemper has a limited offering of dies, but Scott Creek dies will work with this extruder.

The Kemper IKEG Klay Extruder typically retails for around $60 and can be found at ceramic suppliers such as Bailey.

Mini Extruders: Kemper K45 Klay Gun and Bailey Clay Gun

These miniature clay extruders are useful for making texture or super small coils, such as for hair. They also work with polymer clay, so if you are working in miniatures, this is the clay extruder for you. For typical clay studios, these mini guns often sit unused in studio drawers but if you need a really specific shape, they may work for you. They are virtually identical but the Bailey set also comes with a handy plastic carrying case.

The Bailey Clay Gun is a miniature extruder.

The Bailey Clay Gun is a miniature extruder.

Bailey Clay Gun

The Bailey Clay Gun has 19 dies and a carrying case. It typically costs around $13. Make sure that whatever you put in the barrel is very soft.

Shop at Bailey

 
kemper-k45-klay-gun.jpg

Kemper Klay Gun

The Kemper Klay Gun also has 19 dies and typically costs around $13. It may be exactly the same thing as the Bailey Clay Gun, but it doesn’t have a case.

Shop at Blick

Summary

Handheld extruders are a great way to make small batches of similar shapes, such as handles or hollow shapes. For a long time, I thought of them as an extraneous tool but once I started using them, I found that I really liked the look of extruded handles. Definitely don’t get one of these if it will simply sit unused in a drawer.

With only four models on the market, all are basically the same with just a few minor differences, so you can’t go wrong. For me, I prefer the slightly wider and shorter Shimpo barrel but my favorite dies are the handle kit from Scott Creek. You will find your own combination that works for you.

The Best Sandpaper, Grinding Blocks, and Abrasives for Pottery and Ceramics

3M Pro Grade Sandpaper is a plastic-backed, long-lasting sandpaper that can be used wet for safe sanding.

3M Pro Grade Sandpaper is a plastic-backed, long-lasting sandpaper that can be used wet for safe sanding.

In ceramics, there’s always a need to sand something. Whether it is cleaning the foot of a pot or dealing with a massive glaze run on a kiln shelf, there are a few different tools that will really take care of these problems in effective, safe, and economical ways. This post will cover the best abrasives, sandpaper, and grinding blocks, as well as how to use them. You probably won’t need every single one of these tools, but they’re covered here so that you can find what will work best in your studio.

Safety note: Keep in mind that any sort of sanding or grinding can produce dust. Wear a dust mask or respirator, or when possible, sand wet.

Most Used / Top Pick: The thing I reach for the most is the plastic-backed, purple, pro-grade sandpaper made by 3M. (Pictured at top) It is economical, long lasting, and can be used wet. It’s a simple, versatile tool that has a place in any studio.

Table of Contents

  • Sandpaper

  • Grinding Blocks and Whetstones

  • Diamond Hand Pads

  • Silicon Carbide Stones for Power Tools

  • Wet Grinders

  • Sanding Tips and Tricks

  • Summary

Sandpaper

There are two sandpapers that I use in the studio: 3M Pro Grade Sandpaper and Emory Cloth. Other sandpapers, such as those designed for wood, don’t hold up under the heavy use needed with ceramics and clay. One advantage of sandpaper, as opposed to solid blocks, is that it is flexible and can be bent, creased, or cut into a variety of shapes if you need to sand hard-to-reach spots.

Detail shot of the front and back of the 3M Pro Grade No Slip Sandpaper.

Detail shot of the front and back of the 3M Pro Grade No Slip Sandpaper.

3M Pro Grade Sandpaper

The purple, plastic-backed 3M Pro Grade Sandpaper is the main tool in my sanding arsenal. It lasts longer than other sandpapers and can be used wet or dry. The plastic backing is advertised as “no-slip grip” and it is easy to hold and control, even when wet.

The paper measures 9 x 11 inches and is available in a variety of grits. I generally stock 80 and 150 grit, but a range of 4 grits from 60 to 220 would probably cover most needs.

The sandpaper can be found in smaller packs ranging from 3 to 6 sheets, or bulk packs with 20 or 100 sheets. 20 sheets will last a long time for individual use, or around 6 months for a busy academic or community studio.

A roll of Emory Cloth Sandpaper can be economical and functional.

A roll of Emory Cloth Sandpaper can be economical and functional.

Emory Cloth Sandpaper

Emory Cloth is a cloth-backed sandpaper that can also be used wet or dry, and the cloth backing makes it long-lasting and economical. Emory cloth can be found in sheets or in rolls. It is especially ideal for sanding the bottom of pots when they come out of the glaze firing, to clean up any small burrs or imperfections, or to remove kiln wash.

For emory cloth, I like to buy rolls so that I can cut or rip off just what is needed.

Grinding Blocks

There are a variety of grinding blocks that are useful in the ceramic studio. A block might be used in place of sandpaper, but I usually stock both sandpaper and blocks. The bigger blocks are especially useful for dealing with glaze drips and cleaning kiln shelves while a whetstone can be used to sharpen tools and clean up pots.

A silicon carbide rubbing block with a handle.

A silicon carbide rubbing block with a handle.

Silicon Carbide Rubbing Block

A silicon carbide rubbing block (or grinding block or brick) is one of the most effective ways to deal with glaze drips and to clean up kiln shelves and kiln posts. The blocks come in a variety of sizes, with or without handles, and some have fluting. The fluting is especially useful for grinding rough kiln shelves flat again. A flat-sided block is better for cleaning up the foot of pots or the bottoms of sculptures.

Detail of the fluted bottom of a typical silicon carbide rubbing block.

Detail of the fluted bottom of a typical silicon carbide rubbing block.

A longer, thinner, fluted silicon carbide rubbing block without a handle.

A longer, thinner, fluted silicon carbide rubbing block without a handle.

Silicon carbide blocks can be used wet, which is a plus for me because I’m always looking for ways to minimize dust in a studio.

A downside of these rubbing blocks is they are prone to cracking if dropped. This is especially a problem if you crack one with a handle. But don’t despair, the pieces are good until they are ground down to the last bit.

Another downside is they are typically on the rough side, around 20 to 60 grit. This is fine for kiln shelves, but you’ll want to follow up with something a bit finer, such as sandpaper or emory cloth, if you’re sanding the bottom of a pot.

The block with handles are typically 6” x 3” x 1”, but these sizes vary by manufacturer.

Aloxite Blocks and Whetstones

An aloxite sanding block.

An aloxite sanding block.

Available at ceramic suppliers, aloxite (aluminum oxide) blocks are smooth, hard, and extremely durable blocks. They are very long lasting, they don’t “shed” a lot of material when used, and they are especially great for sanding the bottom of pots.

Silicon carbide whetstone, with two grits — 120 and 240.

Silicon carbide whetstone, with two grits — 120 and 240.

Alternately, and easier to find, you can use whetstones designed for sharpening knives. Generally not as hard as aloxite, whetstones are another great option for cleaning small glaze runs, burrs, or rough patches on fired ceramic. They can also be used to sharpen studio tools, such as scissors or fettling knives.

Neither of these smaller blocks are particularly good for cleaning large areas of kiln shelves, but they’re great to use on pots.

Both aloxite stones and whetstones can be used wet, which keeps dust out of the air.

Diamond Hand Pads

Semi-hard foam-backed diamond hand pads from Stadea.

Semi-hard foam-backed diamond hand pads from Stadea.

Diamond hand pads are the perfect way to sand away burrs, small glaze drips, and rough patches on pots, sculptures, or kiln shelves and posts. Made of industrial-grade diamonds embedded in plastic, these are available from a variety of manufacturers as either soft, flexible pads or semi-hard, foam-backed pads. The foam-backed pads are my favorite because they provide structure and support your hand, but the flexible pads are useful for sanding more complicated shapes. Available as sets or individual pads, my recommendation is to get four individual pads in the range of 50 grit, 100 grit, 200 grit, and maybe 400 grit.

Semi-flexible diamond pads from Diamond Core Tools.

Semi-flexible diamond pads from Diamond Core Tools.

The soft pads are available from Diamond Core Tools, while foam backed pads are available from Diamond Core and other manufacturers such as Stadea or various generic names on Amazon. Expect to spend $15 to $30 per pad, but if used just when needed (use sandpaper for more everyday tasks), they should last for some time, maybe even years.

Like many other tools listed here, these can be used wet, which keeps sanding dust out of the air.

Shop semi-flexible pads at Diamond Core.

Silicon Carbide Grinding Wheels and Cups for Power Tools

A green silicon carbide bench grinder wheel.

A green silicon carbide bench grinder wheel.

If you have a bench grinder or angle grinder, you should get silicon carbide stones that fit these tools. Silicon carbide will grind through material such as glaze and ceramic without producing excess heat, and it’s the appropriate material to use with non-metallic materials including ceramic, stone, and concrete.

This especially comes in to play with using a bench grinder to clean up glaze drips. If it are not using silicon carbide, the wheel and glaze may get too hot, resulting in potentially dangerous melted bits of glaze. Stick with silicon carbide wheels that are properly dressed and kept in shape. (If you don’t have a dressing tool to keep your wheel even, definitely get one of those too.)

Silicon carbide grinding cups for use with angle grinders.

Silicon carbide grinding cups for use with angle grinders.

For angle grinders, there are also silicon carbide cups that can quickly clean kiln shelves. These are especially useful if you need to take off all the kiln wash and start with a fresh coat. Keep in mind that angle grinders produce a lot of dust, so do use this tool with caution. Or see the recommendation below about switching to a wet grinder for these types of uses.

Shop Silicon Carbide Grinding Cups at Amazon

Wet Grinders

Makita variable speed wet grinder.

Makita variable speed wet grinder.

Rather than an angle grinder, which definitely make a lot of dust, consider a wet grinder for quickly dealing with bad glaze runs or cleaning kiln shelves. A wet grinder has a water feed that keeps a stream of water flowing out of the center arbor hole on the grinder. They can spray water and sanded bits all over,, but if you have a tub or large sink to catch the water, it is not that bad.

It’s best to go with a quality wet grinder, such as a Makita or Flex. (I’ve personally been using a Flex brand grinder for about 7 years). If you carefully read reviews, the cheaper wet grinders can give small electric shocks or stop working after some use. For an electric tool that uses water, you definitely want a quality machine that won’t shock you! And while using, be sure to follow every safety protocol. Personally, in my years of using a Flex variable speed grinder, I’ve never felt one tiny shock.

A variable speed wet grinder is the way to go, as that allows you to control the speed. Slower speeds don’t whip as much water around. Wet grinders are generally used with diamond pads. As with hand pads, in my experience a range of grits from 40 or 60 to around 400 get the job done. I’ve had good luck with Stadea pads (shop at Amazon), both the 4 and 5 inch sizes. The lower grits can wear out quickly, depending on use, so you may want to order a few of those. I originally purchased an entire set that goes all the way up to 3000 and buff, but for cleaning up glaze drips, 400 suits me, so I prefer to purchase individual pads to use with the wet grinder.

One drawback with wet grinders is figuring out the right hose connection. Expect to make a few trips to the hardware store to find the right fittings to connect your wet grinder to a hose or faucet.

Sanding Tips and Tricks

A few ideas to put into practice in your studio:

  • Broken pieces of kiln shelves, especially silicon carbide shelves, make excellent sanding blocks and stones.

  • Rub the bottom of two pots together for a quick post-firing sanding / cleanup. This can be done wet under running water or dip quickly into a bowl of water.

  • A set of sharp chisels and a rubber mallet can help in removing glaze drips from kiln shelves, then follow up with sanding tools.

  • Check out our tutorial for a DIY Interchangeable Grinding Disc

  • Whenever possible, sand wet! It’s the safest way to keep dust out of the air.

Safety Note

Any type of sanding, grinding, or rubbing will create dust. Take appropriate precautions with wearing dust masks or respirators, and eye protection too, when sanding or using power tools.

Summary

This post has covered and reviewed a variety of sanding and grinding tools and abrasives for use with ceramics and pottery.

My most-used tools are sandpaper and a silicon carbide rubbing block, but I also have a wet grinder with diamond pads and hand pads. I also keep broken pieces of kiln shelves to use as grinding tools. All of this is done wet, when possible, or I use proper safety protection such as a dust mask and safety glasses when sanding. Sanding, grinding, and cleanup are an inevitable part of working with fired ceramic and the best tools will get the job done for you in a safe, effective, and long-lasting way.

What sanding or grinding tools do you use in the studio? Let us know in the comments.

Best Wheelthrowing and Pottery Sponges

Tack Sponges are economical, long-lasting synthetic sponges that are great for wheelthrowing and ceramic studios.

Tack Sponges are economical, long-lasting synthetic sponges that are great for wheelthrowing and ceramic studios.

For pottery and wheelthrowing, it is important to have a long-lasting sponge that doesn’t shred and fall apart after a few sessions. There are quite a few high-quality options these days, and also a lot of cheap generics that fall apart almost right away.

My favorite pottery sponge is a basic synthetic round yellow tack sponge. Designed for cleaning horses or polishing leather, these are also great for use in a ceramic studio. Tack sponges are more dense and long-lasting than other synthetic sponges, are comfortable, and get the job done.

There are a variety of tack sponges available for sale online, typically in 12 packs. Look for a a quality brand, such as Decker (and avoid Creative Hobbies “tack” sponges, which I believe are mis-labeled).

In addition to tack sponges, natural sponges and speciality pottery sponges are good options. You can also cut your own sponges from larger yellow sponges or upholstery foam. Our full review of pottery sponges is below, along with some ideas of the best ways to utilize sponges when throwing.

For a full review of heavy duty, rectangular yellow clean up sponges, click here.

Table of Contents

  1. Best Pottery Sponge: Tack Sponges

  2. MudTools Sponges

  3. Xiem Sponges

  4. Natural Sponges

  5. Other Sponge Options and Sponge Holders

  6. How to Cut Your Own Sponges

  7. Ways to Utilize Sponges in Wheelthrowing

  8. Summary

Best Pottery and Wheelthrowing Sponge: Tack Sponges

Decker Tack Sponges.jpg

Tack sponges are the best option for a pottery and wheelthrowing sponge. Soft but long-lasting, these synthetic sponges are also economical. Designed for cleaning horses, tack sponges have a fine-celled structure that is perfect for wheelthrowing and other uses in a ceramic studio.

To be honest, it can be hard to distinguish between synthetic yellow sponges, especially when shopping online. But through experience, I’ve learned to avoid sponges such as the “Creative Hobbies 25 pack” and other generics. These generics lose their loft and fall apart within a few weeks and while they may be fine for sponge painting or light-duty uses, they are generally not suited for intensive tasks such as wheelthrowing. That’s why it’s best to pay a bit extra and get tack sponges.

On Amazon, Decker is a brand you can trust (click the button below to shop). And if you have the chance to visit a ceramics store in person, you may find Kemper yellow sponges or other high-quality, round, yellow synthetic sponges.

Decker Tack Sponges are 3 inches in diameter by 1 inch high, and are available in a 12 pack that typically works out to a cost of about $1 per sponge.

MudTools MudSponge

The MudTools blue, orange, and white sponge.

The MudTools blue, orange, and white sponge.

The MudTools sponges are rib-shaped, and measure 2.63 x 3.75 inches.

The MudTools sponges are rib-shaped, and measure 2.63 x 3.75 inches.

MudTools makes three speciality sponges designed for use in ceramics. Shaped like a traditional pottery rib, they are available individually or in a 3 pack. The sponges range from a typical open-cell sponge structure to a fine-pored, denser sponge. MudTools calls these:

  • Workhorse, blue, (corse porosity)

  • Absorbant, orange, (medium porosity

  • Finishing sponge, white (fine porosity)

The blue “workhorse” sponge is the most similar to a typical yellow round tack sponge, so if you want something fine, go with the orange or white. Many prefer the densest white sponge for use as a wheelthrowing sponge, but all three will work on the wheel or for handbuilding.

The MudSponges do cost more, usually around $5 to $8 each, but are long lasting and the range of sponge density does give you options.

Xiem Studio Pro Sponges

Xiem Studio Pro Sponges

Xiem Studio Pro Sponges

Xiem Tools makes two Pro Sponges which are circular and have tapered edges. Available in corse, medium, and fine porosity, these are great sponges to add into the mix with a yellow tack sponge. They are modestly priced, typically around $4 each, are long-lasting, and do the job.

They are great sponges but there seems to be some supply chain difficulties, as they appear to be sold out everywhere online. You may see them in stores, and if so, they’re worth considering for your next throwing sponge.

Natural Sponges

Natural Sponges are a great option for pottery, and many potters use these exclusively.

Elephant Ear Sponges

Elephant Ear Sponges

Elephant ear sponges are dense, tough, thin, and are great for wheelthrowing. They are long lasting and do hold up to intensive use. While they are a favorite for many potters, I find them a bit too thin to hold comfortably while throwing, but I do use them for finishing and smoothing. It really comes down to how you hold a sponge and what you need them for. The sponges are available in different sizes, look for something around 3” wide or bigger. You can always cut sponges smaller if needed.

Value Sponge set wt wool, silk, and yellow sponges.

Value Sponge set wt wool, silk, and yellow sponges.

Other types of natural sponges, such as Wool, Silk, or Yellow sponges are great for decorative effects, such as sponge painting with underglaze, but I find them to be either too open or too prone to falling apart to be used for wheelthrowing. Your experience may differ.

Other Sponge Options and Sponge Holders

Creative Hobbies has a 25 pack of 2 1/2” round sponges

Creative Hobbies has a 25 pack of 2 1/2” round sponges

Generic round yellow sponges are available in bulk under a variety of names (sometimes mislabeled as tack sponges) such as Creative Hobbies. These may seem like a great deal, and they are good for sponge painting or other light-duty uses. But these sponges will not stand up to the intense use needed for wheelthrowing. Expect them to lose their loft and fall apart within a few weeks. I’ve order packs from Creative Hobbies a few times, but never again! Learn from my mistakes and stick to tack sponges, as detailed above.

Round Sponge Set.jpg

Round Sponges or Stipplers (sometimes labeled “Spouncers”) are one of my favorite sponge tools to use for glazing and other decorative effects, such as adding polka dots with glaze or underglaze. Available in sizes ranges from about 1/4” to 1” in diameter, these are a great addition to your decorative arsenal. There are not really any brand names, so go for a set that looks good to you. I’ve used both the blue foam and yellow foam; my instinct is that the blue foam is a bit finer and more long lasting, but both will work ok. They do break down over time.

Sponge Holders are a helpful tool for wheelthrowing and are most handy when you need to get water or slip out of the inside of a vessel. (If you leave water inside a pot you’ve just thrown it can cause cracking, uneven drying, and other problems). There are two main options for this: The Kemper Sponge Holder and the Xiem Tools X-Sponge Telescoping Sponge Holder. Is a tool like this really necessary? It may be, if you throw a lot of jars or vases with a narrow mouth. They can really help collect extra water or be used to smooth the inside of a vessel.

DIY TIP: If you don’t want to buy one of these speciality tools, you can take almost any stick (such as a drumstick) and attach a sponge to the end with a rubber band.

The Kemper Sponge Holder.

The Kemper Sponge Holder.

The Kemper Sponge Holder is a 13 inch long hardwood handle with a screw and small cup washer at one end. It comes with a sponge, and if that wears out, you can easily replace it with another sponge. Simple, effective, and durable, this is a great addition to your tool kit.

Xiem Telescoping sponge.jpg

The Xiem Studio X-Sponge 2 is a telescoping sponge holder that can extend from 8.5 to 26 inches, so it can really be deployed on some large pots if necessary. The sponge is a dense, long lasting, white foam sponge and there are proprietary replacement sponge heads available too. The sponge is very fine porosity, similar to the finest Xiem round sponge or the MudTools white MudSponge. The telescoping sponge holder is a real innovation and like all Xiem Studio Tools, is thoughtfully designed and well made. The dense, rounded sponge does give you more control than the yellow sponge attached to the Kemper stick.

How to Cut Your Own Sponges

ProPlus Grouting.jpg

One of the most economical sponge options is to take a large yellow clean-up sponge, and cut it into 8 or 12 pieces. My favorite sponge is the Armaly ProPlus Grouting and Concrete sponge, which is the best heavy duty clean up sponge I’ve found. (See a full review here).

To do this, you can draw lines on the sponge with a sharpie and then using a sharp chef’s knife or scissors, cut into pieces. The best way is to plan for 12 sponges—which is a pretty good value when you start with one large sponge.

It’s also great to cut big yellow sponges into pieces as they start to fall apart. These can be repurposed for clean-up sponges or use a rubber band to attach them to a stick for a DIY sponge holder.

How to Utilize a Sponge for Wheelthrowing

I prefer to throw with one sponge in my right hand. The sponge doesn’t necessarily touch the clay, but it is helpful for organizing my hand in a comfortable way, and as a small water reservoir. But there are as many ways to use a sponge as there are potters.

A few quick tips on sponges and throwing:

> When throwing, try holding no sponge, 1 sponge in your throwing hand, or 2 sponges (one in each hand). You will quickly find the method that works for you. Two sponges may be a great way for beginners to get the feel of clay and help focus the pressure.

> Keep in mind that you should have one point of pressure on the inside, and one on the outside. This could be a fingertip, a knuckle, or use a sponge to make that single point of contact.

> The best sponge is the one that is most comfortable for you. Check out the advice above, and try out a few sponges. Experience is the only way to figure out what works for you.

> Set up a large yellow sponge for easy clean up of your wheelhead or any spills / splashes. They are also great for wiping your hands. I wipe and clean my hands often when throwing, especially if I am going to touch a switch on the wheel, or switch to a shaping tool such as a rib. Large yellow sponges are the best way to quickly clean your hands.

Summary

This post has reviewed small sponges for use while throwing on the wheel, and given advice on other sponge tools along with a few DIY tips and ideas of how to use a sponge. The top recommended sponge is a synthetic round yellow tack sponge, but there are a lot of options.

What sponges do you use? Any tips for sponges and wheel throwing? Let us know in the comments.

Best Pottery Wheel Stools

Shimpo Pottery Stool.jpg

If you sit at the pottery wheel, you need a comfortable, functional stool that will stand the test of time and can be cleaned. There are a few pottery-specific stools that really are best for throwing, but a basic stool will also get the job done and can double as a step-stool in the studio.

TOP PICK:

Our top pick is the Shimpo Potter’s Stool. It has 4 adjustable legs, a padded seat, and a rugged design that will last forever. It is also the only stool that can be set at an angle with two longer legs (see picture) if that is more comfortable for you. It’s in the middle price range of stools reviewed here, generally around $80-90 plus shipping.

The Shimpo Potter’s Stool is a great option but there are other pottery stools too. The full review is below.

For a full pottery wheel buyer’s guide, click here.

Table of Contents

  1. Top Pick: Shimpo Potter’s Stool

  2. Speedball ST-4 Adjustable Potter’s Stool

  3. National Public Seating 18” stool

  4. Other Options

  5. How to Find the Beast Seat Height for Throwing

  6. Wrap Up

Top Pick: Shimpo Potter’s Stool

The Shimpo Pottery Stool.

The Shimpo Pottery Stool.

The Shimpo Potter’s Stool is the most versatile, comfortable, and functional pottery stool on the market. It has four adjustable legs with nine adjustable slots on each leg, with a range of 19 to 26 inches high. The legs are adjusted by pushing a pin in and moving the leg to the desired slot and letting the pin snap back in to place. The legs also can be adjusted independently, allowing for the stool to be set at an angle if desired. (Most pictures show this stool set up at a precipitous angle but even a slight angle or flat will work for throwing) It also has a comfortable, padded seat, but that does make it hard to stand on top of the stool if you want to use it to reach something high.

The stool can be turned upside down on a wheelhead when not in use, and with a 16 x 16 inch footprint, it is compact and won’t get in the way. Ongoing upkeep is simple: a bit of oil on the adjustable legs when needed.

The only drawback is the adjustable pins can be a bit unwieldy to press in to change, but most potters probably don’t need to adjust their stool too often. Another drawback is that the blue seat cover can be cut or pierced. But these are relatively minor concerns. Overall, it’s compact, functional, and comfortable stool.

Speedball St-4 Adjustable Pottery Stool

Speedball ST 4.jpg

The Speedball ST-4 Adjustable Pottery Stool has a molded plastic cushioned seat with a low back, a hydraulic adjustment that ranges from 16 to 23 inches high, and a wide, sturdy, 5-pointed base. The cushioned seat is comfortable for long sessions, is made of some kind of semi-hard foam, and is easy to clean. There’s also a right-side lever to adjust the heigh. This lever also can be cleaned, but it’s best to keep this and the inner adjustable column free of clay.

This stool could be the top pick, but some may find that the wide base gets in the way and might be a tripping hazard in a tight studio. Another drawback is that if clay gets on the adjustable column, it can damage the mechanism. Over time, if not kept clean, the stool ceases to be adjustable. So it may not be a lifetime sort of purchase, such as the Shimpo stool, but it is very comfortable and if kept clean, will last for years.

The Speedball ST-4 Pottery Stool costs around $150 and is available at speciality ceramic suppliers. Click here to visit the Speedball website.

National Public Seating 18” Stool and 18” Adjustable Stool

18” Stool from National Public Seating in grey.

18” Stool from National Public Seating in grey.

National Public Seating 18” Stool in black.

National Public Seating 18” Stool in black.

National Public Seating’s stools are the utilitarian workhorses of studios. Sturdy, stackable, and virtually indestructible, they will last for years and years of heavy use, and the shorter 18” stool can easily double as a tall step stool or low pedestal for use with your favorite banding wheel. The 18” fixed height stool is a fairly good option for the pottery wheel but some may find it a little short. There is also an option for just a bit more that can adjust from 18 to 27 inches however, this is a screwed-in adjustment that needs a hex wrench to change. You won’t be making quick adjustments like with the Shimpo stool.

18” Stool in grey with padded vinyl seat from National Public Seating.

18” Stool in grey with padded vinyl seat from National Public Seating.

Another plus to these stools is they are available in a few colors: a basic gray, black, and a grey with a padded vinyl cushion. These stools are very common and widely carried, so it can be good to shop around and see if there’s a sale. Typically they are around $35-$40 and a bit more for the padded or adjustable models, but I’ve seen them on sale for as little as $25. They aren’t as versatile as the easily adjustable Shimpo and Speedball stools, but there’s a lot to be said for having a simple stool around.

You can also find these stools with a backrest option—I’m not sure that is necessary on an 18” wheel, but it is nice for the taller chairs for other studio uses. My preference is to turn chairs like this upside down on the wheelhead when not in use.

In the U.S., Blick carries a lot of options for this stool.

Shop 18” National Public Seating Stool at Blick

Amazon also has a variety of options of this stool:

Shop grey 18” stool at Amazon

Shop black 18” stool at Amazon

Shop padded grey 18” stool at Amazon

Shop padded black 18” stool at Amazon

Shop adjustable 18"-27” stool at Amazon

Other Options for Pottery Stools

Speedball ST-1 Professional Pottery Stool.

Speedball ST-1 Professional Pottery Stool.

Speedball makes a few other pottery-specific stools. The white Speedball ST-1 Professional Pottery Stool has a similar base and adjusting mechanism to the ST-4, but it has a more cushioned and contoured seat with an office-chair type back. It is designed to easily allow your legs to spay open around the splash pan of a wheel. Some swear by this chair but for me, it’s kind of an awkward design. Given the option I go for the ST-4 or Shimpo stool first. The ST-1 is adjustable from 18 to 23 inches high.

Speedball makes two other pottery stools, the ST-5 and ST-10. The ST-5 has the same mechanism and base as the other adjustable Speedball chairs, but with a flat seat. And the ST-10 is a fixed-height, 18” stool with a wooden seat. It is very similar in design to the National Public Seating stools, but with a wooden top. Aesthetically, it’s more pleasing but it is also much more expensive.

Speedball ST-5 Adjustable Height Stool.

Speedball ST-5 Adjustable Height Stool.

The Speedball Stools are available at ceramic suppliers or click here to visit the Speedball website.

 
National Public Seating Adjustable Swivel Stool

National Public Seating Adjustable Swivel Stool

A final option is the National Public Seating Adjustable Swivel Stool. Rather than a hydraulic column that can break down over time, this seat is adjustable by turning the seat and moving what is essentially a big screw up or down. The adjusting mechanism is housed in a steel center sleeve but the “teeth” of the swivel are exposed as you raise the seat. As long as this is kept clean, the stool should last for a long time. It’s great for academic studios, anywhere you need an adjustable stool, but it is heavier and harder to stack. The stool is available in a variety of styles including wood and hardboard seats, and can adjust from 17 3/4” to 24 1/4” high. Modestly priced, like most of the company’s products, it’s usually available for around $80.

Shop Swivel Stool at Amazon

How to Find the Best Height for Throwing

Seated throwing at the pottery wheel can be very comfortable if you get your body positioned in the right way. I prefer to sit at least equal or higher to the wheelhead. This allows my upper body and torso to be involved in the throwing. The lower you set your seat in relation to the wheelhead, the more you will only rely on your shoulders and upper back for power, which can lead to strains and problems. You definitely want your abdomen, torso, and even your thighs to be involved in throwing.

Here’s how I suggest you find the position that is right for you. Keep in mind that every body is shaped differently. Different lengths of torsos and arms are really what come in to play with wheelthrowing:

  1. Set your chair or stool to be approximately 1 inch higher than your wheelhead. Keep in mind that bats may change the height of the wheelhead. I always sit higher than the wheelhead and instruct my students to start the same way. This allows you to “lean” in and really get a lot of power simply from the weight of your torso.

  2. If this is not comfortable, adjust your seat higher in lower in approximately 1/2” intervals until you find a comfortable position.

  3. Feel free to move your foot pedal from left to right if possible. You can also raise the footpedal on bricks or boards.

  4. Add a brick or upside down bucket underneath your non-pedal foot. Raising your leg allows your thigh to get a bit involved with adding power to your arms.

  5. While throwing, try to keep a curve in your lower back by keeping your chest up. This is hard to do.

  6. Take frequent breaks to stand up, stretch your arm, or move a bit so your body doesn’t get locked into a static position.

If you have aches and pains, you may need to consider switching your throwing position. It also doesn’t hurt to have a regular stretching routine, either before or after throwing. And adding core / ab exercises to your week will only improve your comfort and ability on the wheel.

If seated throwing is not working for you, keep in mind that many manufacturers make legs for wheels, or you can place a wheel on a table top or elevate it with cinder blocks. (Click here for a guide to table top wheels.) Many people find that a standing wheel is more comfortable and this is what you will find at many factories that work with jigs and molds on wheels. Keep in mind that if you are new to pottery, you may just need to develop new muscles, so start with 30 to 60 minute throwing sessions and grow from there over time.

Wrap Up

This post has reviewed the best stools for use at at pottery wheel and covered some ideas on how to find the most comfortable position for throwing. Our top pick is the economical, sturdy, and functional adjustable Shimpo Pottery Stool. But there are other options so that everyone can find the best stool for their studio.

What stool do you use at the wheel? Let us know in the comments.

Gift Guide For Potters and Ceramic Artists

UPDATE: Click here for our new 2023-24 Gift Guide!

Looking for a gift for a potter? Or perhaps ideas of how you can treat yourself? This post includes gift ideas for someone who works with clay and has sections for gifts under $25, $50, $100, and concludes with other ideas.

When shopping, keep in mind that most potters probably already have a basic tool kit and a few others tools. In a separate post, we’ve also got a handy guide to the best tools for pottery beginners, and there are many other posts on this site with reviews of tools we love.

Note: This site uses affiliate links for sites such as Amazon and Blick. If you click the links and complete a purchase, we may receive a percentage at no extra cost to you.

Gifts Under $25

Kemper Clay Drill

The Kemper Clay Drill

The Kemper Clay Drill

This single tool is a workhorse and replaces an entire set of hollow hole punches, many of which are more difficult to use and clean. The Kemper Clay Drill is easy to use, a breeze to clean, and is the best way to make holes in greenware for teapots, flower pots, lamp cords, or wherever you need a hole. This quality steel tool can drill a hole as small as 1/16” of an inch or as big as 3/4”. Simple insert and twist, and keep drilling to your desired diameter. The beveled edge results in a clean, even hole. It’s one of my favorite tools and usually costs around $4 to $5, making it a perfect stocking stuffer.

Xiem Studio Tools BatMate

The Xiem Studio Tools Bat Mate

The Xiem Studio Tools Bat Mate

The BatMate from Xiem Studio Tools is a 12-inch diameter piece of synthetic fabric that can be placed in between a bat and wheel head to virtually eliminate any wobble, improving the accuracy of throwing and trimming. Many potters, however, wet the fabric and place it directly on a wheel head to use when trimming pots. Pots will stay put just by tension, without adding little balls of clay wadding. This saves time and works just as well. At around $15, this is a tool that gets used all the time once it’s in a potter’s kit.

Hand Cream

Weleda Skin Food

Weleda Skin Food

Pottery and clay can be hard on hands, especially in the colder months and any potter will appreciate some nice lotion. Our favorite everyday cream is O’Keeffe’s Working Hands Cream (shop at Amazon), but if you wanted something more fancy, the Weleda Skin Food is a rich, luxurious cream that will help protect hands during a long studio session or at home.

Another favorite of many is Potter’s Skin Butter from Cara Mae Skincare. (For a complete look at hand creams, check out our studio hand cream review here. )

There are many great lotions, but I love Skin Food because it is extra thick, smells great, melds into your skin quickly, and the squeeze tube makes it easy to use at home or studio. It usually costs around $19 for a 2.5 oz tube.

Mini Ribbon Tool Set

Mini Ribbon Tool Set

Mini Ribbon Tool Set

This set of 6 tools is great for detail work, decorating, and finishing a piece of pottery or a sculpture. At 5 1/2” each, the metal tools don’t take up much room but they can do a lot. I don’t like to have dozens and dozens of tools, but I always have a set of these nearby, especially for detail work or scraffito. For around $13, it’s a great addition to a potter’s tool kit.

Xiem Studio Tools Precision Applicator

The 3 oz Precision Applicator from Xiem Studio Tools.

The 3 oz Precision Applicator from Xiem Studio Tools.

Another awesome tool from Xiem is the precision applicator, available in 1 and 3 oz sizes. The applicators have a soft, flexible rubber bulb with a variety of screw-on metal tips. Mostly used for slip trailing and slip decoration techniques, these bulbs can be used to apply just about any type of thicker, viscous liquid. The larger 3 oz size will be the best option for most. There are cheaper slip-trailing options that are a plastic bottle with similar metal tips, but the rubber bulb in the Xiem applicator provides steady, even pressure that is just easier to use. For around $20, this is a quality tool.

Green Split Leg Apron

revcoapron.jpg

This green split-leg apron is popular with many of my students and has a few features that make it a nice upgrade from a standard kitchen apron. Made from cotton, it has an adjustable, clip-on neck strap and it also has clips to attach the split legs to either leg. Some may prefer a longer apron (such as the Claypron) but this apron covers the thighs and the split-leg design makes it perfect for sitting at the pottery wheel. Usually available for $20 to $25, the Revco green apron is available in 36”, 42” and 48” lengths.

For our complete guide to aprons, click here.

Harbor Freight Canvas Rigger’s Bag

The Harbor Freight Canvas Riggers Tool Bag.

The Harbor Freight Canvas Riggers Tool Bag.

This canvas tool bag has plenty of pockets and space to keep things organized, which is especially important if you work in a shared studio. As many pottery tools are quite small, it is helpful to keep everything together. And as this is open and made from cloth, you can put tools in immediately after cleaning and they will dry out and stay rust free. Usually available for around $25, this canvas tool bag will last for years of heavy studio use.

Neiko Diamond-Coated Drill Bits

5 piece diamond coated drill bit set from Neiko.

5 piece diamond coated drill bit set from Neiko.

Diamond-coated drill bits are the best way to drill holes in bisque or glaze-fired ceramics. (Do this with plenty of water and eye protection, and you’ll also need a cordless drill) While there are numerous name-brand and generic drill bits for cutting accurate holes, this set from Neiko is a great way to get started with diamond bits. Ranging from 5/32” to 1/2”, the Neiko bits are a good size for tasks such as drilling cord holes in ceramic lamps or adding drainage holes for planters. At $10 or less, the Neiko bits are a cost-effective addition to any ceramic studio.

Fun T-Shirts at Society6

Retro 70s Pottery T Shirt

Retro 70s Pottery T Shirt (Shop at Society6)

The website Society6 has a lot of fun and interesting t-shirts and other merchandise with pottery and kiln themes. If you see a pattern or design you like, make sure to click around — designs are usually available on multiple products so you can find the right gift.

Society6 is a print-on-demand site where artists and designers can upload their own designs and they make a percentage of the sale price, so not only are you getting a cool gift, but you’re supporting other artists and designers too.

Evolution of Pottery T Shirt

Evolution of Pottery T Shirt (Shop at Society6)

Kintsugi heart pottery t shirt

Kintsugi Heart T Shirt (Shop at Society6)

Gifts Under $50


Mastering the Potter’s Wheel by Ben Carter

Mastering the Potter's Wheel.jpg

This approachable book is great for beginners and intermediate pottery students. The thorough, straightforward advice covers a variety of throwing techniques and how to alter and modify those thrown forms. The book even includes a section on stretches and ways to avoid a sore lower back. Published in 2016, it’s a great addition to any potter’s book shelf.

Mastering the Potter’s Wheel, 208 pages, 8 x 10”, 2016, $30

Shop at Bookshop.org

Shop at Dick Blick

Shop at Amazon

Zebrawood Carving Tool

The P1 Zebrawood Carver from Diamond Core Tools.

The P1 Zebrawood Carver from Diamond Core Tools.

The Zebrawood Carvers from Diamond Core Tools are functional, long-lasting (replaceable blades!), and beautiful. At 5.5 inches long, they feel like a pencil and can be used for sharp, even cutting tasks such as scraffitto and other forms of decoration. Diamond Core makes these with a wide variety of cutting blades—the P1 is a great carver to start with. At $37 each, these are on the expensive side for a ceramic tool but the adjustable blade and beautiful wood makes this a great gift for any potter.

Magna Cart

The Magna Cart.

The Magna Cart.

If you work with clay, you need to move stuff all the time. Whether it is boxes of clay, packaged ware for shipping, or large sculptures, the Magna Cart is an invaluable tool that folds up for efficient storage when not in use. Store it in a closet or the trunk of a car, it’s a handy tool that will get used all the time. The cart can hold 150 lbs (I’ve pushed it to 200 and that can be too much), has 5” rubber wheels, a 15” wide base and the handle can extend to 39” tall. There are a lot of folding carts on the market now in all shapes and sizes, but the classic Magna Cart is still the best option.

10,000 Years of Pottery by Emmanuel Cooper

10000 Years of Pottery.jpg

This lavishly illustrated book is a great addition to any potter’s bookshelf. Tracing the history of ceramics from the Ancient Near East through contemporary times, the book covers all parts of the globe along with the arts and crafts movement, ceramics and industry, studio ceramics, and more. Originally published in 1972, the book has been updated continuously since. The most recent 4th edition is available as a paperback for $30. My favorite thing is to just flip through this book for ideas and inspiration—it’s 360 pages long there are full-color pictures on almost every page.

Diamond Hand Pads

Stadea semi-hard foam-backed diamond hand pads.

Stadea semi-hard foam-backed diamond hand pads.

Semi-flexible diamond hand pads from Diamond Core Tools.

Semi-flexible diamond hand pads from Diamond Core Tools.

Diamond hand pads are the perfect way to sand away burrs, small glaze drips, and rough patches on pots, sculptures, or kiln shelves and posts. Made of industrial-grade diamonds embedded in plastic, these are available from a variety of manufacturers as either soft, flexible pads or semi-hard foam-backed pads. The foam backed are my favorite because they provide structure and support your hand, but the flexible pads are useful for sanding more complicated shapes. Available as sets or individual pads, my recommendation is to get four individual pads in the range of 50 grit, 100 grit, 200 grit, and maybe 400 grit.

The soft pads are available from Diamond Core Tools. The foam backed pads are available from Diamond Core and other companies such as Stadea. Expect to spend $15 to $30 each for one pad, but if used just when needed (use sandpaper for more everyday tasks), they should last for some time, maybe even years.

Shop diamond sanding pads at Diamond Core Tools

Shop Stadea diamond sanding pads at Amazon


Gifts Under $100

Banding Wheel

Shimpo Banding Wheels are heavy duty and come in five different sizes.

Shimpo Banding Wheels are heavy duty and come in five different sizes.

Banding wheels are very useful studio tools for coil building, sculpting, and decorating. And a high-quality design such as Shimpo banding wheels will last for decades or longer. Made of cast iron with sealed bearings, the Shimpo banding wheels are the best on the market. They are on the heavy side, but this added weight gives the wheels a smooth, even spin. Shimpo banding wheels come in five different sizes ranging from $60 to about $120. For more info, read our complete review of banding wheels, but of the options on the market, there is no doubt that these are the best.

Handheld Extruder

The Nidec Shimpo Handheld Extruder

The Nidec Shimpo Handheld Extruder

A handheld extruder is one of the best ways to make handles or other shapes in a quick, efficient way. Basically a specialized version of a caulking gun, soft clay is inserted in the 2” wide barrel, a die is placed at the end, the cap screwed on, and you can pull the trigger and the plunger begins pushing clay through the die. You can also use hollow dies to make small forms that would be almost impossible to make by hand. Until I used one, I was skeptical that this was a useful tool but now I’m a convert—It’s my favorite way to make handles that are uniform and easy to use. For clean up, the whole tool can be plunged under water if necessary.

There are a variety of handheld extruders, which are all about the same, but the Nidec Shimpo Handheld Extruder is compact and well built. The key is getting dies that work for. In addition to the basic dies, my favorite add on is the Scott Creek Handle Die kit, which should match up with any small handheld extruder. The Shimpo Handheld Extruder is usually around $60 and extra die kits generally cost around $40.

MudTools Essentials Kit

The MudTools 9-piece Essentials Starter Kit

The MudTools 9-piece Essentials Starter Kit

MudTools makes innovative tools such as their beloved flexible plastic ribs, and this Essential Starter Kit includes nine of their most popular tools in one kit. A great gift for pottery beginners, experienced potters will also appreciate this kit. Included are three flexible polymer ribs, the Mudshark cutting tool, a cut-off wire with polymer handles, a long plastic scraper/rib, a sponge, the MudTools all-in-one trimming tool, and the MudTools shredder. At around $70, this is a great gift option for every potter. For more info, read our guide here on beginner pottery tools here.

Note: Some marketing describes this as a 10-piece kit, but I would classify the plastic holder as a “tool.”

Other Gift Ideas

Pottery Wheels

Thinking of getting a new wheel as a gift? Check out our guide to table top wheels here, and our guide to full-size wheels here.

Cordless Drill

A drill is a functional, useful tool and a new one can make a great gift. Check out our buyer’s guide to cordless drills or corded drills.

We’ve got a lot of ideas in our various tool guides. Other ideas for gifts include scales for glaze mixing, accessories for glaze mixing, or maybe even tools that can be used in the kitchen or the studio.

Other Gift Ideas:

Classes: A set of classes at your local ceramics studio can be a great gift. If you can’t find a studio, ask a local clay supplier if they can recommend local studios.

Magazine Subscriptions: Magazines are great sources of ideas and inspiration. Check out Pottery Making Illustrated or Ceramics Monthly.

Tours, Trips, or Conferences: Look for pottery-specific travel tours, retreats, or conferences.

What ideas do you have for pottery gifts? Let us know in the comments.

Gift Guides

Check out these posts:

2022 Gift Guide for Potters and Ceramic Artist

Gift Guide for Young Artist and Creative Kids

Gift Guide for Artists Who Paint and Draw

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Table Top Pottery Wheel Buyer's Guide

The Speedball Artista table top wheel.

The Speedball Artista table top wheel.

The Shimpo Aspire table top wheel.

The Shimpo Aspire table top wheel.

NOTE: For an updated version of this guide, click here.

If you need a lightweight, compact pottery wheel your best option is a table top or portable wheel. These are especially popular for classrooms, at-home use, or if you need to put your wheel away on a shelf or closet. You can still get great results with table top wheels, but there are trade offs in power and other options found in full-size wheels. If portability isn’t your biggest concern, there are also larger wheels that can be used on table tops.

For portable wheels, there are basically two options:

Speedball Artista: A lightweight wheel with an 11” wheelhead and 1/3 HP motor (Shop Artista at Blick)

Shimpo Aspire: A lightweight wheel with a 7” wheelhead and 1/3 HP motor (Shop Aspire at Blick)

For full size wheels that can easily be converted to table top wheels, there are another two options:

Brent IE models: an entry-level full sized wheel that without legs is just 13” tall and can be used on a table top. (Shop IE at Blick) (Note: The IE models appear to have been discontinued as of 2021)

Shimpo VL-Whisper: Our top pick for a full size wheel, the VL-Whisper has a unique magnetic motor design that allows it to be used without legs as a table top wheel. (Shop VL-Whisper at Blick)

This guide will cover each of these models to help you make the decision that is right for you.

Table of Contents

  1. Speedball Artist Portable Wheel

  2. Shimpo Aspire Portable Wheel

  3. Brent IE Wheel

  4. Shimpo VL-Whisper

  5. Other Table Top Options

  6. Comparison Chart

  7. Summary

Speedball Artista Table Top Wheel

The Speedball Artista wheel is designed for table top use but has optional leg attachments.

The Speedball Artista wheel is designed for table top use.

The Speedball Artista is a popular table top pottery wheel that has optional foot pedal and leg attachments. It has a 1/3 horse power motor, an 11” wheelhead, can center up to 25 lbs of clay, and weighs just 26 pounds. The wheelhead, which has standard 10” bat pins, sits just 3 5/8” above whatever surface you set this on. That’s a lot of options in a small package that usually costs around $450 to $500.

The Speedball line of wheels. At right is the Artista with the optional leg and foot pedal attachments.

The Speedball line of wheels. At right is the Artista with the optional leg and foot pedal attachments.

The optional legs and foot pedal will add about another $200 to the cost, giving you basically a full size pottery wheel. I wouldn’t recommend getting the Artista and all the attachments if what you really want is a full-size wheel (Check out the Speedball Clay Boss for that), but if you need something that you can move around, put away when not in use, and set up in a variety of places, then this is great option. It’s also a great wheel for kids, hobbyists, or that you can add to the corner of a classroom or home studio.

Shimpo Aspire Table Top Wheel

The Shimpo Aspire pictured with the optional foot pedal.

The Shimpo Aspire pictured with the optional foot pedal.

The Aspire is Shimpo’s table top option, with a 1/3 horse power, belt-driven 7 inch wheel head. It is rated to a 20 lb centering capacity, and the wheel has a max speed of 230 rpm via the hand lever, and up to 250 rpm if controlled by the optional foot pedal. The whole unit weighs 31 lbs, making it relatively easy to put away on a shelf or closet when not in use.

The Aspire costs about the same as the Speedball Artista, generally around $480 to $530, but unlike the Artista, it is solely a table top wheel. It does not have optional legs, but there is an optional foot pedal for an extra $60. The wheel head is small, but adequate for the amount of clay it can handle. And there are a variety of bats that will fit the 6” bat pin spacing.

The decision here is a bit simpler than with the Artista because it is a dedicated table top machine that is lightweight and dependable. Aside from the optional foot pedal, it doesn’t have a lot of bells and whistles but it’s a quality Shimpo machine that might be the right wheel for your situation.

Brent IE Pottery Wheel

The Brent IE-X, the upgraded 1/3 HP version of Brent’s entry-level wheel.

The Brent IE-X, the upgraded 1/3 HP version of Brent’s entry-level wheel.

Note: as of spring 2021, the IE wheels are no longer listed on Brent’s website and appear to have been discontinued. You may still find them at some suppliers, or used.
The IE is the entry-level wheel from Brent, and while not exactly a portable wheel, it does feature adjustable legs that allow it to be easily used as a table top wheel. In this configuration, the wheelhead sits 13” above the surface it is placed on. The IE weighs around 90 lbs so once it is placed on a table top, you’re probably not going to want to move it that often.

The IE has a 1/4 horse power motor, a 12” wheelhead, a 75 lb centering capacity, a top speed of 240 RPM, and the legs are adjustable from 20 high to 25” high. The base IE model can be upgraded to the same features with a reversing switch (the IE-R model), or the IE-X features a 1/3 HP motor with a 14” wheelhead.

The IE will give you the same dependable quality that Brent is known for, but to me, it’s a model that doesn’t really fill a niche. With a base price of around $1200 to $1300, it is a LOT more expensive than an entry-level budget wheel such as the Speedball Clay Boss. And it’s not too much cheaper than a really great, more powerful wheel found in the Brent line or other manufacturers.

Where the IE does shine is the flexibility for table top use. If you want a full-size table top wheel and you prefer Brent wheels, than this is the wheel for you.

Shimpo VL-Whisper

With the legs removed, the Shimpo VL-Whisper makes a great table top wheel.

With the legs removed, the Shimpo VL-Whisper makes a great table top wheel.

The Shimpo VL-Whisper is not only our top-rated full-size wheel, it is also a great option for table top use. With the virtually silent, magnet-driven wheel, the VL-Whisper has a flat design that can sit on a table top when the legs are removed. Like the IE, the wheelhead does sit relatively high off the table top, but if you want a table-top or standing wheel with all the bells and whistles of a top-of-the-line wheel, this is a great option.

Rather than a motor and belt, the VL-Whisper is driven by a virtually silent series of magnets that spin the wheel.

Rather than a motor and belt, the VL-Whisper is driven by a virtually silent series of magnets that spin the wheel.

The VL-Whisper (or Velocity) has a 1/2 horse power motor, a 14” wheel head, a reversible switch, and can center up to 100 lbs. At around 135 lbs, it is heavy, but it’s a sturdy machine with the quietest motor on the market. At a typically price of $1350–$1450, it hits that sweet spot of great performance and options, while being in about the middle of the price range for full size wheels.

While it can be a table top wheel, the VL-Whisper is certainly not portable or that easy to move and put away. But if you are comparing it to the IE, it’s got a lot more options for just a bit more money. It’s a great wheel.

Other Table Top Wheel Options

US Art table top wheel.jpg

Another option is the U.S. Art Supply 3/4 HP Table Top pottery wheel. It has a stronger motor than other table top options, an 11” wheelhead with proprietary 3-pin bats, can go forward and reverse, tops out at 300 rpm, has a foot pedal, and weighs around 43 lbs.

They have really packed a lot of features into this table top wheel and it is in the same price range as the Artista and Aspire—around $500, though it is heavier.

The reviews on this wheel are really mixed. Some people love it and have had great success, recommending it for beginners or intermediate potters. Some say it wobbles but others describe it as quite sturdy. In general, everyone agrees that the splash pan is not the best. With a one-year warranty, I can only recommend this wheel with reservations. For the price, I would go with the Artista or Aspire. And for around $200 more, you could get a full-size wheel like the Speedball Clay Boss.

In addition to the U.S. Art Supply table top wheel, there are a variety of generic wheels for sale. They range anywhere in price from $150 to $500, so they seem like a great budget option. But you may end up with a machine that breaks down quickly and is not well built. In general, I would go with the trusted pottery wheel manufacturers that provide a 2, 5, or even 10 year warranty on their wheels. The last thing you want is to buy a junky machine, so go with a wheel that will stand the test of time.

Table Top Pottery Wheel Comparison Chart

Below is a chart with all the wheels mentioned in this post.

Table Top Pottery Wheels

Click the model name to shop at Dick Blick or Amazon.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Speedball Artista $459–$567 1/3 HP 11" 10" No, but available as R or L handed 24 x 18 x 9" 26 lbs 0-220 2 years 25 lbs
Shimpo Aspire $480–$565 1/3 HP 7" 6" No 14.5 x 20 x 9" 31 lbs 0-230 hand, 0-250 foot pedal 5 years 20 lbs
US Art Table Top $500 3/4 HP 11" Custom 3 pin design Yes, switch 17 x 26 x 13" 42.3 lbs 0-300 1 year 25 lbs
Brent IE $1,198–$1,475 1/4 HP 12" 10" Optional upgrade 21 x 26 x 13" high or 20-25 with legs" 93 lbs 0-240 5 years 75 lbs
Brent IE-X $1,348–$1,685 1/3 HP 14" 10" Yes, switch 21 x 26 x 13" high or 20-25 with legs" 93 lbs 0-240 5 years 100 lbs
VL-Whisper $1,250–$1,550 1/2 HP, 400w 14" 10" Yes, switch 23.2 x 27.5 x 22.75" 122 lbs 0-250 5 years 100 lbs

For a comparison of all types of wheels including full size wheels, click here.

And for our buyer’s guide to full-size wheels, click here. 

Summary

Table top pottery wheels are great options for a wide variety of potters. Portable wheels work for kids, classrooms, home use, or if you need to bring a wheel for a demo. If you just want table top wheels, you can also easily modify a few heavier full-size wheels to use on table tops. The wheels covered in this post are all well-built, dependable options for table top use, and a few are light enough to be truly portable. Given the choice, I would recommend a full-size wheel such as the VL-Whisper, but if you are going for your first wheel or need a lightweight, portable option, dropping $500 on the Shimpo Aspire or Speedball Artista will get you a wheel that will hold up under years of use.

What table top pottery wheels do you prefer? Let us know in the comments.

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Pottery Wheel Comparison Chart

The Shimpo VL-Whisper, the top pick in our Pottery Wheel Buyer’s Guide.

The Shimpo VL-Whisper, the top pick in our Pottery Wheel Buyer’s Guide.

Note: Updated prices and info as of October 2023

This chart includes every wheel made by dependable manufacturers, including Bailey, Brent, Lockerbie, Pacifica, Shimpo, Skutt Thomas Stuart, Soldner, and Speedball. The chart includes specifications, typical price ranges, and other information to help you make a decision when shopping for a wheel.

Click here for our complete 2023 Pottery Wheel Buyer’s Guide, including our top picks, tips on how to buy, and a complete description of each manufacturer.

Note: The chart below uses affiliate links with Dick Blick and Amazon. If you click a link and make a purchase, we may receive a small commission at no extra cost to you.

Bailey Pottery Wheels

Available at baileypottery.com
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
ST $1,351 1/4 HP 12" 10" Yes, plug 22.5 x 25.5 x 21" 93 lbs 0-200 5/10 years 50 lbs
ST-X $1,541 1/4 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 103 lbs 0-200 10 years 50 lbs
ST-XL $1,702 1/2 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 123 lbs 0-200 10 years 100 lbs
PRO-50R $1,499 1/4 HP 12" 10" Yes, plug 24.25 x 29 x 20.25" 92 lbs 0-200 10 years 50 lbs
PRO-X $1,581 1/4 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 102 lbs 0-200 10 years 50 lbs
PRO-XL $1,692 1/2 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 116 lbs 0-200 10 years 100 lbs

Brent Pottery Wheels

Click links in the chart to shop at Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
B $1,898 1/2 HP 12" 10" Yes, switch 21 x 28 x 21.5" 119 lbs 0-240 10 years 150 lbs
B Black $1,938 1/2 HP 12" 10" Yes, switch 21 x 28 x 21.5" 119 lbs 0-240 10 years 150 lbs
C $1,983 3/4 HP 14" 10" Yes, switch 21 x 28 x 21.5" 121 lbs 0-240 10 years 225 lbs
C Black $2,023 3/4 HP 14" 10" Yes, switch 21 x 28 x 21.5" 121 lbs 0-240 10 years 225 lbs
CXC $2,064 1 HP 14" 10" Yes, switch 21 x 28 x 21.5" H 129 lbs 0-240 10 years 300 lbs
CXC Black $2,104 1 HP 14" 10" Yes, switch 21 x 28 x 21.5" H 129 lbs 0-240 10 years 300 lbs
Model 16 $3,855 1/2 HP 12" 10" Yes, switch 36 x 36 x 21-35" H 287 lbs 0-240 2 years 150 lbs

Lockerbie Pottery Wheels

Available at axner.com and other ceramic suppliers.
Model Typical Price Motor (HP) Wheelhead Diameter Bat Pin Diameter Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Kickwheel $1,575 N/A 13" 10" N/A 42 x 36 x 30" 325 lbs N/A 5 years N/A
Electric $1,881 1/3 HP 13" 10" No 42 x 36 x 30" 365 lbs 0-157 5 years 50 lbs
Electric-Reversible $2,024 1/3 HP 13" 10" Yes 42 x 36 x 30" 365 lbs 0-157 5 years 50 lbs

Pacifica Pottery Wheels

Click the links to shop at Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
GT400 $1,260 1/4 HP 13" 10" Yes 31 x 27 x 20" 92 lbs 0-260 5 years 80 lbs
GT800 $1,485 1/2 HP 13" 10" Yes 31 x 27 x 20" 105 lbs 0-260 5 years 100 lbs

Shimpo Pottery Wheels

Click the links below to shop at Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Aspire table top $569 1/3 HP 100w 7" 6" No 14.5 x 20 x 9" 25 lbs 0-230 hand, 0-250 foot 5 years 20 lbs
VL-Lite $858 1/2 HP 100w 12" 10" Yes, switch 22 x 28 x 21" 85 lbs 0-250 5 years 25 lbs
RK-Whisper $1,310 1/2 HP, 400w 12" 10" Yes, switch 20 x 21 x 20" 118 lbs 0-250 5 years 100 lbs
VL-Whisper $1,532 1/2 HP, 400w 14" 10" Yes, switch 23.2 x 27.5 x 22.75" 122 lbs 0-250 5 years 100 lbs

Skutt Pottery Wheels

Click the links in the chart to shop at Blick.
*Note that Skutt does not provide RPMs or Centering Capacity.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Prodigy $1,320 1/3 HP 12" 10" No 24 x 30 x 24" 94 lbs - 10 years -
Removable splash pans:
Legend $1,849 1/3 HP 14" 10" Yes, switch 24 x 30 x 24" 117 lbs - 10 years -
Legend $1,980 1/2 HP 14" 10" Yes, switch 24 x 30 x 24" 119 lbs - 10 years -
Legend $2,100 1 HP 14" 10" Yes, switch 24 x 30 x 24" H 128 lbs - 10 years -
Built-In Splash Pans:
Classic $1,900 1/3 HP 14" 10" Yes, switch 24 x 30 x 24" 127 lbs - 10 years -
Classic $2,153 1/2 HP 14" 10" Yes, switch 24 x 30 x 24" 128 lbs - 10 years -
Classic $2,189 1 HP 14" 10" Yes, switch 24 x 30 x 24" 140 lbs - 10 years -

Soldner Pottery Wheels

*Prices listed are as of 2022.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
S50 $1,409 1/6 HP 14" 10" Yes, switch 24 x 24 x 19-25" 85 lbs 0-250 2 years 50 lbs
S100 $1,576 1/4 HP 14" 10" Yes, switch 24 x 24 x 19-25" 95 lbs 0-250 2 years 100 lbs
P100 $1,891 1/4 HP 14" 10" Yes, switch 29 x 38 x 22-28" 130 lbs 0-250 2 years 100 lbs
P200 $2,079 1/2 HP 14" 10" Yes, switch 29 x 38 x 22-28" 145 lbs 0-250 2 years 200 lbs
P400 $2,438 3/4 HP 14" 10" Yes, switch 29 x 38 x 22-28" 160 lbs 0-250 2 years 400 lbs

Speedball Pottery Wheels

Click the model name to shop at Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Artista table top $549 1/3 HP 11" 10" No 24 x 18 x 9" 26 lbs 0-220 2 years 25 lbs
Clay Boss $1038 1/2 HP 14" 10" Yes, plug 21 x 26 x 19.5" 83 lbs 0-240 10 years 100 lbs
Big Boss $1,271 0.85 HP 14" 10" Yes, plug 21 x 26 x 19.5" 89 lbs 0-250 10 years 150 lbs
Boss Elite SQ $1,428 1 HP 14" 10" Yes, plug 21 x 26 x 19.5" 96 lbs 0-240 5 years 175 lbs

Sources and Research

The information in the chart was compiled by visiting manufacturers’ websites, reviewing product manuals, and researching products on various retailers’ websites. Every effort has been made to provide accurate, up-to-date info. If you notice any errors, please contact us.

Click here for our complete 2023-24 Pottery Wheel Buyer’s Guide.

Or check out our 2023-24 Table Top Wheel Buyer’s Guide.

Other posts of interest:

Gift Guide For Potters and Ceramic Artists

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For more info on Pottery Wheels and where this data was sourced from:

Bailey: baileypottery.com

Brent: amaco.com/t/equipment/brent/wheels

Lockerbie: www.lagunaclay.com/potterswheels

Pacifica: www.lagunaclay.com/potterswheels

Shimpo: Japan www.nidec-shimpotougei.jp/en/pe; North America: www1.ceramics.nidec-shimpo.com

Skutt Thomas Stuart: skutt.com/pottery-wheels

Soldner: bluebird-mfg.com

Speedball: speedballart.com

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Pottery Wheel Buyer's Guide — The Best Wheels For All Studios

 
A classroom set of our top pick, the Shimpo VL-Whisper pottery wheel. The latest model of the Whisper has a slightly different table top shape but same super-quiet motor.

A classroom set of our top pick, the Shimpo VL-Whisper pottery wheel. The latest model of the Whisper has a slightly different table top shape but same super-quiet motor.

 

Note: CLICK HERE to read our new and updated guide for 2023-2024

There are a number of great pottery wheels on the market for all sorts of budgets and skill levels. But it can be confusing to figure out which wheel is right for you. This guide is here to help you pick the size, style, and type of wheel that is best for your studio and budget.

TOP PICK: Our top pick for all studios is the Shimpo VL-Whisper. It’s a super-quiet workhorse with a 1/2 horse power motor that usually costs around $1,300-1,400. Shop at Blick

BUDGET PICK: For a budget / entry level wheel, we love the Speedball Clay Boss, which you can usually find for just over $700. It’s got a 1/2 HP belt-driven motor. Shop at Blick

PRO PICK: And for a professional pick, we love the Soldner P200 or any of the higher-end Skutt / Thomas Stuart Wheels, which typically cost $1,400 to $2,000. Shop at Blick

In addition to reviews and recommendations of top wheels, this guide will cover:

  • What to look for when buying a wheel

  • Tips on where and how to buy

  • Provide a side-by-side comparison chart of just about every wheel on the market so that you can make the most informed decision.

Note on cheap generic wheels:
This guide only covers wheels from dependable manufacturers including Bailey, Brent, Lockerbie, Pacifica, Shimpo, Skutt, Soldner, and Speedball. There are numerous other generic wheels that are available online for $200 or less. These generics receive very mixed reviews, are small and have small wheelheads, have very weak motors, don’t have bat pins, and don’t hold up under regular use. You might try these, but that $200 would be better put towards any wheel listed below, which will last 10 to 20 years or longer when used properly.

For a complete review and guide, keep scrolling.

Table of Contents

  1. Top Pick: Shimpo VL-Whisper

  2. Budget Pick: Speedball Clay Boss

  3. Pro Pick: Soldner Wheels or Skutt Wheels

  4. Other Great Wheels

  5. Understanding Pottery Wheels

  6. How To Shop For A Wheel

  7. Pottery Wheel Comparison Charts

Top Pick: Shimpo VL-Whisper

The Nidec-Shimpo VL-Whisper pottery wheel, our top pick for a wheel. It has a super-quiet motor, adjustable legs, and a lot of thoughtful features.

The Nidec-Shimpo VL-Whisper pottery wheel, our top pick for a wheel. It has a super-quiet motor, adjustable legs, and a lot of thoughtful features.

Our top pick for all types of studios and skill levels is the Nidec-Shimpo VL-Whisper pottery wheel. Introduced about 10 years ago, this has become one of the top-selling wheels mainly due to its innovative 1/2 horse power, direct-drive DC motor that uses magnets to drive the wheel. This system makes the VL-Whisper truly the most quiet wheel on the market. Almost every other wheel uses a belt-drive system that makes more noise and has more moving parts that can break down over time.

The Shimpo VL-Whisper with the legs removed, for use as a table top wheel if you prefer to stand while throwing.

The Shimpo VL-Whisper with the legs removed, for use as a table top wheel if you prefer to stand while throwing.

Along with being super quiet, the VL-Whisper magnetic drive has instant torque and is powerful enough for most potters. The rest of the wheel is well designed with a three legs, sturdy plastic top, 2-part splash pan that surrounds a 14” wheelhead, a moveable floor pedal, and a switch to run the wheel clockwise or counterclockwise. The 1/2 horsepower 400 watt motor is rated to a centering capacity of 100 lbs and the wheel comes with a 5 year warranty.

The VL-Whisper has other thoughtful engineering touches, including adjustable, removable legs that allow for tabletop use or a variety of heights on the floor. The wheelhead also turns freely at 0 rpm, allowing for use as a banding wheel. The VL-Whisper weighs around 120 lbs and measures 23 1/8” x 27 1/2” and can range from 11” to 21” in height.

With all this great stuff there are basically no drawbacks, which is why it is our top pick. Some pro potters may want a more powerful motor, and some beginners may find the price tag prohibitive (typically $1400), but I can really say without a doubt that this is the best overall wheel on the market. What really sets it apart is the quiet motor, adjustable legs, 0 rpm banding wheel option, and how it is just a thoughtfully designed, sturdy machine.

This wheel is available at just about every ceramic supplier worldwide. There are often vendors on Amazon selling a package with shipping included, or the wheel is readily available at Dick Blick art stores in North America.

Budget Pick: Speedball Clay Boss

The Speedball Clay Boss, our top pick for a budget wheel. It’s got a 1/2 horse power motor and lighter body construction that many prefer.

The Speedball Clay Boss, our top pick for a budget wheel. It’s got a 1/2 horse power motor and lighter body construction that many prefer.

The Speedball Clay Boss is our top pick for an entry-level pottery wheel. It’s a great for students, beginners, but still works for pros who want a lightweight wheel. It’s got a 1/2 horse power motor, a belt-driven wheel, 14” wheelhead, and a standard triangular design that clocks in at just over 80 lbs, making it one of the lightest pottery wheels on the market with a motor of that size. Known for lightweight wheels with a devoted fan base, the Speedball wheels build on the tradition of Creative Industries, a ceramics company that Speedball acquired in 2009.

The Clay Boss measures 26” x 21” x 19.5” high, has a detached foot pedal, and is reversible by switching the direction of the plug, so it will work for throwing clockwise or counter clockwise. It also comes with a 10 year warranty. The Clay Boss can usually be found at just over $700, making it the most affordable wheel from a dependable manufacturer on the market, and if you need a more powerful motor, there are upgrades available within the Speedball line.

There aren’t any big downsides to this wheel, but there are trade offs. For example, it’s quite light for a wheel because it doesn’t have a beefy table or legs. I wouldn’t stand on top of this wheel, but it is easy to move. And it’s belt-driven, so it will be noisier than our top pick, the Shimpo VL-Whisper. But it’s still a great wheel that will get the job done. Many of the old Creative Industries wheels are still going strong after 20 or 30 years, and I would expect these Speedball wheels to have the same longevity.

Pro Pick: Soldner Wheels or Skutt Wheels

The Soldner P-200, a 1/2 horse power pottery wheel. Soldner wheels are known for their ultra-responsive foot pedal and plywood table tops.

The Soldner P-200, a 1/2 horse power pottery wheel. Soldner wheels are known for their ultra-responsive foot pedal and plywood table tops.

For the professional potter, the best wheels are made by Soldner Wheels or from the Skutt / Thomas Stuart Line. These wheels feature large, oversized motors and extra-responsive, upgraded foot pedals, combined with sturdy legs and tops. Do you need a wheel like this? If you are serious potter, spending a few hours a day on the wheel or more, the larger motors will really deliver for you and not overheat (The Shimpo VL-Whisper is great in this regard too). Many also prefer the super-sensitive foot pedals and various upgrades available in these wheels.

Soldner wheels are the only wheels on the market with wooden tops. Made by Bluebird Manufacturing in Fort Collins, Colorado, the finished, marine-grade plywood is attractive and super strong. And the Soldner wheels are known for their smooth, strong motors with a top-of-the-line foot pedal that will adjust to every touch you give. These wheels are a pleasure to use. For most, we would recommend the P200 model that has a half moon table and a 1/2 horse power motor.

The Skutt / Thomas Stuart Elite, a 1/2 horsepower pottery wheel with a built-in splash pan. Note the extra large motor on the Skutt wheels.

The Skutt / Thomas Stuart Elite, a 1/2 horsepower pottery wheel with a built-in splash pan. Note the extra large motor on the Skutt wheels.

The Skutt / Thomas Stuart line has 8 different wheels. These wheels are distinguished by large splash pans, large motors, and really sturdy construction. Seven of the models are available with an optional “SSX” foot pedal upgrade, which gives you an ultra-responsive, smooth response that puts these in the same range as the Soldner wheels. The best options for most potters, in our opinion, are the two 1/2 horse power models: The Revolution comes with a removable splash pan while the Elite has basically the same features but with a built-in splash pan. And if you are considering the SSX foot pedal upgrade and optional leg extensions to convert these to a standing wheel, consider the Steven Hill option which includes these features.

Soldner and Skutt wheels are usually found at speciality ceramic suppliers.

Other Great Wheels: Brent Wheels and Others

The Brent B, a 1/2 horse power pottery wheel that is one of the most popular wheels on the market.

The Brent B, a 1/2 horse power pottery wheel that is one of the most popular wheels on the market.

In addition to the options above, there are other pottery wheel options to consider, particularly wheels from Brent, Bailey, and Pacifica. For many potters, their favorite wheels are made by Brent. Known for their distinctive yellow ochre plastic tops and splash pans, you have probably seen or used a Brent as they are arguably the best-selling wheels in North America. (This data isn’t public but Brent and Shimpo seem to be the two most common wheels).

As a point of comparison, the Brent B is closest to the other wheels we have recommended above. It has a 1/2 horsepower motor, can go forward and reverse, and has a 12 inch wheel head. When new, these wheels are very quiet even though they utilize a belt-driven system, and with a 10-year warranty, you can be assured that Brent wheels will last for decades.

While the Brent wheels are incredibly popular, they are not my top pick for two reasons: The Shimpo VL-Whisper is much quieter. And the Soldner and Skutt wheels come with added features, such as better foot pedals and oversized motors. Brent doesn’t have these upgrades, but if you go beyond the Brent B into the C, CXC, or EX model, you do get some of the most powerful motors on the market. If you need a 1 1/2 horse power motor, the EX is your only option on the market.

For a complete guide to Brent wheels, click here.

Understanding Pottery Wheels, a Pottery Wheel Buying Guide

In this section, we’ll go through each part and feature to help you understand wheels and how to choose the best one for you.

Motor

The biggest difference between wheels, even within a manufacturer’s product line, is usually the motor. Ranging from 1/4 horsepower to 1 1/2 horsepower, most potters will find that a 1/2 HP motor is the sweet spot of plenty of power without paying extra. If you are able to test wheels in person, you will see the difference in size of motors too. Not all motors are created equally, even if they are rated to the same HP. In this case, a bigger motor both in size and HP is usually better as it will accommodate more use and and can better withstand overheating under heavy use. With that in mind, if you can afford it, go for the biggest motor you can afford to give yourself more longevity.

Centering Capacity

A similar consideration to the motor power, centering capacity is often mentioned with wheels. It’s a somewhat useful metric that is basically a stand-in for horsepower. Skutt, however, refuses to provide this centering capacity number, arguing that it is a useless metric. But since most manufacturers use it, we’ve kept it in our chart below. Centering capacity is related to both the power of the motor, the torque it gives at start up, and the sensitivity of the foot pedal. If it matters to you, and you have the money, you won’t be disappointed with a bigger motor with more centering capacity. Realistically, most potters aren’t centering more than 10 or 20 lbs on a wheel so wheels advertising 200 or 300 lb centering capacities are really indicating that they have an overbuilt motor that will be able to take a lot of use.

Table Top, Legs, Frame

The next biggest difference is the material and design of the table and legs. Most wheels have a sturdy plastic top, and metal legs. Some have beefier legs, metal tops, or in the case of Soldner wheels, a marine-grade plywood top. Manufacturers typically have one or maybe two table styles, and will build different features on top of these frames. These frame constructions will determine the dimensions and some of the weight of the wheel. When choosing a wheel, consider the size, weight, and type of frame and table top that will work for your studio.

Splash Pan

Another point of comparison is the splash pan. Typically a two-part plastic pan that clips around the wheelhead, splash pans are useful for collecting throwing water or trimming scraps. Some wheels, such as Baileys and Skutts, have large one-piece splash pans that cover the whole top of the frame. Some of these one-piece splash pans are removable, and others are built in and can be cleaned and emptied via a drain plug. As cleanup is a big part of throwing, choosing a splash pan that suits you can be important.

Weight / Dimensions

Most wheels are about the same size and shape, with some variation in Soldner and Lockerbie wheels. The weight is determined by the size of the motor and the frame construction. A lighter wheel, such as a Speedball, is easier to move while pro-type wheels, such as Skutt, have marketing pictures of potters standing on top of the wheel. How you are going to use a wheel and your studio space will really determine if you need a light or heavyweight wheel.

Wheelhead

Most wheels have a 12”, 13” or 14” wheelhead with bat pins spaced 10” a part. Some smaller wheels or table top wheels will have different styles. Measure a wheelhead that you like using to determine the size you like, although most wheels now have a 14” wheel. Another point of consideration is if the wheelhead can be removed or replaced. Typically, this is only possible in pro wheels, such as Skutt or Soldner wheels. For ongoing maintenance, most wheelhead ball bearing assemblies are completely sealed and not designed to be oiled or repacked with grease. If your wheelhead develops a grinding sound, you may have to replace it.

Foot Pedal

A foot pedal may seem just like a simple speed control, but the pro-level Skutt and Soldner wheels use their ultra-responsive (and more expensive) pedals as a selling point. In addition to the upgraded pedal options, also consider if the foot pedal and on-board electronics are providing some kind of computer-controlled speed modulation to keep things even (such as Pacifica wheels), or just letting you control the speed with the pedal (such as Brent, Shimpo, Soldner, and Skutt wheels.) The more experienced you are, the less you’ll want the wheel making decisions for you.

One other point of consideration with foot pedals is whether it is fixed or not. Every model listed below has a moveable foot pedal except the Shimpo RK-Whisper, which has an attached pedal on the right side. A moveable foot pedal lets you to choose which side to place it, and allows you to raise the pedal on bricks if needed.

Speed

Many manufacturers provide a rotations per minute (RPM) figure in relation to motors, which we’ve included below. Once again, these give you a rough approximation of motor power and torque, but they are all within a range that is about the same, ranging from 0 to 240-260 rpm max. The Lockerbie motor has a much lower max rpm but it’s a super beefy 1/3 HP motor that trades a high speed for great torque.

Reversability

Most good wheels these days come with a convenient switch where you can reverse the direction of the motor, allowing you to throw clockwise or counter clockwise. Some lower-priced wheels have a reversible plug, where you have to manually switch the cord. Some wheels are not reversible at all.

Leg extenders

Some manufacturers make leg extenders, so that a wheel can be converted to a standing wheel. This style of throwing can be more comfortable for your lower back. Definitely consider this when choosing a wheel, or look at the models such as the Shimpo Whisper, which has removable legs so that it can be easily placed on a table.

Shipping and Assembly

Some wheels arrive completely assembled, others need some assembly such as attaching legs. They also vary on whether they ship via FedEx / UPS or by freight. Expect to pay extra for shipping and delivery, unless you are picking a wheel up in person. Also consider how you will get the wheel into your studio as they can be heavy. Some vendors will include free shipping so definitely compare prices with shipping included to find the best deal.

Warranty

Warranties on wheels range from 2 to 10 years. But every wheel listed below is a top-quality product that should last for decades. If you are careful and respectful with tools, I wouldn’t worry too much about a shorter warranty. But if you are buying for an educational or communal studio where wheels can really be abused, you might want to consider wheels with longer warranties.

In my experience, the main upkeep on wheels is keeping them clean and trying to occasionally add some oil to moving parts. Foot pedals can be adjusted, electronics such as switches can be replaced. The biggest concern would be a wheelhead bearing assembly getting repeatedly swamped with too much water in the splashpan. But if you are careful, a wheel may never need any major repairs.

Just please, don’t buy these generic $100 to $400 dollar wheels that have been popping up online…who knows if those will last one month, let alone a few years.

Price

All the factors above contribute to the price. The lowest price possible is often the driving force of any purchase, and if that is you, we recommend the Speedball wheels, which typically cost around $800. For this lower price you are getting a lighter, less beefy frame and most likely a noisier wheel but one that will still get the job done for you. Professional-grade wheels typically cost $1,300 to $1,500and up to $2,000 or more, depending on the options you select. If you are on the fence when choosing upgrades such as a bigger motor or a better foot pedal, consider how you will feel in 5 to 10 or 20 years. You won’t think about the extra few hundred dollars, you’ll be happy that you got the upgrades to make your wheel last a lifetime.

Where to Shop and Buy Pottery Wheels

Before buying a wheel, think about what you have used and what features you need. If you currently have a favorite style or brand of wheel, you’ll probably be happy sticking with that style. For research, the best place to start is your local ceramic shop where you can hopefully “test drive” different models to see what feels good to you. Consider asking if they have floor models or special deals on wheels already in stock.

If you are shopping online, we have provided links to some wheels at Dick Blick (North America) and Amazon. Some ceramic suppliers advertise a price that includes shipping, while others add it on in your cart. So definitely shop around and see where you can find the best deals. If you order from online vendors, the wheel is most likely going to be shipped directly from the manufacturer anyway, so you should try to find the best deal.

Kiln Repair and Warranty

After buying a wheel, you will be dealing with the manufacturer if you need any repairs, although a relationship with a local ceramic shop is a great resource if you need help with repairs or adjustments. Manufacturers such as Skutt and Bailey are known for the great online and phone customer service. Other manufacturers, such as Brent, provide lots of support both in person and with repair videos on YouTube.

Most likely, nothing will go wrong with your wheel in the short term but you should expect to make adjustments to foot pedals. And if you are messy, or have an academic studio, expect students to jam clay into any open spot on the wheel, potentially damaging parts such as on/off switches or swamping the wheelhead with water, getting water into the bearing assembly. For most quality wheels, repair parts are readily available from ceramic suppliers or the manufacturer. The good news is that manufacturers are increasingly using sealed switches and other waterproof parts.

Pottery Wheel Comparison Chart

This chart is in alphabetical order by manufacturer, including Bailey, Brent, Lockerbie, Pacifica, Shimpo, Skutt / Thomas Stuart, Soldner, and Speedball. These are all trustworthy brands and any of the wheels listed below will last a long time. We have done our best to compile a typical range of prices found online and in store, along with each wheel’s features, updated as of September 2022. There is also a description of what to expect from each manufacturer’s wheels.

The Bailey Pro-XL Pottery Wheel is our pick for the best Bailey wheel. It has a 1-piece splash pan and a 1/2 HP motor.

The Bailey Pro-XL Pottery Wheel is our pick for the best Bailey wheel. It has a 1-piece splash pan and a 1/2 HP motor.

Bailey Pottery Wheels

Bailey Wheels are manufactured by the Bailey Pottery Corporation of Kingston, New York. Known for innovative and high quality slab rollers, kilns, extruders, and other equipment for ceramic studios, the Bailey wheels are characterized by a large, table-sized splash pan. There are two main models, the ST and the PRO model, which each come in three different options. The ST models have a 2-piece, removable splash pan while the PRO models have a 1-piece, counter-sized fixed splash plan with a plug and a drain tube.

Bailey sells optional leg extenders that work with all the models, which can extend the height from 29 to 37 inches.

All the models utilize a standard belt drive system, and have detached foot pedals.

For the best option, go with the ST-XL or PRO-XL, which both feature a 1/2 HP motor, 13” wheelhead, and a reversing switch.

Bailey Pottery Wheels

Available at baileypottery.com
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
ST $1,351 1/4 HP 12" 10" Yes, plug 22.5 x 25.5 x 21" 93 lbs 0-200 5/10 years 50 lbs
ST-X $1,541 1/4 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 103 lbs 0-200 10 years 50 lbs
ST-XL $1,702 1/2 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 123 lbs 0-200 10 years 100 lbs
PRO-50R $1,499 1/4 HP 12" 10" Yes, plug 24.25 x 29 x 20.25" 92 lbs 0-200 10 years 50 lbs
PRO-X $1,581 1/4 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 102 lbs 0-200 10 years 50 lbs
PRO-XL $1,692 1/2 HP 13" 10" Yes, switch 24.5 x 29 x 20.25" 116 lbs 0-200 10 years 100 lbs

Brent Pottery Wheels

The Brent B Pottery Wheel, a full-sized wheel with a 1/2 HP motor.

The Brent B Pottery Wheel, a full-sized wheel with a 1/2 HP motor.

Brent wheels are the workhorses of the ceramics world. These are some of the most popular wheels and you will see these yellow ochre machines just about everywhere. Founded in 1967 by Robert Brent, the wheels have been manufactured by the American Art Clay Company (AMACO) since 1978. The wheels are sturdy, dependable, and easy to adjust and repair. Expect these machines to easily last 15 to 20 years or more even under the heaviest of uses.

The product line is straightforward with one style of frame that is yellow ocher and also available in black on the B and C models.

The B and C models are where most will find the sweet spot of power and price within the Brent product line. The difference in these models are the size of the motor (1/2 HP vs 3/4 HP) and the wheelhead diameter (12” vs 14”). The CXC and the EX model are basically the same as the C, but with bigger motors.

One note is the Brent centering capacity, as listed below. These are some really big numbers — Brent claims a 150 lb centering capacity for the Model B with a 1/2 HP motor. Most other manufacturers claim 50 lbs for a 1/2 HP motor. So these numbers may be a bit inflated but we’ve included Brent’s numbers below.

Brent wheels are available at ceramic suppliers or click the links in the chart to shop at Dick Blick. For a complete overview of the product line, click here.

Brent Pottery Wheels

Click links in the chart to shop at Dick Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
B $1,660 1/2 HP 12" 10" Yes, switch 21 x 28 x 21.5" 119 lbs 0-240 10 years 150 lbs
B Black $1,700 1/2 HP 12" 10" Yes, switch 21 x 28 x 21.5" 119 lbs 0-240 10 years 150 lbs
C $1,740 3/4 HP 14" 10" Yes, switch 21 x 28 x 21.5" 121 lbs 0-240 10 years 225 lbs
C Black $1,760 3/4 HP 14" 10" Yes, switch 21 x 28 x 21.5" 121 lbs 0-240 10 years 225 lbs
CXC $1,839 1 HP 14" 10" Yes, switch 21 x 28 x 21.5" H 129 lbs 0-240 10 years 300 lbs
EX $1,960 1 1/2 HP 14" 10" Yes, switch 21 x 28 x 21.5" H 130 lbs 0-240 10 years 450 lbs
Model 16 $3,396 1/2 HP 12" 10" Yes, switch 36 x 36 x 21-35" H 287 lbs 0-240 2 years 150 lbs

Lockerbie Pottery Wheels

The Lockerbie Motorized Kick Wheel, a true workhorse of a wheel with possibly the biggest motor on the market.

The Lockerbie Motorized Kick Wheel, a true workhorse of a wheel with possibly the biggest motor on the market.

Lockerbie Wheels are an interesting option manufactured by Laguna Clay in California. There are three models: a kickwheel (K), a motorized kickwheel (EK), and a reversible motorized kickwheel (EK-R). These are big, heavy wheels but if you want to switch between a kickwheel and a motor, this is the best option on the market. All models feature an adjustable wooden seat, a metal splash pan, and an all-metal frame with a concrete flywheel.

The flywheel results in a steady, even spin when used as a kickwheel. While centering and throwing can take a lot of work, trimming on a kickwheel is an absolute pleasure. The upgraded model with a motor is where this wheel really shines. It’s got a large, powerful motor that while only rated to 1/3 HP and a max of 157 rpm, has a lot of torque and can definitely handle more than the rated 50 lbs centering capacity. When you press the pedal, the motor engages the flywheel through a rubber wheel, or what Laguna calls “rubber friction drive.” This rubber wheel does wear out over time but is easily replaced. When you release the pedal, the kickwheel will continue to spin, until you stop it with a foot or let the flywheel come to a stop.

Lockerbie wheels have been around since the 1960s and in 2007, the company merged with Laguna Clay. The wheel style and design has been virtually unchanged for decades but it is a tough, well-designed beast of a wheel. It’s a great option for educational studios or if you want to have a kickwheel option. The simple, no frills design results in a relatively low price but you will need to pay for freight shipping.

Lockerbie Pottery Wheels

Available at axner.com and other ceramic suppliers.
Model Typical Price Motor (HP) Wheelhead Diameter Bat Pin Diameter Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Kickwheel $1,575 N/A 13" 10" N/A 42 x 36 x 30" 325 lbs N/A 5 years N/A
Electric $1,881 1/3 HP 13" 10" No 42 x 36 x 30" 365 lbs 0-157 5 years 50 lbs
Electric-Reversible $2,024 1/3 HP 13" 10" Yes 42 x 36 x 30" 365 lbs 0-157 5 years 50 lbs

Pacifica Pottery Wheels

The Pacifica GT400, one of two wheels from Pacifica with 1/4 HP motor and a 13” wheelhead.

The Pacifica GT400, one of two wheels from Pacifica with 1/4 HP motor and a 13” wheelhead.

Pacifica has been making wheels since 1972 and was purchased by Laguna Clay in 1992. There are currently two wheels in the product line, the GT400 and GT800. Both wheels are have belt driven, 13” wheelheads, optional leg extensions, and a water-resistant foot pedal. The difference is in the size of the motor, 1/4 HP for the GT400 and 1/2 HP for the GT800.

Pacifica differs from other manufacturers in claiming that, through it’s belt and electronic system, it’s 1/4 HP motor has an effective 1/2 HP, and the 1/2 HP motor has an effective 1 HP. Should these claims be believed? It’s hard to know. What can be said is that these wheels have on-board systems that attempt to modulate the wheel speed and torque to provide even power. In my opinion, the more experienced you are the less you will want these electronic modifications deciding for you.

Pacifica wheels do have some of the highest RPMs on the market, topping out at 260 rpms, which is slightly higher than most wheels. Expect these wheels to have a lot of torque. In addition, these wheels are affordable and are a great option for students, educational studios, or serious hobbyists.


Pacifica Wheels are available at ceramic suppliers or click the links in the chart to shop at Dick Blick.

Pacifica Pottery Wheels

Click the links to shop at Dick Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
GT400 $1,260 1/4 HP 13" 10" Yes 31 x 27 x 20" 92 lbs 0-260 5 years 80 lbs
GT800 $1,485 1/2 HP 13" 10" Yes 31 x 27 x 20" 105 lbs 0-260 5 years 100 lbs

Shimpo Wheels

The Shimpo VL-Whisper, a 1/2 HP wheel with the quietist motor on the market and a 14” wheelhead.

The Shimpo VL-Whisper, a 1/2 HP wheel with the quietist motor on the market and a 14” wheelhead.

Shimpo has a straightforward line of three different full-sized wheels and a table top wheel. Founded in Tokyo, Japan in 1952, Shimpo wheels are distributed world wide. North American operations opened in Chicago, Illinois in 1974 as the Nidec-Shimpo Corporation.

Shimpo’s top-of-the-line VL-Whisper (VL stands for Velocity) is our favorite pottery wheel due to its innovative and quiet magnetic direct drive 1/2 HP 400 watt motor. The wheel is reversible, has a 14” wheelhead, and a detached foot pedal. The wheelhead on the VL-Whisper and RK-Whisper models also turns freely at 0 rpm, for use as a banding wheel.

The classic Shimpo RK-Whisper has been updated to feature the same super-quiet magnetic motor as the VL-Whisper, but with a 12” wheelhead and fixed foot pedal.

The classic Shimpo RK-Whisper has been updated to feature the same super-quiet magnetic motor as the VL-Whisper, but with a 12” wheelhead and fixed foot pedal.

The classic Shimpo RK model now has this same super quiet 1/2 HP 400 watt magnetic Whisper motor, but with a 12” wheel head. Most importantly, this model has a fixed foot pedal on the right side and hand lever. Many love this fixed foot pedal but definitely try this out before buying.

Rounding out the Shimpo product line, the VL-Lite model is a strong competitor for Speedball and other budget models. It features a 1/2 HP 100 watt belt-driven motor, 14” wheelhead and detached foot pedal.

Note that the info below includes both the horse power and wattage for the motor. Not every manufacturer provides the wattage info, but in this case it helps distinguish between the two motors with the VL-Lite having a lower wattage and less powerful motor.

Shimpo Wheels are available at ceramic suppliers, Amazon, or click the links in the chart to check prices at Dick Blick.

Shimpo Pottery Wheels

Click the links below to shop at Dick Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Aspire table top $509 1/3 HP 100w 7" 6" No 14.5 x 20 x 9" 25 lbs 0-230 hand, 0-250 foot 5 years 20 lbs
VL-Lite $793 1/2 HP 100w 12" 10" Yes, switch 22 x 28 x 21" 85 lbs 0-250 5 years 25 lbs
RK-Whisper $1,208 1/2 HP, 400w 12" 10" Yes, switch 20 x 21 x 20" 118 lbs 0-250 5 years 100 lbs
VL-Whisper $1,399 1/2 HP, 400w 14" 10" Yes, switch 23.2 x 27.5 x 22.75" 122 lbs 0-250 5 years 100 lbs

Skutt Thomas Stuart Pottery Wheels

An “exploded” view of the Skutt Premier 1 HP wheel, which features a removable wheel head and removable one-piece splash pan on top of an all-metal base.

An “exploded” view of the Skutt Premier 1 HP wheel, which features a removable wheel head and removable one-piece splash pan on top of an all-metal base.

Skutt is well known as a manufacturer of electric kilns, but they acquired Thomas Stuart Wheels in 2008 and have maintained and improved the already sterling reputation of the wheels, which are beloved by all types of potters.

The Skutt Thomas Stuart line of wheels has eight wheels that fall in to three categories

  • The entry-level Prodigy wheel

  • Removable one-piece splash pan

  • Built-in splash pan that has a plug and drain tube for cleaning

The Skutt Steven Hill Signature Wheel, which has a 1/2 HP motor, a built-in one-piece splash pan, removable wheelhead, SSX foot pedal upgrade, and leg extensions.

The Skutt Steven Hill Signature Wheel, which has a 1/2 HP motor, a built-in one-piece splash pan, removable wheelhead, SSX foot pedal upgrade, and leg extensions.

For all the wheels except the Prodigy, the wheelhead is removed for cleaning with a simple twist and turn. The removable splash pan can then be taken off for cleaning. Skutt’s target market these wheels (Prodigy, Legend, Revolution, and Premier) are students, educational studios, and hobbyists. The built-in-splash pan options (Classic, Elite, Professional, and Steven Hill) are aimed at professional potters. But if you review the chart below, you can see that the wheels match up almost 1 to 1, so make your choice based on the horse power, wheelhead size, and splash pan option.

If you read through Skutt’s information, they claim to have the thickest wheelheads, beefiest frames, and oversized motors that can go all day without overheating. Skutt also doesn’t make claims on the centering capacity of their models, arguing that this commonly-used metric is almost meaningless. We agree that it’s just a stand-in for horsepower, so you can judge accordingly by reviewing the chart below.

For most potters, the 1/2 HP options (Revolution, Elite, or Steven Hill) will be plenty powerful. The Skutt Thomas Stuart wheels also have an optional SSX foot pedal upgrade. If you are considering one of these wheels, strongly consider adding that upgrade. If you are going for a premier wheel, you definitely want to get the best options available. Note that the Steven Hill model already includes the SSX foot pedal and leg extensions.

Finally there are also optional leg extensions that allow these wheels to be converted to standing options. These are awesome wheels that would work for just about everyone. They do come at a premium price, but the features and quality deliver and Skutt is well known for its customer service and commitment to its products.

Skutt Thomas Stuart Wheels are available at ceramic suppliers or click the links in the chart for models available at Dick Blick.

Skutt Thomas Stuart Pottery Wheels

Click the links in the chart to shop at Dick Blick, or visit skutt.com.
*Note that Skutt does not provide RPMs or Centering Capacity.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Prodigy $1,299 1/3 HP 12" 10" No 24 x 30 x 24" 94 lbs - 5 years -
Removable splash pans:
Legend $1,749 1/3 HP 14" 10" Yes, switch 24 x 30 x 24" 117 lbs - 5 years -
Revolution $1,799 1/2 HP 14" 10" Yes, switch 24 x 30 x 24" 119 lbs - 5 years -
Premier $1,969 1 HP 14" 10" Yes, switch 24 x 30 x 24" H 128 lbs - 5 years -
Built-In Splash Pans:
Classic $1,639 1/3 HP 14" 10" Yes, switch 24 x 30 x 24" 127 lbs - 5 years -
Elite $1,739 1/2 HP 14" 10" Yes, switch 24 x 30 x 24" 128 lbs - 5 years -
Professional $1,929 1 HP 14" 10" Yes, switch 24 x 30 x 24" 140 lbs - 5 years -
Steven Hill $2,029 1/2 HP 14" 10" Yes, switch 24 x 30 x 24" 144 lbs - 5 years -

Soldner Wheels

The Soldner P series features a half-moon shaped table with 1/4 HP, 1/2 HP, or 3/4 HP motor options.

The Soldner P series features a half-moon shaped table with 1/4 HP, 1/2 HP, or 3/4 HP motor options.

Paul Soldner was one of the original innovators of motorized pottery wheels and founded Soldner Wheels in 1955. For decades, they have been manufactured by Bluebird Manufacturing of Fort Collins, Colorado. The wheels are known for their ability to handle large amounts of clay, ultra-smooth, proprietary foot pedal, and distinctive tops made from polyurethane coated marine-grade plywood.

The Soldner S series has a studio-sized wheel head in 1/6 HP or 1/4 HP motor options.

The Soldner S series has a studio-sized wheel head in 1/6 HP or 1/4 HP motor options.

The wheels come with optional splash pans, or the two-piece Brent splash pans will fit every model. The wheels also feature adjustable legs, which can accommodate a variety of heights for seated pottery. The S-series wheels range from 19” to 25” in height, and the P series range from 22” to 28” high.

Soldner wheels are less common but they have a devoted fan base. They are an absolute pleasure to use, with the foot pedal delivering even, steady power. And the plywood table top is distinctive and very pleasant in the studio environment, as well as being super-tough.

Of the models, the 1/2 horse power, half-moon shaped P-200 is our favorite.

Soldner Wheels are available at speciality ceramic suppliers.

Soldner Pottery Wheels

Soldner Wheels are available at most ceramic suppliers.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
S50 $1,409 1/6 HP 14" 10" Yes, switch 24 x 24 x 19-25" 85 lbs 0-250 2 years 50 lbs
S100 $1,576 1/4 HP 14" 10" Yes, switch 24 x 24 x 19-25" 95 lbs 0-250 2 years 100 lbs
P100 $1,891 1/4 HP 14" 10" Yes, switch 29 x 38 x 22-28" 130 lbs 0-250 2 years 100 lbs
P200 $2,079 1/2 HP 14" 10" Yes, switch 29 x 38 x 22-28" 145 lbs 0-250 2 years 200 lbs
P400 $2,438 1/4 HP 14" 10" Yes, switch 29 x 38 x 22-28" 160 lbs 0-250 2 years 400 lbs

Speedball Pottery Wheels

The Speedball Clay Boss, a 1/2 HP pottery wheel with a 14” wheelhead. Our top pick for a budget wheel.

The Speedball Clay Boss, a 1/2 HP pottery wheel with a 14” wheelhead. Our top pick for a budget wheel.

Speedball Pottery Wheels are known for being lighter-weight wheels that still deliver a professional quality motor. Speedball started making wheels in 2009 when they acquired Creative Industries of Cajon, California, which began making wheels in 1971. Many of those Creative Industries wheels are going strong today, although Speedball has changed the table shape and upgraded the line with newer features.

There are three regular-sized wheels in the Speedball product line:

The Clay Boss is our top pick for an affordable, entry-level wheel. It features a 1/2 HP belt-drive motor, a 14” wheel head, reversible motor by switching the direction of the plug, and can handle 100 lbs of clay. Building on the Clay Boss, the Big Boss and Boss Elite have virtually similar frames and options, but with bigger motors and larger centering capacity.

The Speedball wheels are a great option if price and weight are concerns. There is a trade off with a lighter-weight frame but that also allows you to easily move the wheels around as needed.

Speedball Wheels are available at ceramic suppliers or click the links in the chart to shop at Dick Blick.

Speedball Pottery Wheels

Click the model name to shop at Dick Blick.
Model Typical Price Motor (HP) Wheelhead
Diameter		 Bat Pin
Diameter		 Reversible Dimensions Weight Speed (RPM) Warranty Capacity
Artista table top $520 1/3 HP 11" 10" No 24 x 18 x 9" 26 lbs 0-220 2 years 25 lbs
Clay Boss $989 1/2 HP 14" 10" Yes, plug 21 x 26 x 19.5" 83 lbs 0-240 10 years 100 lbs
Big Boss $1,241 0.85 HP 14" 10" Yes, plug 21 x 26 x 19.5" 89 lbs 0-250 10 years 150 lbs
Boss Elite SQ $1,398 1 HP 14" 10" Yes, plug 21 x 26 x 19.5" 96 lbs 0-240 5 years 175 lbs
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The Best Banding Wheel for Pottery and Ceramics

blue nidec shimpo banding wheel

The Nidec Shimpo 9 1/2” wide banding wheel. Get it at Blick.

Note: Updated and edited October 2022

A banding wheel is a great tool for handbuilding, decorating, and carving. Potters and sculptors definitely needs one or more of these in the studio.

This post will cover quality banding wheels that can handle the weight of clay and be cleaned. You don’t want to mess with cheap plastic options, or lazy susans that aren’t designed to get dirty and be cleaned again.

 

Top Pick: Nidec Shimpo Banding Wheels

The complete line of Shimpo Banding Wheels.

The complete line of Shimpo Banding Wheels.

Nidec Shimpo banding wheels are made of cast iron and painted with rust-resisted blue paint and are heavy, durable and will last a lifetime. They have sealed ball bearings, a one-piece design that will not come apart when picked up, and the weight of the cast iron results in a smooth, even spin. These banding wheels are a pleasure to use whether you are coil building, painting, carving, or sculpting.

Shimpo banding wheels come in five sizes ranging from 7” to 11 3/4” wide. The three smaller wheels are all 2 1/4” tall, while the two taller sizes are 4 3/4” tall and 7 1/2” tall. My preference is for the shorter, lower-profile banding wheels but a pedestal-style banding wheel may work for your studio. Some may find these banding wheels to be on the heavy side, but the weight works to your advantage to create a steady, even, long-lasting spin.

Shopping tip: These banding wheels tend to be cheaper at Blick than Amazon.

The Shimpo 25L Banding Wheel is 9 7/8” x 2 1/4” and is the most versatile size.

The Shimpo 25L Banding Wheel is 9 7/8” x 2 1/4”

Shimpo Banding Wheel Specs:
Model, diameter, height, and weight.

18L 7” x 2 1/4”, 6.5 lbs, $64-$79 (Shop 7” at Amazon)

22L 8 3/4” x 2 1/4”, 13 lbs, $77-$90

25L 9 1/2” x 2 1/4”, 15 lbs, $89-$120 (Shop at Amazon)

25H 9 7/8” x 7 1/2”, 19 lbs, $117-$132 (Shop at Amazon)

30M 11 3/4” x 4 3/4”, 28 lbs, $138-160 (Shop at Amazon)

More pics of the Nidec Shimpo banding wheel

Top view nidec shimpo banding wheel

Top view

bottom view of Nidec Shimpo Banding wheel

Bottom view

Table of Contents

  1. Top Pick: Shimpo Banding Wheels

  2. Budget Pick: CSI Banding Wheels

  3. Great option: Amaco Banding Wheels

  4. Other Banding Wheels

  5. Summary

Budget Pick: CSI Banding Wheels

CSI Banding Wheels come in sizes ranging from 8” to 16” in diameter.

CSI Banding Wheels come in sizes ranging from 8” to 16” in diameter.

CSI Banding Wheels are heavy-duty, economical banding wheels made from two Formica-covered particle boards with stainless steel ball bearings. They are 2 inches tall and range from 8 to 16” in diameter. These banding wheels are portable and stackable, are lighter than cast-iron options such as the Shimpo. They have decent turning capacity but they don’t turn as readily and easily as the Shimpo banding wheels.

For heavy sculptures or vessels these are great options. The 8” and 10” wheels have a 200 lb capacity, the 12” is rated to 300 lbs, and the 14” and 16” are rated to an 800 lb capacity.

The CSI banding wheels range in price from around $29 to about $47. That’s an incredibly great deal for a heavy-duty banding wheel, making this a great option for educational studios, beginners, or those more focused on sculpture and handbuilding rather than spinning decoration.

Great option: Amaco #5 Banding Wheel

Amaco #5 banding wheel.jpg

The Amaco #5 Banding Wheel is a 7” wide aluminum banding wheel that sits on a pedestal stand. Along with the Shimpo and CSI banding wheels, it’s quite common to see this in many ceramic studios. The smaller size, lighter weight, and pedestal stand makes it popular for decorating, carving, scraffitto work, and painting. It is not designed for heavy weight, but it is sturdy.

The drawbacks with this stand is that it is in two pieces and will separate if picked up by the top piece. There are also a variety of mixed reviews online, mentioning poor construction quality. AMACO may be having production issues with this unit, but in my experience, it’s a quality turntable that is great for small decorative tasks.

Other Banding Wheels options

Plastic Banding Wheels

Plastic banding wheel.jpg

To be completely honest, I feel that plastic banding wheels are not worth buying. They can’t really be used for painting or banding, as the light weight doesn’t result in any lasting spin. They are also prone to breaking. You’ll be better off spending a bit more to get a CSI wheel.

The only reason I can see to get a plastic banding wheel is for working with young children. They are lightweight and stackable (but not robust…treat them carefully!) Or the other reason if you just need a lightweight turntable for detail work such as carving or fine detail sculpting.

Metal Banding Wheels

US Art Supply metal banding wheel.jpg

These generic metal banding wheels, available under a variety of names online such as Falling In Art or US Art Supply, are highly rated and run about half the price of the Shimpo banding wheels. Available in 7” and 12” diameter, with a 4 inch pedestal, and a weight of about 10 lbs, these wheels have a set screw to hold the top and bottom pieces together. They are not quite as heavy as the Shimpo, but much heavier than other options such as the CSI Turntables or plastic wheels.

These wheels have numerous positive online reviews and are overall highly rated, but there are also some very negative reviews.

7” banding wheel is generally $29 to $39, while the 12” banding wheel is $39 to $49.

Jack Richeson Mobile Sculpture Stand and Turntable

Sculpture Stand.jpg

A mobile sculpture stand gives you the freedom to work on pottery and sculptures from all sides, and roll your work station out of the way if needed. This can be a great option for figurative sculpture, or if you want to create an additional workspace without adding another table. To work on this stand comfortably, you’ll need a tall stool or work standing up. The center shaft is adjustable for a working height of 39.5 to 44 inches. The wooden work surface is 12 inches square, and the base is 29 inches square with 4 locking caster wheels. It’s a great stand for working on sculptures, pottery, or as a display stand. It retails for $208.

Summary

This post has covered a variety of banding wheels, turntables, and sculpture stands. In general, the best option is the heavy-duty cast iron Shimpo banding wheels, especially if you need to get a smooth, steady spin for painting pottery. If you are working with heavy sculptures, the CSI Turntables are a sturdy, economical option. And there are other cheaper and lighter options.

What banding wheels do you use? Let us know in the comments.

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The Best HEPA Vacuum for Potters, Sculptors, and Woodworkers

If you work with anything that creates dust, such as clay, wood, or plaster, you need a high quality HEPA vacuum. In our opinion, the Oneida Air Systems Dust Cobra is the best HEPA vacuum for medium to large studios and the Nilfisk Aero 21 HEPA Vacuum is the best option for personal studios.

Both of these machines meet or exceed HEPA standards (high-efficiency particulate air) for containing particulates such as silica dust, both from the machine exhaust and other areas on the unit. You’ll pay extra for this full-unit HEPA quality but it is worth it. Inferior vacuums often have a slapped-on HEPA filter but will leak in other parts of the vacuum, potentially creating worse air quality in your workspace. You definitely don’t want to play around with your lung health, so a high-quality vacuum should be one of the tools in your cleaning arsenal.

In addition to the Dust Cobra and Aero 21, this post will cover a few high-quality vacuums that will work for a variety of studio and workshop situations. Expect to spend $300 to $1500 or more to get the right system. This is a big outlay, but your health is worth it. And in the long run, these well-built vacuums will last for decades if treated with care, and your only ongoing cost will be replacement filters and bags. After the vacuum reviews, this post also will cover some relevant safety issue and cleaning suggestions to create the best, cleanest, and healthiest workspace.

Top Pick for Larger Studios: Oneida Air Systems Dust Cobra
An industrial vacuum, the Dust Cobra is designed to meet all OSHA HEPA requirements, is self-cleaning, and was designed with ceramic studios, wood shops, and light industrial applications in mind. It’s not cheap, generally around $1500 or more, but the unit was designed with ease of use and utilizes off-the-shelf HEPA filters, making ongoing costs and maintenance quite affordable.

Top Pick for Personal Studios: Nilfisk Aero 21 HEPA Vacuum
An upgraded version of a standard plastic shop vac, the HEPA version of this vacuum meets all the OSHA standards for silica dust extraction in a well-engineered vacuum that you can usually find for just over $300.

Table of Contents

  1. Top Pick for Larger Studios: Oneida Air Systems Dust Cobra system

  2. Top Pick for Personal Studios: Nilfisk Alto Aero 21 HEPA vacuum

  3. Upgrade Pick: Festool CT 26 E Dust Collector

  4. Classic Pick: Nilfisk GM-80 HEPA Vacuum

  5. Further Info: Safety Considerations and Cleaning Recommendations

  6. Summary

Top Pick for Larger Studios: Oneida Air Systems Dust Cobra

The Oneida Air Systems Dust Cobra is the best vacuum on the market for ceramic studios, wood shops, and other art studios. Designed in conjunction with Clayscapes Pottery of Syracuse, New York, it’s a high quality unit that will work for the avid hobbyist, educational studio, or small production facility. This unit will filter 99.97% of particles down to 0.3 microns.

The Dust Cobra is a lot bigger than your average vacuum or shop vac, but it’s on the smaller side for an industrial-quality vacuum. It would fit happily in the corner of a basement woodshop, or could be deployed at a larger academic studio or production facility. The vacuum sits on an airtight, metal drum that can be lined for easy disposal, and the drum is available in a 17 or 35 gallon capacity. The standard set-up comes with a high-quality dolly, but it can be used as a stationary tool too.

The Dust Cobra uses a rotating gravity funnel that Oneida calls “cyclonic action” to pre-filter the incoming dust and dirt and has a built-in filter cleaning system that can be deployed to prevent clogging and loss of suction. The standard kit comes with a 25-foot flexible hose that is designed to connect to tools such as a chop saw or miter saw, or it can be used as a standard floor vacuum.

One of the best features is that this vacuum uses an off-the-shelf Craftsman Gore HEPA filter, which is available for under $50 online or at hardware stores. Most other companies use expensive proprietary HEPA filters that can cost $150 each or more. Although a fully equipped Dust Cobra with the drum, wheeled dolly, and 25 foot hose starts around $1500, the ongoing operating costs of this unit is quite affordable. All that is needed is replacement filters and plastic drum liners.

To conclude, this is a durable, functional, well-thought-out unit with a target market of ceramic studios, shops using small power tools, wood shops, and educational studios.

The Oneida Air Systems Dust Cobra.

The Oneida Air Systems Dust Cobra.

For more info on the Dust Cobra, check out the manufacturer’s page or watch this short promotional video below:

Check out The Dust Cobra made by Oneida Air for ceramic studios!

Top Pick for Personal Studios: The Nilfisk Aero 21 HEPA Vacuum

The Nilfisk Aero 21, a small but powerful wet/dry vacuum that can be ordered with a HEPA filter.

The Nilfisk Aero 21, a small but powerful wet/dry vacuum that can be ordered with a HEPA filter.

The Nilfisk Aero 21 HEPA Wet/Dry Vacuum is a turbocharged little shop vac that can do a lot. It’s got great suction wet or dry, and with the HEPA option, this unit will filter 99.97% of dust down to 0.3 microns, It also has a built-in filter cleaning system to extend filter life and prevent loss of suction.

This unit has a 5-gallon (20 liter) plastic drum canister and an 11.5 foot foot hose. The vacuum kit includes an aluminum extension tube, along with floor, crevice, and universal nozzles. The unit is 20 inches tall, 15 inches in diameter, and has four wheels including two swiveling front casters.

Built with Nilfisk’s quality German engineering, this is one of the smallest and most affordable vacuums that the company makes. This is not an industrial machine, but for a personal studio or job site this is a great option that usually costs just over $300 with the HEPA filter.

Nilfisk makes all sorts of vacuums, ranging from shop vacs to industrial-level systems. There are variations in size, suction, and other features, but the HEPA option on their vacuums maintains the filtration level of 99.97% down to 0.3 microns or higher. When ordering, make sure to select the HEPA option so that you get the proper filters needed for silica and other fine particles. You can also be assured that the machine is engineered so that there are no leaky areas for non-filtered air and dust to escape.

If you like the Aero 21 but need a larger vacuum, consider these options from Nilfisk:

Nilfisk Aero 26 HEPA: A larger version of Aero 21

Nilfisk Alto Attix 33 HEPA: Increased power and suction with adjustable suction control

There are a lot of shop vacs on the market, but Nilfisk has done a great job of making a relatively affordable wet/dry vacuum that has an extremely high HEPA filtration rate. If you are working with clay, wood, or plaster, this is probably the smallest and most affordable vacuum that maintains top quality levels of small particle filtration.

Other Options

In addition to these top picks, there are a number of great HEPA vacuums on the market. For dust collectors, we are not fans of the brands typically found at big box stores, and instead have found speciality vacuum manufactures to offer the best in quality and functionality. With any shop vac advertising itself as a HEPA model, you’ll want to make sure all points on the vacuum are tightly sealed and that the filter is rated to at least 99.9% filtration down to 0.3 micron particle size.


Upgrade Pick: Festool CT 26 E HEPA Dust Extractor

The Festool 26 CT E Dust Extractor. Built with hose and cord storage.

The Festool 26 CT E Dust Extractor. Built with hose and cord storage.

Festool is a German manufacturer of high-quality power tools that is especially popular with woodworkers, and the company’s line of HEPA dust extractors is one of the best designed on the market. These vacuums would be an upgrade pick from the Nilfisk vacuums, based on both price and the standard options such as automatic tool start plugs and adjustable suction.

The Festool CT 26 E HEPA Dust Extractor is the company’s most popular vacuum with a collection size of 26 liters or about 6.5 gallons, although the line includes sizes ranging from 15 to 48 liters.

The CT 26 E, like all Festool vacuums, has thoughtful features such as built-in cord and hose storage, and easy to clean filters, all in a small unit with a low center of gravity. It comes with a 11 1/2 foot long flexible hose, with a collection capacity of 26 liters or about 6.5 gallons.

The entire line is certified to meet or exceed OSHA standards, meaning that it filters 99.7% of particles down to 0.3 microns. But Festool has taken a further step to get its units independently certified to make sure that there is no leakage anywhere in the unit. This full-unit certification really gives you the peace of mind that you are not creating any hazardous air, and it puts Festool a step above the competition. Many shop vacs and dust extractors are listed as HEPA certified, but only the exhaust air is being filtered. If there is leakage anywhere else in the unit (usually where the motor section is connected to the collection bin) that can defeat the whole purpose of a HEPA vacuum. With Festool, you know the full unit is certified.

If you are using this with small power tools, most Festool vacuums (including the CT 26 E) have a great feature: the tool-triggered auto-on function. Simply plug your tool into this Festool unit, and the dust collector will turn on and off when you engage the tool. It’s ingenious.

These features and certifications do come at a premium: the Festool CT 26 E costs around $740.. This vacuum is a step up from the Nilfisk in cost. With that you get the same level of HEPA cleaning but with extra features such as cord storage and the tool-triggered auto on. For many, Festool is the brand they turn to first and if you want top quality and safety assurance, it’s a great option for personal studios and job sites.

Classic Pick: Nilfisk GM-80 HEPA Vacuum

The Nilfisk GM-80. The hose parts and attachments are interchangeable, depending on your needs.

The Nilfisk GM-80. The hose parts and attachments are interchangeable, depending on your needs.

The Nilfisk GM-80 is a classic canister-style vacuum that is used and loved by many potters, sculptors, and artists. This model has been on the market for decades, and replacement parts are readily available online or at speciality vacuum stores. Within the Nilfisk product line, it’s in between the plastic-body Aero or Attix models and the high end industrial-grade machines. Consider it sort of a light-industrial option.

The GM-80 costs around $1,300 or more, and with that you get an all-metal body and a filtration level of 99.97% down to 0.3 microns. For extra filtration, there is a stepped-up Museum version with a variable speed control and the option for an ULPA Filter (Ultra-Low Particulate Air) which filters 99.999% of particles down to 0.12 microns. Either way, any Nilfisk vacuum with a HEPA or ULPA filter will return extremely clean exhaust air to your workspace with no leakage from the unit.

For HEPA filtering, the GM-80 utilizes four levels of proprietary Nilfisk parts: a paper dust bag, a thick cotton main filter, an optional motor dust filter, and a HEPA exhaust filter. These proprietary parts are not cheap to replace. The paper dust bag ($25 for a 5 pack) captures most of the dust, and the cotton main filter ($100) gets just about everything else. Unfortunately, this cotton filter and the GM-80 do not self clean, and the cotton filter is not designed to be washed. You could take it outdoors to tap off some of the accumulated dust, but this is a messy situation where you’ll want to have a dust mask on. The good news is that almost no dust gets to the HEPA filter, which costs $150-$200 to replace. The HEPA filter is rated for 1000 hours of use. If you are vacuuming in 10 or 15 minute bursts, it will take years before you’ll need a replacement HEPA filter.

There are a few tradeoffs with this device. It is not built with cord or hose storage, so these have to be wrapped around the device. For rolling, only one of the three wheels has a full 360 rotation, so it isn’t the easiest to move. It also uses expensive, proprietary filters.

The GM-80 is a trusted, well-rated vacuum that many have used to safely remove silica dust and other fine particles for years. If you are looking for a small vacuum and want a really high level of dust removal, this is a classic option that has worked for many artists for decades.

Further info:

OSHA Standards for Silica Dust

In 2016, the Occupational Safety and Health Administration (OSHA) in the United States introduced heightened standards for silica dust, and manufacturers have responded with high-quality vacuums that are HEPA certified and include improvements such as self-cleaning filters. In practice, this means that a HEPA certified vacuum or dust collector must filter at least 99.97% of particulates down to 0.3 microns. Keep in mind though, that while many vacuums will filter the exhaust air through a HEPA filter, not all units are fully sealed and can be truly safe if you are working with fine particulates such as silica dust.

Click here for the OSHA Fact sheet on the 2016 silica dust exposure regulations. There is also a comprehensive OSHA page on silica here.

Silica-safe.org has a lot of info on how to properly work with silica dust.

Click here for Nilfisk’s page on silica dust exposure and OSHA compliance.

How to Clean Your Studio: Never Vacuum?

To clean up, OSHA recommends a HEPA vacuum or wet mopping. But if you look at various forums for pottery and other workshops, most comments will say “never vacuum” and instead suggest wet mopping. Wet mopping is good advice, but a high-quality HEPA vacuum designed to capture silica dust is the other recommendation from OSHA. Not recommended practices include dry sweeping, moving dust with an air hose, or other practices that introduce dust into the air. If you have a personal studio, you should follow this advice too. Therefore, whether you are cleaning the inside of a kiln, using woodworking tools, or creating dust in any way, a high-quality vacuum system should be part of your studio.

Recommended Cleanup Procedures

As mentioned before, wet mopping or using a quality HEPA vacuum are the best ways to remove dangerous particulates such as silica dust from your workspace. As detailed in our post on recommended cleanup tools, here are cleanup suggestions for workspaces:

Tables and countertops Use bench brush and dust pan to carefully clean large chunks. Then wipe clean with water and large yellow sponges.

Floors
Spot-sweep as needed with broom and long-handled dust pan.
Vacuum dust and particles with a high-quality HEPA vacuum.
If sweeping is needed, use sweeping compound to help contain dust and sweep gently. Vigorous sweeping can produce airborne dust, so work slowly and carefully.
After sweeping, then mop floors. If needed, a second mopping should get things spotless.

Kiln room
Kilns are vacuumed as needed with a HEPA vacuum.
Floors are cleaned as described above.
As kiln rooms are sources of a lot of dust from ware storage, kiln wash, kiln shelf maintenance, etc, be extra vigilant about cleaning frequently in kiln rooms.

What to do if you have an old leaky shop vac?

If you are not in a position to upgrade your old vacuum, consider a few alternatives.
1. If you have outdoor space, keep your vacuum outside and run an extra long hose into your workspace for cleanup. Wait for outside air to clear before moving vacuum.
2. Only clean up with sweeping compound, a wet mop, or water and sponge.

Your health and safety is worth it! Be very mindful of all aspects of cleanup, but a high quality HEPA vacuum as reviewed above will significantly help your cleanup routine.

Summary

To conclude, the 2016 OSHA regulations on silica dust have resulted in new and improved options for vacuums and you should consider it an important part of your health, safety, and organizational approach to your studio. An affordable model such as the Nilfisk Aero 21 HEPA Vacuum will get you a full-unit HEPA quality cleaning for not that much more than a standard, leaky shop vac. An upgrade option is the Festool CT 26 E Dust Collector, which is a well-designed workhorse. The Nilfisk GM-80 is a classic canister style unit, while the Oneida Air Systems Dust Cobra is an industrial-quality vacuum at an affordable price for that type of system.

Do you have other suggestions for HEPA vacuums? Let us know in the comments.

The Best Cleanup Tools for Ceramic and Art Studios

The Carlisle Mop Bucket, one of two top picks for a studio mop bucket.

The Carlisle Mop Bucket, one of two top picks for a studio mop bucket.

Updated and revised, June 12, 2021

In a studio, it’s important to have the right clean up tools to keep things neat, organized, and safe. This is especially true in ceramic and sculpture studios, where dust can be an issue. And while any sort of clean up tool will be better than nothing, high-quality, well-designed tools do stand the test of time and most importantly, really work.

This post is an overview of quality clean-up tools that get the job done. These are the exact tools that I use in my studio.

Table of Contents

  • Dust Pan and Bench Brush

  • Long Handle Dust Pans / Lobby Pans

  • Brooms

  • Sweeping Compound

  • Mop and Bucket: Rubbermaid Commercial and Carlisle

  • Large Yellow Sponges

  • HEPA Vacuum

  • Walk Behind Floor Scrubbers

  • Clean-Up Recommendations

  • Summary

Dust Pan and Bench Brush/Duster

The Rubbermaid Commercial Dust Pan and Bench Brush/Duster are simply the best dust pan and brush combo that I’ve ever used. The pan is sturdy, functional, and hangs nicely on the wall. It is 12.25” wide and about 3 inches deep at the tallest point.

The bench brush is where you really step up your cleaning game: It’s a heavy-duty brush with relatively soft bristles that clean evenly and completely, and can be washed if needed.

This combo is great for cleaning dirty tabletops, sweeping up larger chunks of clay, sawdust, brushing off a kiln shelf, or for light-duty floor cleaning.

When compared to other dust pan and brush combos, there is simply no comparison. These are long-lasting, functional upgrades to your studio. They will last years, if not decades, under normal use.

Long Handle Dust Pans / Lobby Pans

A long handle dust pan and broom are your other tool for dealing with chunks and dust. They really save your back and make cleanup that much easier. And in a shared studio space such as a community studio, having a long-handled dust pan will greatly increase the likelihood of studio members doing their part to clean up.


Oxo Good Grips Sweeping Sets

The slightly larger Oxo Good Grips Sweep Set with the extendable handle broom.

The slightly larger Oxo Good Grips Sweep Set with the extendable handle broom.

The Oxo Good Grips Sweeping Sets are my favorite long-handle dust pans and broom combos. Thoughtfully designed and sturdy, it’s what I currently use in my studio and I even purchased the smaller combo for use at home.

The larger “extendable handle” set (shop at Amazon) has a 10.8” wide dust pan that is 3.5 inches tall. The dust pan handle is 35” high, and the broom handle can be extended from 35” to 53” inches.

The smaller set (shop at Amazon) has a 9.5 inch wide dust pan that is 3 inches tall, and the dust pan and broom are around 35 inches tall or 38.5 inches when hanging upright.

Both sets are made from the same sturdy plastic and design, including a swiveling dust pan that can lock in place. The thick rubber “comb” on the dust pan help clean the bristles of the broom. This is especially good for removing hair and dust balls that stick to the broom.

The dust pan handle also contains a handy snap, so the set clicks together for easy storage both upright or hanging. In the hanging mode, the head of the broom can be easily tucked into the dust pan. It’s an all-around great combo.

 

Rubbermaid Commercial Long Handled Lobby Dust Pan

Another great long-handle dust pan option is the Rubbermaid Commercial Lobby Dust Pan. It has a much larger dust pan than the Oxo version, making it perfect for academic studios and larger spaces, such as community or garage studios. It is heavy duty, holds a large amount of dust and trash, and the pan swivels for picking up and dumpling. For storage, it will sit on the ground or can be hung up by the handle hook.

Rubbermaid Commercial Lobby Broom. Just 7.5” wide, so a standard broom may be better for studios.

Rubbermaid Commercial Lobby Broom. Just 7.5” wide, so a standard broom may be better for studios.

This dust pan pairs well with either a standard angle broom or the small lobby broom. The lobby broom is 7.5” wide, putting it on the smaller side if your goal is to clean up dust. I generally prefer a standard angle broom (see below) but the lobby broom does have a shorter handle, hangs up easily, and is good for sweeping larger chunks into the dust pan.

My only complaint about this dust pan is it doesn’t have a clip to hold a broom in place. But like most other Rubbermaid Commercial products, this is a well-built tool that will last forever.

Brooms

The Rubbermaid 10.5” Angle Broom.

The Rubbermaid 10.5” Angle Broom.

Angle Broom

If you are working in a studio that generates dust, such as a ceramic studio or woodshop, you need to be mindful when sweeping and generating any sort of dust. Sweeping compound can help trap dust at the ground level before it gets in the air, but another way to avoid creating airborne dust is to sweep gently with a soft-bristled broom. Move dirt deliberately into piles, then get it into your dust pan and you should be fine.

The best all-purpose broom for a studio is a simple angle broom. My favorite is the Rubbermaid Commercial 10.5” angle broom. It’s a quality broom and if you ever do actually wear out the brush head, you can buy replacement heads.

Push Broom

Rubbermaid Commercial Smooth Surface Fine Duty brush head for a push broom.

Rubbermaid Commercial Smooth Surface Fine Duty brush head for a push broom.

For larger rooms, you may want to also have a push broom or two. These are especially great for larger academic studios, outdoor concrete pads, or hallways. It’s harder to maneuver these around table legs and chairs.

As mentioned above, the way to go with possibly dusty floors is to get the softest bristles possible. For a push broom, the Rubbermaid Commercial Smooth Surface Fine Duty brush head is the way to go. Pair it with a broom handle, and you’ll have a great broom.

Sweeping Compound

SpillFix all purpose absorbent / sweeping compound.

SpillFix all purpose absorbent / sweeping compound.

Anytime you are sweeping a dry or dusty floor, sweeping compound will greatly reduce or eliminate any potential airborne dust and help you grab all the dust and debris. Sweeping compound is typically some form of oily sawdust. It is tacky enough to grab dust and dirt, but dry enough that there is no trace of oil left on the floor. Some sweeping compounds also double as absorbents for oil or other materials.

The best way to use sweeping compound is to fill a plastic cup with a bit of sweeping compound and fling it in a low, horizontal motion in order to distribute it evenly. Then, sweep as normal.

For busy studios, sweeping compound can be ordered in large bags or drums from most hardware stores or warehouse supply stores. Sweeping compound will dry out over time, so it’s best to order what you can use in 6 to 12 months. For smaller studios or if you are trying sweeping compound for the first time, the smallish jar of SpillFix linked below is a great way to test it out. Once you start using sweeping compound, you’ll wonder how you ever swept a studio floor without it.

Mop and Bucket

A mop and wringer bucket is an important part of any studio clean-up operation, especially if you are working with clay and want to avoid dust. The best wringer bucket is the Rubbermaid Commercial Wavebreak Bucket Wringer Set and for the mop, my preference is the Rubbermaid Side Gate Mop Handle with a blue mop head.

Rubbermaid Side Gate Mop Handle

Rubbermaid Side Gate Mop Handle

I know this post is starting to seem like it’s all Rubbermaid Commercial products, but I have used and can vouch for the quality, durability, and design of these products. (For a review of a Rubbermaid product I don’t endorse, read about 10 gallon buckets here) The good news on wringer buckets is there are a variety of side-press wringer buckets that are all about the same price and are highly reviewed, including Carslisle and Amazon Basics.

The main additional feature of the Rubbermaid is the “WaveBreak” system, essentially two flanges inside the bucket to help control the water when you are rolling the bucket. For me, the WaveBreak doesn’t add much, but I do appreciate the quality of the caster wheels and the wringer system on the Rubbermaid.

For a mop head, I find that the blue headband-style mop heads hold the longest. I prefer the standard 20” length, but there are options out there.

The Carlisle Mop Bucket is available in a 35 and 26 quart size.

The Carlisle Mop Bucket is available in a 35 and 26 quart size.

Carlisle Mop Buckets

For an alternative to the Rubbermaid Mop Bucket, check out the Carlisle Mop Buckets. They are available in two sizes: 26 quart and 35 quart, and a variety of colors. Options are good! And the smaller size is appropriate for smaller studios. They do not feature the “Wavebreak” middle bumper found on the Rubbermaid bucket, but this actually makes it easier to clean out the grime that settles to the bottom of the bucket.

I use and stock the 35 quart Rubbermaid bucket in larger studios, but in my own personal studio, I have the 26 quart Carlisle bucket. The mop wringer top part is the same size as the larger model, but the 4.5 gallon bucket takes up less room while providing enough water for cleanup. The casters don’t seem as robust as the Rubbermaid buckets, but overall, it’s basically the same, well-built mop bucket.

 
The Carlisle Mop Buckets are also available in a five colors.

The Carlisle Mop Buckets are also available in a five colors.

Large Yellow Sponges

Large yellow sponges are one of the best cleanup tools for the size, versatility, and ability to pick up large volumes of liquid. I use them every day in the studio and have tried just about every brand name and generic out there.

My advice is to go for quality on yellow sponges, and my favorite is the Armaly ProPlus Grouting and Cleanup Sponge. It does cost more, but it lasts so much longer. The generic packs you’ll find online contain sponges that usually fall apart in weeks. The Armaly Pro sponges last 6 months or longer under heavy use in the community studio I manage, and should last even longer in a personal studio.

Another decent option is the QEP yellow sponge, which will also last longer than generics. For a full rundown of heavy-duty cleanup sponges, click here. If the prices online seem too high, you may be able to find these sponges for less at big box hardware stores.

HEPA Vacuum

A quality HEPA vacuum is a must-have in any studio, especially if you are working with clay, plaster, or wood and generating dust. It’s always best to wet mop (or use sweeping compound) to avoid putting dust in the air, but if you do use a vacuum, you want to know that you have good filters and are not putting the fine dust back in the air. And for situations like cleaning the inside of a kiln, you definitely need a good vacuum.

The Nilfisk Alto Aero HEPA vacuum is a good balance of quality, and design. It is certified for drywall dust abatement. It’s on the more expensive side for a wet/dry vac, but it’s on the cheaper side for high quality HEPA dust vacuums. (I personally use a 20-year-old Nilfisk GM80. Those are great vacuums if you have $1400…)

I have used other Nilfisk vacuums at various shops and have always been impressed with their quality. Expect this to be an investment that lasts for years or decades.

For a complete review of HEPA vacuums that work for silica dust abatement, click here.

Walk Behind Floor Scrubbers

The Clark Vantage 14, a walk behind floor scrubber made by Nilfisk-Advance.

The Clark Vantage 14, a walk behind floor scrubber made by Nilfisk-Advance.

For larger studios, a battery-operated floor scrubber can be a quick and effective way to clean up. These machines put water down, scrub and clean with a rotating head, and then a rear squeegee helps collect water that is sucked back into the machine.

Available in a variety of sizes, these machines will make short work of even thousands of square feet of studio space. They do costs thousands of dollars, making them more appropriate for larger studios. But in the end, a unit like this will save time and result in cleaner floors. One piece of advice is to definitely get a cordless model.

A smaller option for this type of machine is the Clarke Vantage 14, which is made by Nilfisk-Advance. It has a 14 inch scrubber head, 3 gallon capacity, 100 minutes of battery life, and produces a relatively quiet 64 dB of noise when in operation.

Tennant T2 Walk Behind Floor Scrubber

The Tennant T2 floor scrubber.

The Tennant T2 floor scrubber.

A larger, battery-powered floor scrubber is the Tennant T2. It has a 17 inch wide scrubbing disc, a 7 gallon capacity for water or cleaning solution, and a 9.5 gallon reservoir for soiled water. It has a quiet, 68 dB operating noise and is somewhat compact at 44 inches long, 27 inches wide, and 36 inches tall.

Clean Up Recommendations

Here is how I clean up:

Tables and countertops
Use bench brush and dust pan to clean large chunks. Then wipe clean with water and large yellow sponges.

Floors
Spot-sweep as needed with broom and long-handled dust pan.
Use sweeping compound and sweep. Vigorous sweeping can produce airborne dust, so work slowly and carefully.
After sweeping, then mop floors. If needed, a second mopping should get things spotless.

Kiln room
Kilns are vacuumed as needed with a HEPA vacuum.
Floors are cleaned as described above.
As kiln rooms are sources of a lot of dust from ware storage, kiln wash, kiln shelf maintenance, etc, I am extra vigilant about cleaning frequently in kiln rooms.

Summary

This post has covered all the clean up tools I use in my own studio and studios that I manage. These recommendations are made based on years of personal experience and what has worked for me and other studio members. Cleaning up is an incredibly important part of the art making process, and you want to have the right tools to make the job efficient and effective.

What clean up tools do you use in your studio? Let us know in the comments.

The Best Glaze Mixing Accessories For Ceramic Studios

Mixing your own glazes from scratch is cost-effective and allows you to customize glazes to suit your studio. Whether you are mixing a powdered glaze with water, or weighing each ingredient and starting from scratch, having the ability to mix glazes opens up possibilities in your studio. You don’t need a huge set up to get started, a few simple tools and buckets are all you need. Below are reviews of our favorite glaze-mixing accessosories.

This list includes:

  • Drills

  • Immersion Blenders

  • Sieves and Strainers

  • Dust Protection

  • Mixer Blades

  • Scales

Drills

A drill is one of the most important glaze-mixing tools. Sure, you could get a big whisk or paddle and mix your glaze by hand, but….I wouldn’t recommend it.

For a drill, my favorite is the Milwaukee M12 3/8” Drill. It’s compact, well built, and affordable. And it has enough power to mix a 5 gallon bucket and just enough power to mix 10 gallons of glaze. It’s also cordless, which I find easier to use in the studio but you do sacrifice some power and you’ll have to deal with recharging batteries.

There are a lot of drill options out there, with all sorts of options, battery and cord styles. For more info, check out the Studio Manager Cordless Drill Review and our Corded Drill Review

Immersion Blender

For small batches of glaze, especially test batches, an immersion blender is a great tool. Designed for kitchen use, these definitely have enough power to hold up in the studio. I would just make sure you have one dedicated for studio use and a separate blender for kitchen use.

For an immersion blender, I have never noticed much of a difference between name brands and generics. You just want a blender that will work and get your glaze mixed. A great option for this is the Mueller Austria 9 Speed Immersion Blender. You probably don’t need all those speeds, but it does have a turbo button which speeds things up. And at around $30-35, this is one of the more affordable immersion blenders on the market.

Sieves and Strainers

A sieve is an important part of mixing glazes. A sieve insures that particles are broken up and that the ingredients are evenly distributed in the glaze. Proper mixing and straining also reduces glazes flaws, generally resulting in a more even glaze. If you are mixing glazes from dry powder or from scratch, you must run them through a sieve. Generally, I have a variety of sieves in the studio including a simple kitchen sieve, a smaller tea strainer, and specialized tools such as the Talisman Rotary Sieve.

The Talisman Rotary Sieve.

The Talisman Rotary Sieve.

Talisman Rotary Sieve

The best tool for sieving glazes is the Talisman Rotary Sieve. This is a large, hand-cranked sieve that will fit over a 5 or 10 gallon bucket. It has three brushes which can be removed for cleaning (or replaced if worn out) and removable screens. This allows you to choose which size of mesh to screen your glaze. Typically, this is done somewhere between 80 to 120 mesh. The Talisman Rotary Sieve is expensive, usually $200-250, but it makes short work of the sieving process and the brush system helps break up smaller particles, resulting in a uniform glaze batch. It’s an incredibly well-built tool and if handled with respect, it will hold up for decades of use. Talisman Rotary Sieves are typically only available from speciality clay supply stores, so shop clay stores online or contact your local clay supplier.

Talisman Test Sieve

Talisman Test Sieve

Talisman Test Sieve

Another option, especially for glaze test batches, is a cup sieve such as the Talisman Test Sieve. These small sieves are stackable, come in a variety of mesh sizes from 5 to 250, and are really well built. You probably just need one or a few, I’d suggest an 80 to start and in my own studio, I generally just use 40 mesh for a rough sieve and 80 mesh for a fine sieve.

Cuisinart Fine Mesh Steel Strainer

Cuisinart Fine Mesh Steel Strainer

Fine Mesh Steel Strainers

Another useful tool is a kitchen steel mesh strainer. These are not fine enough for a final glaze strain, but the wider mesh is still useful for quickly breaking up chunks of material. They are also great for quickly processing glaze in order to remove any bisque chunks or other small things.

When mixing glaze, materials such as Wollastonite, Soda Ash, Borax, Zinc Oxide, and most oxides used for colorants and others must be run through glaze sieve (usually 80 mesh), but if you start with a kitchen sieve, you’ll get the big chunks out quickly and can have an easier time with the glaze sieve. Smaller strainers such as a tea strainer are also useful for quickly running an underglaze or small batch through mesh. Sometimes, a simple mix and strain can bring a thickened glaze, underglaze, or slip back to being easy to use.

A great option for a kitchen steel mesh strainer is the Cuisinart 3 pack of Fine Mesh Metal Strainers. The all-metal design makes it easy to clean and maintain, and the variety of sizes will help with most small to medium glaze batches, or if you need to quickly strain a chunky material before running it through a finer mesh. There is also a link to a similar product by ExcelSteel at Home Depot.

Recommended Sieve Sizes

Here’s a useful chart of recommended sieve mesh sizes to use when mixing glaze, slip, and casting slip.

Suggested Sieve Size.jpg

Face Masks and Dust Protection

Dust protection and personal protection equipment is vital when mixing glazes. The main worry is any sort of airborne particles, particularly the finest particles such as silica. Repeated exposure to these particles, found in all dry glaze and clay materials, can lead to respiratory problems. Some also choose to wear plastic gloves when mixing and using glazes. The best thing when thinking about gloves is to assess your own risk and work to understand what is in glazes and what may be dangerous.

Respirator

The 3M Respirator

The 3M Half Facepiece Respirator with P100 cartridge style filters.

The best dust protection is a respirator. These devices are reusable, fit on your face more tightly than a dust mask, and the filters can be replaced as needed. Although moisture can build up, I find them to be more comfortable than a paper or surgical type mask, and they definitely provide a tighter fit. One drawback though, is you can’t really talk to anyone while they are on.

For a respirator, I have always used a 3M half facepiece respirator with P100 filters. They are usually widely available, so it’s easy to find replacement filters in stores or online. It can be hard to tell if the filters are getting full of dust, so I generally buy new filters every 6 months. It can round around $20 for new filters, but as someone who works full time in ceramic studios, I don’t want to take any risks with my lungs.

If you don’t want to get a respirator, at the very least get a N95 or KN95 mask and wear it whenever you are working with dry glaze or clay materials. Also be aware, fine particles can remain in the air for a while, use caution when mixing and try to keep dust out of the air. For more, see our complete article on dust masks for studios.

Mixing Blades and Paddles

The right mixer blade will make your glaze and slip mixing quick and efficient. It’s best to stock different size mixers for mixing different amounts of glaze. These are the mixing blades I stock in my own studio.

The small Jiffy LM10 Mixer Blade

The small Jiffy LM10 Mixer Blade, also called a laboratory mixer.

Small Mixer Blade

To mix pint jars and small cups, the Jiffy LM10 Mixer Blade is just the right size. It’s 10 1/4” long with a 1 1/4” head.

 
Helix mixer blade for 1 to 2 gallon buckets

Helix mixer blade for 1 to 2 gallon buckets

MEDIUM MIXER BLADE

For one to two gallons, I prefer a helix mixer designed for 1 gallon buckets. It’s cheaper than a metal blade but it can really mix. As long as you don’t grind the plastic blades against buckets, these economical blades should last for years and also work well for jobs such as mixing plaster.

 
The Jiffy ES Mixer Blade for 2 to 10 gallon buckets of glaze.

The Jiffy ES Mixer Blade for 2 to 10 gallon buckets of glaze.

LARGE MIXER BLADE

For 5 or 10 gallon buckets, the Jiffy ES mixer blade is the way to go. It has a 20 1/2” long, 3/8” shaft and the head is 3 3/4” wide. It’s perfect for 5 gallon buckets and it will mix up to 10 gallons as long as you have a strong enough drill (usually a corded drill or a higher powered cordless drill)

Scales and Accessories

A scale is a must-have for mixing glazes. An accurate, durable scale is a great investment. My favorite is the Oxo 11 Pound Scale. To read about other scale options, the Studio Manager scale review can be found here.

The Oxo 11 Pound / 5 KG Scale is great for home or studio use.

The Oxo 11 Pound / 5 KG Scale is great for home or studio use.

The Oxo 11 Pound Scale is designed for kitchen use but it’s a just as useful in the studio. It runs on 4 AAA batteries, and is accurate to 1/8 ounce or 1 gram. A great feature is the pull-out, light up display that allows you to use the scale with larger bowls. The scale has four buttons: a lb/kg toggle, light switch, zero button, and power. The top stainless steel platform can also be removed for cleaning. This scale can accommodate up to 11 pounds or almost 5 kilograms at a time. It’s an incredible amount of features in a scale that typically costs about $50.

Ohaus Maxi-Scoop Bowl

The Ohaus Maxi-Scoop bowl.

The Ohaus Maxi-Scoop bowl.

The Ohaus Maxi-Scoop is my favorite bowl to use when weighing dry ingredients. Made of polypropylene, it is 10 inches wide, has a pouring spout, and is durable and easy to clean. It holds a lot of material, typically up to about 2500 grams, and the open, wider design makes it easier to use in my opinion. Of course, you can use any sort of bowl to measure dry ingredients, but this one just seems to be ideal for scales and it’s the one I reach for first when I’m mixing glaze.

Metal Scoops

metalscoop.jpg

A quality metal scoop makes working with dry materials so much easier. In a pinch, I’ve repurposed small yogurt containers as scoops, but a durable, long-lasting metal scoop is better. For large storage bins or bags, you might get a scoop for each material. Or if you have a collection of 2 to 4 different sizes, you can get through most glaze batches without contaminating between materials, and then wash the scoops after glazing. For really strong ingredients such as red iron oxide, I leave small scoops in each bin so I don’t have to clean the scoops each time I use them.

Wrap-Up

This post has listed my favorite tools and accessories for use when mixing glaze, including drills, immersion blenders, sieves and strainers, dust protection, mixer blades, and scales. It may seem like a lot of stuff, but each tool has it’s role to play in the glaze-mixing process. If you are new to mixing glaze, start with the basics such as a scale, dust-protection and maybe just a wooden spoon, and go from there. You can always add tools as needed.

What are your favorite tools to use when mixing glaze? Let us know in the comments.

The Best Scales for Ceramic Studios and Workshops

Updated and revised, June 14, 2021

The OXO 11 Pound Food Scale is the top pick for a studio scale. It is accurate, affordable, durable, and has a pull-out, light-up display. It’s shown here with the Ohaus Maxi-Scoop bowl and a metal scoop.

The OXO 11 Pound Food Scale is the top pick for a studio scale. It is accurate, affordable, durable, and has a pull-out, light-up display. It’s shown here with the Ohaus Maxi-Scoop bowl and a metal scoop.

A scale for a studio or workshop is a heavily-used tool that needs to be accurate, easy to use, and durable. These days, you can get a great scale without spending a lot of money. This post will cover affordable but durable scales that get the job done and hold up under the heavy use of an academic or community ceramic studio.

TOP PICK: OXO 11 Pound Food Scale

The OXO 11 Pound Scale, going strong after years of studio use.

The OXO 11 Pound Scale, going strong after years of studio use.

The OXO Good Grips 11 Pound Scale is the top pick for a scale in a ceramics or art studio. With accuracy to 1 gram, this scale has a large enough capacity for most glaze or plaster-mixing needs. It’s made for home kitchen use but is super tough and has thoughtful design features such as a pull-out, light-up display. It runs on 4 AAA batteries, and is accurate to 1/8 ounce or 1 gram. It is simply incredible that a scale under $50 is this accurate. For similar or more accurate scales (options like this reviewed below) you’ll easily pay $100 or more.

The pull-out, light-up display on the OXO 11 Pound Scale.

The pull-out, light-up display on the OXO 11 lb capacity scale (Shop at Amazon)

The scale has four buttons: lb/kg toggle, light switch, zero, and power. It’s simple and intuitive, and the pull-out display helps if you are using wide bowls. The top stainless steel platform can also be removed for cleaning.

This scale can accommodate up to 11 pounds or almost 5 kilograms at a time. The display will help you know when you’re reaching capacity by displaying more bars on the right-hand side. When mixing glaze, the 5,000 gram capacity is definitely enough. But if you work with larger amounts of material, a higher-capacity scale is reviewed below.

Prior to working with the OXO 11 Pound Scale, I only wanted to use more professional scales with 0.1 gram accuracy. But this is an affordable, durable, well built, and most importantly, accurate scale. The 1 gram accuracy is exact enough for most purposes, and it will survive many years of use in any studio. I liked this scale so much that I bought the smaller OXO 5 Pound Food Scale for use at home.

Table of Contents

  • Top Pick: OXO Good Grips 11 Pound Scale

  • Budget Pick: Accuteck All-In-One Scale

  • Upgrade pick: MyWeigh iBalance 5500

  • Heavy Duty Pick: MyWeigh HD-300 Shipping Scale

  • Manual Scale Pick: LEM Stainless Steel Scale

  • Other Scale Options

  • Scale Accessories

  • Summary

Budget Pick: Accuteck All-in-One Digital Scale

The Accuteck All-In-One 50lb Digital Scale (Shop at Amazon) is a great budget option. It can weigh up to 50lbs of material, is well-built, and is very affordable—usually priced under $20. I have been using one in a busy community ceramics studio for 3 years and it has held up under heavy use.

This scale runs on 3 AAA batteries or an optional 5V plug-in adapter. It is accurate to 0.2 ounce, or about 2 grams. It is definitely not as accurate as our top pick, but if you need something for the occasional glaze batch, it will be ok. It is also great to keep on the wedging table for measuring pieces of clay.

When I originally purchased this, I didn’t expect it to be so well built and have been extremely happy with the purchase. In a world full of low-quality generics and knock offs, I would definitely recommend this scale if you are on a budget. The only drawback is that it is only accurate to about 2 grams. This scale wouldn’t be very accurate if you were measuring small quantities of glaze materials.

Upgrade Pick: MyWeigh iBalance 5500

The MyWeigh iBalance 5500 scale is accurate to 0.1 grams and has a 5500 gram / 12 lb capacity.

The MyWeigh iBalance 5500 scale is accurate to 0.1 grams and has a 5500 gram / 12 lb capacity.

The MyWeigh iBalance 5500 (Shop at Amazon) is a great upgrade pick for a studio scale. It’s accurate to 0.1 grams while maintaining a large capacity of 5500 grams or about 12 pounds. It has a stainless steel top, optional AC power adapter, simple and intuitive buttons, and a 3 year warranty. The four feet can be independently leveled too.

It’s a workhorse for glaze mixing that allows you to do large batches, or fine tune a small amount of material to a high degree exactitude. You’ll pay more for this accuracy — around $150 at the time of this post — but if you need the range from a few grams to larger amounts, this scale will deliver. There are other models in the MyWeigh iBalance line too, ranging up to 11000 gram capacity.

Heavy Duty Pick: MyWeigh HD-300 Shipping Scale

MyWeigh 300 shipping scale.jpg

The MyWeigh HD-300 Heavy Duty Shipping Scale (shop at Amazon) is the top pick for a shipping scale, but it’s also accurate enough for large batches of plaster, concrete, or other studio materials. It can measure up to 300 pounds with an accuracy of 0.1 lbs or to within about 2 ounces. It has a steel top and a remote display on a six foot cord, so you can easily get the weight of even the largest package. It’s powered by 4 AA batteries or an optional AC power adapter. It also has a built-in USB port, if you want to set up communication with printers or other devices. Finally, it has adjustable feet and easy to clean surfaces. This is a great heavy duty scale that comes in around $130. There are plenty of cheaper shipping scales, but if you read online reviews closely, you’ll see that they fail or are inaccurate, while this scale is built too withstand the test of time.

Manual Scale Pick: LEM Stainless Steel Scale

The LEM Stainless Steel Scale.

The LEM Stainless Steel Scale.

The LEM Stainless Steel Scale is a great option for weighing wet clay, plaster, or as a shipping scale. It has a 10” x 8” steel platform, and can weigh up to 44 lbs / 20 kg with an accuracy of 2 ounces or around 50 grams. It’s not accurate enough for mixing glazes, but for just about everything else, this is a great option that is affordable, durable and doesn’t need any batteries or plugs. Sometimes it’s good to keep it simple and for $30, you can’t go wrong with this scale.

Other Scale Options

Rubbermaid Commercial 150lb Digital Scale

The Rubbermaid Commercial 150 Pound Scale is another option for a rugged scale that can measure packages, plaster, or any type of material.

It has a wide metal platform, and the display can be mounted on the wall or pulled to the side with a 9 foot cord. The scale has a capacity of 150 pounds or 68 kilograms, and runs on a 9V battery or option AC adapter.

The drawback of this scale is that it is only accurate to about 1/2 pound. Previous models of this scale were more accurate to around 2/10 of a pound, so it is disappointing that Rubbermaid has let the quality drop. There are also complaints online about this unit, specifically the controller, breaking after a few months of use. That hasn’t been my experience though, so I would still recommend this with the caveat that you treat the control / display panel carefully. It’s priced about the same as the MyWeigh shipping scale, or around $130.

The Ohaus CX1201 Scale, 1200 gram capacity with 0.1 gram accuracy.

The Ohaus CX1201 Scale, 1200 gram capacity with 0.1 gram accuracy.

Ohaus Digital Scale

Ohaus is one of the most trusted names in scales, and the the Ohaus Portable Balance CX1201 is accurate to 0.1 grams with a capacity of 1200 grams or about 2.6 pounds. It costs a bit over $100 and runs on 3 AA batteries or an optional plug.

I prefer the larger capacity of the MyWeigh 5500, but this scale has a balance of accuracy, cost, and quality that is hard to beat. If you regularly measure smaller batches of glaze and need 0.1 gram accuracy, this scale will deliver.

Triple Beam

The Ohaus Triple Pro Scale

The Ohaus Triple Pro Scale

“Triple-beam lyrical dream” as Biggie used to rap, these types of scales were the standard for drug dealers and glaze chemists alike. Now, almost everyone has switched to digital scales. I definitely have. But, if you want to go old school or want to keep it simple and not worry about batteries or breakdowns, a triple-beam scale is the way to go. They are extremely accurate, long-lasting, and durable. It just takes longer to get a measurement.

Ohaus makes a great scale, the Triple Pro Mechanical Triple Beam with a 610 to 2610 gram capacity that is accurate to 0.1 grams. The scale has a basic capacity of 610 grams, but you can add counterweights to increase the capacity to 2610 grams. If you want to invest in a long-term piece of equipment, this is the kind of tool you could pass down to your grandchildren.

Favorite Scale Accessories

The Ohaus Maxi-Scoop bowl for weighing dry materials.

The Ohaus Maxi-Scoop bowl for weighing dry materials.

Ohaus Maxi-Scoop Bowl

The Ohaus Maxi-Scoop is my favorite bowl to use when weighing dry ingredients. Made of polypropylene, it is 10 inches wide, has a pouring spout, and is durable and easy to clean. You can get quite a bit of dry material piled up in this bowl, and the open, wider design makes it easy to use. Of course, you can use any sort of bowl to measure dry ingredients, but this one just seems to be ideal for scales and it’s the one I reach for first when I’m mixing glazes.

metalscoop.jpg

Metal Scoops

Metal scoops are the easiest way to pick up glaze materials, plaster, or any dry material. They are also long lasting and easy to clean. A variety of sizes works, or some people like to keep an individual scoop in each bucket of material.

Ohaus Footed Scoop Bowl

The Ohaus Footed Scoop Bowl.

The Ohaus Footed Scoop Bowl.

The Ohaus Footed Scoop is another great option for mixing dry materials. It doesn’t hold as much material as the Maxi-Scoop, but the design of this bowl is much easier to pour. There’s also a metal option in this design, which is super long lasting, but it’s very expensive.

Summary

This post has covered a variety of scale options suitable for a ceramics, sculpture, or art studio. Many of these will work at home too. My top pick is the OXO 11 Pound Scale for it’s combination of accuracy, durability, and price. But there are a variety of other options too, along with my favorite accessories for mixing glaze and other materials.

What scale do you use in your studio? Let us know in the comments.